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There's a word for an actress who can go from nervous to winsome to raunchy to romantic in a heartbeat and get you to adore her the whole time. The word is star.
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90Most love stories are bland and generalized. This one takes you deep inside the dance.
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89Secretary is a testament to the importance of tonality in telling a story.
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88Has enough genuine laughs to eliminate the potential twitters and snickers, and it treats Edward and Lee as people. We end up caring about what happens to these two individuals, even as we smile and laugh at their antics.
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83Secretary is one of the best of a growing strain of daring films -- "Bliss," "The Lifestyle," "Satin Rouge" -- that argue that any sexual relationship that doesn't hurt anyone and works for its participants is a relationship that is worthy of our respect.
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80It's a liberating, kindhearted picture, one whose ending brings with it the feeling that something has finally been shaken free. How comfortable you feel with that is completely up to you.
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80Secretary's treatment of female sexuality is as matter-of-fact as its handling of self-mutilation, and the key to both is Gyllenhaal's remarkable performance.
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80A film of startling humor and feeling. For that, director Steven Shainberg, who co-wrote the script with Erin Cressida Wilson, owes much to two remarkable performances.
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80The unnecessarily emphatic ending suggests that Secretary's makers are a bit anxious to demonstrate they've whipped a potentially grotesque, spanks-for-the-memories scenario into the season's most romantic love story -- which is, in fact, what they've done.
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80For all the dolorous trim, Secretary is a genial romance that maintains a surprisingly buoyant tone throughout, notwithstanding some of the writers' sporadic dips into pop Freudianism.
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80A wholesome self-help fable about the unlocking of shame and its magical transformation into pleasure and personal liberation.
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80Manages to be simultaneously subversive and sweet.
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80In a very demanding role demanding a vast emotional range from clueless innocent to confident role player and emotional adventurer, Gyllenhaal is outstanding.
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80Lee's journey of the body and soul is something else. Maggie Gyllenhaal makes it strangely touching, a revelation.
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Initially cold and perverse to its core, the film transmutes into something warm and uplifting. Normal, even.
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80Wicked little black comedy.
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75Approaches the tricky subject of sadomasochism with a stealthy tread, avoiding the dangers of making it either too offensive, or too funny.
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75The daring, funny and quirkily erotic Secretary examines power exchanges between consenting adults in a way that other movies have not managed without turning off swaths of the squeamish.
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75Against all odds, director Steven Shainberg has managed to craft an oddly compassionate -- and often very funny -- tale of an emotionally symbiotic affair.
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75Pulls off a neat trick: It's a poignant, sweet-natured love story in which what most of us would call kinky sex - domination, submission, some enthusiastic spanking - is featured prominently, but not pruriently.
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75Even without the surprise of seeing Spader going for laughs and getting them, Secretary is just too original to be ignored.
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75Love hurts in Secretary -- but not too much. It's not impossible to imagine adventurous young couples seeing this movie and rushing home to try out the handcuffs and paddles.
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70Secretary, like the type of relationship it explores, is not for everybody. But it does what good films do best; that is to provoke us, push our buttons, make us think and maybe even entertain us in the process.
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70There's something appealing about an unapologetic love story set in an office that's only a few clicks off from looking like a fetish dungeon, and Spader and Gyllenhaal make sure that the romance, kinks and all, carries the day.
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63Director Steven Shainberg and writer Erin Cressida Wilson argue that everyone deserves the love that makes them happiest, and that these two will remain miserable until they stumble upon each other.
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60Secretary is deeply conventional: Edward and Lee accept their bondage as the way to a more fulfilling life. It's the filmmakers who need to be spanked.
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58Director Steven Shainberg makes something draggy out of something that wants to be light. It's got wit, but it's also earnest, and in proportion to those two traits it wins and loses you.
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50The movie works hard to be naughty, but its sub-David Lynch style doesn't quite click. Gyllenhaal is excellent and Spader effectively adds to his roster of creepy characters.
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50The movie isn't painfully bad, something to be "fully experienced"; it's just tediously bad, something to be fully forgotten.
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50What's hilarious about the build-up is that Secretary proves to be the softest, most middle-of-the-road movie that could have been made about this subject.
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50Before it takes a sudden turn and devolves into a bizarre sort of romantic comedy, Steven Shainberg's adaptation of Mary Gaitskill's harrowing short story about dominance, submission and the twisted sexual dynamics of the work place is a brilliantly played, deeply unsettling experience.
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50A bizarre flick. It moves a little apprehensively between comedy, drama and then, erotic romance, with the central players' excellent performances (especially newcomer Gyllenhaal) suffering because of the film’s indecisions.
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40The problem with Secretary isn't that it is offensive or unnerving -- although you get the idea the filmmakers hoped it might be at least one of those. The problem is that the story is slow-moving and dull.
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40Not meant to be realistic; it was shot by the director Steven Shainberg in a slow, dreamy neo-De Palma style and in candy colors, and Gyllenhaal has a Kewpie-doll silliness that almost makes the naughty parts of the movie fun. [23 Sept 2002, p. 98]
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38Though I would agree it's original -- it's the first aboveground romance movie I've seen in which the heroine is repeatedly spanked, verbally tormented and tied to a chair by her lover--- it's not an experience I much enjoyed.
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30Writer-director Shainberg seems to be aiming for a dark comedy, but mostly his movie is coy without being funny, ugly without being truly transgressive, stupid when it needs to be smart.
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30In a movie as unrewarding as this, there's really only one burning question: When does the spanking begin?
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25The characters in Secretary never feel the least bit human. Their quirks, sexual and otherwise, are all on the surface. Inside, where it counts, nobody's home.
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25It provokes nothing but yawns, and the sex it explores is stuff everybody knows about and says, "So what?"
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Positive: 18 out of 19
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Mixed: 0 out of 19
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Negative: 1 out of 19
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8
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MarkJ.9
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ScottM8More proof that Maggie Gyllenhaal is one of the most talented, alluring, and underrated actesses working today.