Metascore
51

Mixed or average reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 7 out of 16
  2. Negative: 2 out of 16
  1. A compelling small-scale drama, and Lapica is a talent to watch.
  2. 63
    It's worth noting that the movie's spiritual underpinnings are sometimes fairly subtle and other times veer into "Touched by an Angel" territory. The third act is downright Bible-thumping.
  3. 50
    The scenes of his incarceration and escape from the place are gripping, thanks mainly to Michael Bowen as the hard-ass staffer who wants to break him. But the movie slides toward melodrama with some stale business about the hero spreading his late father's ashes.
  4. 75
    On the basis of this film, Monty Lapica, at 24, has a career ahead of him as a director, an actor or both. He also has a life ahead of him, which the film does a great deal to make clear.
  5. Lapica isn't yet enough of a writer or director (or an actor) to make the dramatic arc unpredictable in any way. It may be effective for some as therapy. It is far less so as cinematic storytelling.
  6. Reviewed by: Michael Ordona
    50
    Self-Medicated is not loathsome or lurid, just one-sided and in need of guidance -- ironically so, because that's what its protagonist so steadfastly refuses to accept. The movie's lack of nuance is balanced by its good intentions.
  7. The vision of him pretending to be a sullen teen is a distraction the movie never overcomes.
  8. 58
    As it stands, the film is more often self-absorbed than self-aware.
  9. Reviewed by: G. Allen Johnson
    75
    Though the script and storytelling could have used more polish, Lapica's honesty provides the lasting impression.
  10. Before the movie reaches its climax, it has created a mess that requires divine intervention.
  11. 42
    It's a personal story that feels like it's been constructed from other movies.
  12. There's a palpable element of honesty in Lapica's writing and lead performance that gives this indie production, the edge over other troubled teen dramas.
  13. Though buoyed by Anthony Marinelli’s moody score and Denis Maloney’s gutsy cinematography, Self-Medicated suffers from severe dramatic droop.
  14. Reviewed by: Ken Fox
    63
    There are nice touches, particularly in Venora's performance and Timothy Kendall's editing, but the film's maudlin edge illustrates the dangers of directing your own material: There's no one on hand to tell you when what you think is "just enough" is actually way too much.
  15. Reviewed by: Justin Chang
    70
    Searing portrait of an out-of-control youth who winds up in a decidedly shady rehab center has more than its share of teen-angst cliches but still makes a surprisingly trenchant tearjerker, thanks to strong acting from all quarters and an especially blistering perf from Lapica.
  16. Reviewed by: Scott Foundas
    40
    Self-Medicated reveals itself as a narcissistic fantasy about the misunderstood kid with a heart of gold who finally figures out how to get his shit together: "Good Will Hunting" with a side of Capracorn.
User Score
8.1

Universal acclaim- based on 7 Ratings

User score distribution:
  1. Positive: 4 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 1 out of 5
  1. Nov 28, 2012
    10
    This is an indie film made for a low budget. Considering the limited resources the filmmakers had I must say they did an outstanding job. This is a very well made movie that is resonant on many levels. I would recommend this film. Full Review »
  2. JoelW.
    Apr 4, 2008
    9
    I was really moved by this film. It's filled with daring honesty that may turn off some cynics, but amounts genuine tears for the rest of us.
  3. HarveyB.
    Sep 24, 2007
    10
    This film has quite a few remarkable features. First of all is its title, which is rather unusual and immediately grabs one's interest. It is a very well written script with stylish direction, however the real meat is the utterly convincing performances by the actors. Diane Venora, Greg Germann, Michael Bowen, and Kristina Anapau are all seasoned actors and their conviction and intensity is astounding. Monty Lapica, as the tortured juvenile Andrew, has a face which conveys a myriad of emotions with great sensitivity and few words. He can be cold as ice, but his performance is most moving when he reveals his sensitive side. The final image will linger and hold you for a long while. Full Review »