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100I was carried along by the wit, the energy and a surprising sweetness.
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100The richest and most satisfying romantic movie of the year. It's really about two great loves at once -- the love of life and of art -- and the way that Shakespeare, like no writer before him, transformed the one into the other.
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100One of those entertaining confections that's so pleasing to the eye and ear you'd have to be a genuine Scrooge to struggle against it.
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89The end result is a delightful, though a smidge too long, reminder of one of the reasons we so enjoy going to the movies: perchance to dream.
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88The whole ensemble has a hoot with this material, and their joy is contagious.
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100Some scholars may scowl, some lowbrows may scoff. But, like wordwise Will, these filmmakers know how to win a crowd -- from the queen down to the groundlings, from the sky above to the stage below. Bravo! [5 December 1998, Friday, p.A]
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88Inordinately clever, sprightly romantic comedy.
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88Accessibly brainy screen charmer.
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90The movie becomes something quite rare and magical: a text about a text that is also full of life. In other words, it's a true first: It's both postmodern and fun!
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100Paltrow and Fiennes are so good and the script, referencing not only "Romeo and Juliet" but "Twelfth Night," is so consistently intelligent that seduction is inevitable.
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100The true, rare glamour of the piece is its revival of two precious movie tropes: the flourishing of words for their majesty and fun, and--in the love play between Fiennes and his enchantress--the kindling of a playfully adult eroticism.
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90The beauty of this extremely clever movie, directed with fleet, robust theatricality by John Madden, is how deftly it manages to work on multiple levels.
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90It's easy to suspend disbelief and embrace this historically creative fiction, whose clever relationship to what's known and what's unresolved is part of what makes it so intriguing and so romantic.
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100With most historical films the informed viewer scrutinizes in order to cluck at errors. (There are books full of such cluckings.) With Shakespeare in Love, the more one knows, the more one can enjoy the liberties taken. [Jan. 4, 1999]
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100Shakespeare meets Sherlock, and makes for pure enchantment in the inspired conjecture behind Shakespeare in Love.
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88Its brazen mixture of the comic and dramatic, the high and low and the emotional and intellectual is positively Shakespearean.
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90Stoppard's luxuriant, richly comic language cascades and washes over you, and, for once, more than keeps pace with the sprightly pictures.
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100It's a rollicking good time, full of genuine emotional pull and incandescent acting, and anchored by a passionate love for the theater itself which puts most human liaisons--including Shakespeare and Viola's -- to shame.
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100If she (Paltrow) were the only good thing about Shakespeare in Love, it still would have been worth seeing; that she is the crown jewel in a glittering tiara of a film studded with writing and acting gems testifies to the deep pleasures to be found in this remarkable movie.
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Anyone not romantically inclined going into Shakespeare in Love surely will be by the end.
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90The result is a film that is as witty, astute, and romantic as its timeless subject.
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Like "Amadeus," Shakespeare in Love works splendidly as an appreciation of an artist in the heat of creation, and it breathes life into "Romeo and Juliet."
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100These are the heights of cinematic achievement.
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90Exquisitely acted, tightly directed and impressively assembled.
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90The most romantic film of the year.