- Studio: Sony Pictures Classics
- Release Date: Jul 28, 2004
- Critic Score
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75It is exciting to watch this movie. It is never boring. Lee is like a juggler who starts out with balls and gradually adds baseball bats, top hats and chainsaws. It's not an intellectual experience, but an emotional one.
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75A daring, entertaining, but somewhat disappointing affair, something of an overreacher despite Lee's usual pyrotechnics and a brilliant cast.
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75This intensely topical satire tackles a wide range of important issues, from corporate whistle-blowing to the toll sexual license takes on stable family structures.
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63A messy -- but uproarious, timely and provocative -- farce.
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63A belligerent little sex farce roiling inside an otherwise inconsequential lampoon of corporate America, the movie is rude and ridiculous, fearless up to a point, and breathtakingly hungry to provoke.
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63She Hate Me is a mixed bag, but at least it's interesting and almost never boring.
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60Lee's energy never flags, and She Hate Me resonates with authority and impact and daring, but the messages it sends are mixed.
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50Like most Lee films, She Hate Me is gasp-worthy, with something to offend everyone. I will not say that I liked it. I will say that like "Bamboozled," it exasperates and resonates.
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50This 140-minute I-don't-know-what-it-is unravels like a ball of yarn after a bout with a tiger on Colombian catnip. Lee exhaust me.
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50While not quite a red herring, the corporate stuff serves as a prelude to a long-winded and mostly embarrassing treatise on alternative lifestyles and filial responsibility.
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50A scabrous, provocative and often funny social satire about the American dream, Spike LeeSpike Lee's flawed but fascinating She Hate Me addresses everything from corporate malfeasance to the African AIDS epidemic, barely catching its breath in-between.
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40Undermined by a plot that doesnt make sense and plays like three-and-a-half genre movies fighting for screentime in one overlong one.
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40The problem with She Hate Me is that there's no playfulness in Lee's provocations. He doesn't have the style or the naughty joie de vivre that you need to make a sex farce.
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40It's too much for a feature film, and too little, but it certainly isn't dull.
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38A mess, but it means well.
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30If it weren't all so cluelessly sleazy it might be funny.
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30Lee hits almost every note wrong, from Terence Blanchard's overplayed score, to underdeveloped roles for Ellen Barkin and John Turturro, to stale one-liners.
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30Director Lee throws cold water on his own overheated fantasy scenario by having Mackie mope through every scene. What's fascinating is how She Hate Me perversely trumps its own perversity.
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30It all turns out a bedraggled mess. Lee presumably had two ideas, one an exposé of pharmaceutical greed, the other a sex comedy: then he decided that neither one would make a film in itself and came up with the lame idea of combining them. What makes the resulting blunder even worse is that, intrinsically, almost every scene is directed well.
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30Spike Lee's fans have learned to take the bad with the good, but this is pretty damn bad.
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25When a Spike Lee film doesn't fly, it sinks like a stone.
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25Lee remains a superb entertainer -- like Oliver Stone, he's incapable of ever being boring -- but in She Hate Me, he comes dangerously close to seeming trivial, a crank-for-crank's-sake.
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25It's hard to say what's most disappointing about She Hate Me, Spike Lee's absurdly - and arrogantly overlong comedic drama. But there are plenty of options to choose from.
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25About as awful as a film can be without being the ultimate awful, which is boring.
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25One of the most preposterous efforts by any major director in recent memory.
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What is this movie about? Is it a morality tale? Is it about the complexity of romantic love? Parenthood? Accepting the often-blurred lines of our sexual orientation? Is it about the role of race in white-collar crime? What?
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20How can a director as savvy as Lee make so many errors of judgment regarding taste, tone, intention and dramatic structure?
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Every once in a while, a film comes along that so blatantly disregards emotional authenticity that one fears for the sanity of its director. She Hate Me is just such a film, and Spike Lee is its director and co-writer. Artless, sensationalized, didactic and often downright silly.
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20It's sheer agony to sit through, and not for the reasons Lee would relish. It's just bad.
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20The most misguided, ill-conceived and lamentable film.
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20The mélange of plots, subplots, reveries, gags, cartoons, dirty bits, and hissy fits points to a work that is structurally modelled less on the classic narratives of cinema than on, say, a portion of Russian salad.
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Given the abundance of tedious sex in She Hate Me it's no wonder the whole thing's such a turn-off.
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11The politest way to assess Spike Lee's latest polemic is to call it too ambitious. "An unholy mess" might come closer to the truth.
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10Spike Lee carries his political exasperation beyond outrage into chaos. The carelessness with which he hurls his feelings about hot-button topics onto the screen is the filmmaking equivalent of last-ditch marketing: grab everything in sight, roll it up into a big messy mud ball, and hurl it against the wall, hoping that something sticks.
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0She Hate Me manages to be at once racist, homophobic, utterly fake, and unbearably tedious. This time, it's Spike Lee who's doing the bamboozling.
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0Spike Lees She Hate Me is his worst movie ever--even worse than "Bamboozled," his self-serving indictment of modern minstrelsy, which at least was worth arguing about.
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User score distribution:
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Positive: 6 out of 9
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Mixed: 0 out of 9
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Negative: 3 out of 9
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Alisha9
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FranciscaC.9I got it; I liked it. Movies are for entertainment and that I was. Comedies are comedy and an exaggertion of life. Two thumbs up.