- Studio: Fine Line Features
- Release Date: Nov 20, 1996
- Critic Score
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100The fact that David Helfgott lived the outlines of these events--that he triumphed, that he fell, that he came slowly back--adds an enormous weight of meaning to the film.
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100All but sweeps you away with its dazzling technique and shattering emotion. [27 November 1996, Tempo, p.1]
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100This is unbelievably rich material, and I can say without reservation that Scott Hicks' work deserves the highest recognition. Shine truly does what its name says.
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100Delivers a full emotional palette without undue sentimentalizing.
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100Popular filmmaking at its smartest and most persuasive.
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100If this weren't a true story, who would believe it? Well, a good many of us, probably. First, it's the kind of exceptional circumstance we like to dwell on as proof that pessimists are wrong; second, Shine is markedly well made, therefore persuasive. [Nov. 18, 1996]
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90It's a film which aims to persuade us of its truth without props or signposts--and it does so with unforgettable beauty.
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90A film of elegant small moments and complex, bittersweet motivations.
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90An unconventional biopic about a brilliant young pianist.
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90The movie does what any great musician should: It lifts an idea to the heights of ecstasy; it sells its song.
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90A deeply affecting allegory that explores the symbiotic relationship between genius and madness.
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88A sublimely uplifting movie.
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88Hard to take in its particulars.
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83Shine beams with warmth, sensitivity, and fine taste.
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80Memorable, deeply affecting movie.
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80A very moving and surprisingly funny experience.
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80Fortunately, Hicks's direction has an elegance and dignity that rescue Shine from the exploitative and give the film an acute, genuinely sensitive style.
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80Thanks to fine acting and its vividly unconventional protagonist, it pumps fresh blood into a conventional formula.
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80The high-powered drive of both the storytelling and the music is riveting.
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78If, at times, Shine's luster reveals more elbow grease than internal radiance, the movie is still a moving tribute to the human capacity to overcome all odds.
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75Shine has a story to reckon with and powerhouse male performances.
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70Feel-good tone notwithstanding (and creepy to boot), there are nagging riddles about the Helfgott story that the film has neither the nerve nor the sense to tackle.
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The gaga uplift in Shine knocks the malaise right out of your head--along with just about everything else.
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70Ceases to be a cogent study of the disease of genius and devolves into two lesser creatures: an ordinary weepie and an Oscar contender.
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63The movie is meant to be uplifting and to the degree that you can ignore its unquestioning treatment of mental illness, I suppose it is.
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User score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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8
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FelixQ.9
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GeorgeM.10Deep, full of love, perfectly acted and brings up the question: who is really insane?