User Score
6.5

Generally favorable reviews- based on 59 Ratings

User score distribution:
  1. Positive: 40 out of 59
  2. Negative: 8 out of 59

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  1. Jun 23, 2011
    0
    The characters were flat, stupid and tedious. A pretty women goes on a date with a complete idiot who needs to grow up. Then she enters into a relationship with a rich man who buys her expensive gifts but really has no good qualities. Then (magically) the first man becomes the perfect guy after being a loser for 99% of the film. If this seems boring, repetitive and mundane, it's because it is. Add in elevator music and a cheesy non-realistic, stupid ending and you get the gist of this movie. A complete waste of time and one of the worst movies I have ever seen; I rolled my eyes and at parts, and was reduced to staring at the ceiling which was more interesting than the film. Expand
  2. Dec 11, 2012
    7
    Claire Danes is lovely. Beautiful cinematography and soundtrack. The voiceover, however, is redundant and a major drag in an otherwise enjoyable film.
  3. Jun 6, 2014
    7
    Unusually sweet movie about lonely people adrift in LA. Also a proof that a “romantic” comedy does not have to be yet another boring chick-flick. Mirabelle is a girl, working at the gloves counter of a department store. She does not have much to do, since gloves are not much in demand. In her spare time she draws in Edward Hopper’s style.

    At the laundry, she meets James, a young
    aimless slob. They have an awkward date and sex, mostly due to lack of social and emotional intelligence than to personal flaws.

    Then Mirabelle starts to be “courted” by Ray, an elderly, rich gentleman, equally unable to connect emotionally, but very much skilled in old-fashioned gallantry. The two embark in a sexual relationship which in Ray’s mind will never turn into “commitment”.

    Although Mirabelle enjoys the obvious perks of dating a rich, kind man, she starts longing for emotional fulfillment. In the meantime James leaves LA to be a roadie of some sort and while travelling with a rock band, he gets some self-help books about relationships.

    When James comes back to town, sort of mature by his experience, the Mirabelle/Ray relation has reached stalemate. Reluctant to give up on Ray, Mirabelle fells into a depression, probably triggered by her unspoken needs. Eventually Ray breaks it off, setting in motion a more assertive Mirabelle, who finally decides to quit her boring job.

    The two meet some time after the break-up. Mirabelle is working in an art gallery showing some of her work. She and James are now happily together, while Ray is visiting the exhibition with another “girlfriend” of some sort. Mirabelle and Ray have a short private conversation during which he admits of having loved her, but that does not matter anymore to Mirabelle.

    I really enjoyed the simple storyline and the interpretation of the three main characters.
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Metascore
62

Generally favorable reviews - based on 37 Critics

Critic score distribution:
  1. Positive: 24 out of 37
  2. Negative: 2 out of 37
  1. Reviewed by: Peter Debruge
    75
    Where "Elizabethtown" pretends to have the meaning of life, Shopgirl hones in on a few telling details, then allows audiences to fill in the rest.
  2. A glum meditation on isolation and romantic malaise.
  3. Reviewed by: David Edelstein
    40
    In any case, the best performance is by Bridgette Wilson-Sampras as the conniving but peppy slut at the perfume counter. Her big scene--farcical, filthy, surprising--is also the best in the movie. Otherwise, Shopgirl is sadly vacuous, with a sadly vacuous center.