Silver City


Mixed or average reviews - based on 36 Critics

Critic score distribution:
  1. Positive: 13 out of 36
  2. Negative: 10 out of 36

Critic Reviews

  1. Leaving aside Huston's bland acting and a few other flaws, Sayles's politically charged drama raises a rousing number of issues and ideas, inviting us to ponder them and draw our own conclusions.
  2. 88
    That Sayles is able to say these things in the context of a compelling story with well-defined characters makes this one of the early fall triumphs of 2004.
  3. 88
    The movie's strength, then, is not in its outrage, but in its cynicism and resignation.
  4. Reviewed by: Angie Errigo
    Smart, intriguing, funny and sad, with some primo wisecracking dialogue.
  5. 75
    The real action in Silver City happens on the fringes, where the mischief is. Daryl Hannah is spice incarnate as Dickie's sexy screw-up sister. Billy Zane plays a lobbyist with insinuating soullessness. And Dreyfuss feasts on the snappiest lines.
  6. It comes off as a fairly straightforward assault on the kind of political corruption that has crossed party lines in movies since the dawn of the medium, and in books before that. The pleasure here is in the dialogue, the characters and the cast.
  7. 75
    A wickedly sexy Daryl Hannah is particularly memorable as the Pilager family's black sheep Maddy.
  8. It's a cracking good detective yarn with hints of "Chinatown" and Raymond Chandler, and it's a sharp political lampoon of things we're all reading about on today's front pages.
  9. 70
    Sayles' version of reality is grim, but it provides an enlightening, grounding reminder that there's a far more crucial world of politics going on behind the headlines.
  10. It's a dense, winding tale with all of Sayles' razor-sharp dialogue and intrigue. But instead of tracing character paths, Sayles sacrifices solid storytelling in favor of forwarding a political (and environmental) ideology.
  11. 63
    Huston, unfortunately, is never really believable as a man rediscovering lost principles; he feels out of place in this otherwise fine ensemble.
  12. Reviewed by: Claudia Puig
    Though there's nothing wrong with moral outrage, it doesn't always aid the telling of a complex story. More subtlety might have worked better.

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