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68

Generally favorable reviews - based on 10 Critics What's this?

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7.5

Generally favorable reviews- based on 4 Ratings

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  • Summary: A film centering on the life and work of Ron Galella that examines the nature and effect of paparazzi.
Score distribution:
  1. Positive: 6 out of 10
  2. Negative: 0 out of 10
  1. 91
    So what happens when people forget about all those people he stalked and snapped? Will his collection still be seen as an invaluable store of late 20th-century art, or the work of a celeb-obsessed hoarder?
  2. 80
    Highly entertaining and skillful documentary.
  3. 80
    Fittingly, there is something both thrilling and deeply unpleasant about looking at Galella's body of work -- there is casual genius in some of the captured moments, a combination of access, timing, and luck, with the subject almost always carrying most of the image's weight.
  4. Reviewed by: Dennis Harvey
    70
    This entertaining docu by "When We Were Kings'?" Leon Gast is more eccentric personality portrait than the in-depth scrutiny of celebrity-culture madness afforded by fellow Sundance preem "Teenage Paparazzo."
  5. There's no denying that paparazzo Ron Galella is a New York character. What's at issue in Leon Gast's entertaining documentary is whether he's an artist or a creep.
  6. 60
    In Smash His Camera Mr. Galella emerges as a kindred soul for the curious documentarian and as a large, complicated personality in his own right, not entirely likable but admirable for his persistence and the quickness of his index finger.
  7. Reviewed by: Andrew Schenker
    40
    Galella's real crime goes conspicuously unmentioned: feeding the cult of celebrity while stoking a public appetite for empty gossip as news.

See all 10 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Jan 9, 2011
    9
    Both a fascinating portrait of the first and most infamous paparazzo and a thought-provoking look at first amendment rights. Its subject isBoth a fascinating portrait of the first and most infamous paparazzo and a thought-provoking look at first amendment rights. Its subject is charming, but Gast goes out of his way to provide a very reasonable counterbalance. One of the best docs of 2010. Expand

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