X
- 2015
- R
- A24
- 1 h 48 m
- 2015
- R
- A24
- 1 h 48 m
Summary During a six-month stint inside a West Australian prison, rookie criminal JR (Brenton Thwaites) meets the smart and enigmatic Brendan Lynch (Ewan McGregor). In exchange for protection on the inside, JR agrees to help Brendan get outside, hooking up with the influential Sam Lennox (Jacek Koman) to orchestrate a daring prison escape that f...
Directed By: Julius Avery
Written By: John Collee, Julius Avery
- 2015
- R
- A24
- 1 h 48 m
- 2015
- R
- A24
- 1 h 48 m
Son of a Gun
49
6.1
Where to Watch
Summary During a six-month stint inside a West Australian prison, rookie criminal JR (Brenton Thwaites) meets the smart and enigmatic Brendan Lynch (Ewan McGregor). In exchange for protection on the inside, JR agrees to help Brendan get outside, hooking up with the influential Sam Lennox (Jacek Koman) to orchestrate a daring prison escape that f...
Directed By: Julius Avery
Written By: John Collee, Julius Avery
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 20 Critic Reviews
49
10% Positive
2 Reviews
2 Reviews
85% Mixed
17 Reviews
17 Reviews
5% Negative
1 Review
1 Review
Metascore
Mixed or Average
Based on 20 Critic Reviews
49
10% Positive
2 Reviews
2 Reviews
85% Mixed
17 Reviews
17 Reviews
5% Negative
1 Review
1 Review
Son of a Gun becomes a somewhat predictable but excitingly twisty heist film involving a double-dealing Russian heavy, a desperate femme fatale, and a fortune in gold bars. It has just enough muscle and style to make the familiar feel fresh.
It’s all put together with a crisp confidence that suggests its writer-director will swiftly move on to bigger things.
User Score
Generally Favorable
Based on 38 User Ratings
6.1
47% Positive
18 Ratings
18 Ratings
39% Mixed
15 Ratings
15 Ratings
13% Negative
5 Ratings
5 Ratings
User Score
Generally Favorable
Based on 38 User Ratings
6.1
47% Positive
18 Ratings
18 Ratings
39% Mixed
15 Ratings
15 Ratings
13% Negative
5 Ratings
5 Ratings
I thought this was surprisingly good - a gripping and tense action/thriller watch with some plot twists and I liked that the characters were quite well developed. Ewan MacGregor gives a good performance in this film. I'd recommend it.
Report
We don't know why this young man is sent to prison, but we see he's in big trouble. He forms a partnership with a prisoner based on his chess skills. Who knew? This leads to more and deeper trouble but he's stuck, what's he gonna do? Didn't like the ending, not a great moral teaching moment.
Report
Bolstered by strong performances and a tight narrative, Son Of A Gun is an admirable debut film from Avery, and a worthy new entry into Australia’s burgeoning class of crime features.
Son of a Gun, from first-time feature director Julius Avery, begins with an enticingly dark first act in jail, but descends steadily downward into a mass of clichés.
Avery can't commit to whether he's making a gritty "Animal Kingdom"-style crime picture, or a light caper film, and the final result is wonky in the extreme, particularly in the conclusion, which feels particularly muddled.
Son of a Gun adds to the mystique that Australian crime films are meaner, nastier and more brutish than their American counterparts. But it changes style roughly every half-hour. And behind its macho preening is a preposterous, routinely executed story.
The film has the requisite iconography of a crime thriller, but no investment in any of it.
Ewan Mcgregor deliver a fantastic interpretation of someone who has seen and done a lot in his life and chose the path of brutality and violence in order to achieve their goals but he is eventually confronted by life itself closing a circle. The film has ups and downs but pays off.
Report
For a crime or heist movie, Son **** benefits from polished editing, good direction and commendable performance by Ewan McCGregor. However, the plot is not that engaging, the simplistic development could also be found in TV series or action games. To its credit, the film delivers plenty of content, even though some of them are stereotypical prodigy-versus-mentor or damsel-in-distress premise.
JR (Brenton Thwaites) is a new inmate in a prison, where he meets Brendan Lynch (Ewan McGregor), a veteran conman who offers him protection. Soon JR find himself as Brendan's henchman, unsatisfied of only doing his bidding, the two eventually clash. Thwaites performs well, he's decent as the young lead, but his acting range is a bit limited on some scenes. McGregor is the star here, stealing any scenes with flair and occasionally blurted rage.
Their relationship is a strange one, JR subtly seeks a father or teacher figure which he finds in Brandon, although ultimately he realizes that their interest might not align. It works in short term, but the material doesn't provide much back and forth exchange, what twists it has in store are pretty foreseeable. JR also encounters Tasha (Alicia Vikander), a beautiful girl in despair. There's little surprise this romantic subplot, Tasha's back story and also the tiny bit where she might just be a honey trap are not fully developed.
Its plot isn't ambitious nor does it possess high level of intricacy on its heist. A lot of other similar movies, or even TV series, have delivered the same concept. The use of Australia as setting helps, but it boils down to the familiar prison break or robbery stints. Luckily, the pacing is sharp, it pushes forward with conviction and the action parts are decent as well.
Son **** feels like a fast version of crime miniseries of television show, it may not be groundbreaking but it is still a decent watch for action fans.
Report
Not a very good movie, yes the performances are great, but the movie wastes it's time trying to be a romance. I love romance, when it works. but Alicia Vikander, my favorite actress, and Brentan Thwaites have no chemistry. The romance is very lazy. The characters are poorly developed and don't have good chemistry either. The action is pretty good, but overall I thought the movie was too bland and boring to be good.
Report
Director Julius Avery manages to make heavy handed entertainment out of the prison drama and the heist movie, two of the easiest genres to at least make watchable. Here they become tiresome and ridiculous lacking any subtlety whatsoever. The event packed screenplay is peppered with more clichés in one movie than I can remember in many a year. The story gives the impression of a lot going on, but take out the many obligatory romantic interludes and there is definitely less here than meets the eye. Both the heist and the escape from prison are so easily accomplished that one could believe it would have been harder if the guards had personally let them in and out, respectively. Even the editing doesn’t help as not one palpable jot of tension or excitement is produced despite everything that is going on, and given the material’s potential.
Of the actors an unusually cast Ewan McGregor acquits himself well as a hardened criminal, but a lot of the other cast don’t come off quite as well. The ubiquitous Alicia Vikander stuck with the ‘girlfriend’ part, needs to start choosing her roles with a bit more care. Following on from ‘Ex- Machina’, another dud, she would be wise to reflect on her best performances in films like ‘A Royal Affair’ and ‘Testament of Youth’. Newcomer Brenton Thwaites may look pretty but he spends almost the entire movie shirtless sporting an expression of perplexed naiveté. He looks as if he has never been to school let alone jail!
This is the sort of film that in another decade would have gone out as a B movie or second feature. These days it’s just not good enough to pass it off as the main event.
Report
Production Company
Screen Australia,
ScreenWest,
Lotterywest,
Screen NSW,
Media House Capital,
Daydream Productions,
Hopscotch Entertainment One,
Altitude Film Entertainment,
Southern Light Films,
Bridle Path Films,
WBMC
Release Date Jan 23, 2015
Duration 1 h 48 m
Rating R
Tagline Everyone gets what they deserve
Awards
Australian Screen Sound Guild
• 1 Nomination
London Film Festival
• 1 Nomination
