Summit Entertainment | Release Date: April 1, 2011
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Overall, I give this movie a 5-star rating. The computer graphics generated in this movie are of an amazingly high quality and really make the viewer feel part of the movie. I also believe the acting was extremely believable, even if the overall plot is a little flawed. Despite its flaws, the plot does keep viewers on the edge of their seat and surprised at how quickly the movie seems to go by. This is a must see movie for those who love both action and adventure.… Expand
I loved this movie. It had so many positive qualities. The Story was most interesting, the leads were charming and very ingratiating. The story was a combination of "Groundhog Day" and the TV series "Seven Days." I found it veryAAtrekker
I loved this movie. It had so many positive qualities. The Story was most interesting, the leads were charming and very ingratiating. The story was a combination of "Groundhog Day" and the TV series "Seven Days." I found it very engrossing and was on the edge of my seat during the entire film. If I have one criticism, it is the title but it's too late for that. This film shows very clearly that you don't need profanity, excessive violence or gratuitous sex to be enjoyed. The prime ingredient is a good story. But please pay very close attention to the early dialogue; it will help you to stay focused. Please more, more, and more of this type of fun, entertaining, and satisfying film.… Expand
Pure Science Fiction is often regarded as too complex for film audiences, which is why so often we see it mixed with other genres. Fine examples are the likes of Star Wars and The Matrix (etc), where you getBackground and insight:
Pure Science Fiction is often regarded as too complex for film audiences, which is why so often we see it mixed with other genres. Fine examples are the likes of Star Wars and The Matrix (etc), where you get action/westerns mixed with Science Fiction. I have always been a fan of science fiction films. They present a higher (usually) level of imagination than most genres. The rules are not always confined to real world, realistic events or physics. The only real limitation is the imagination of the writer. Science Fiction relies on its audience to suspend belief, which can be a step too far for some viewers, but for me this is one of the reasons I have always loved film, the chance to escape and experience things that only the silver screen can allow you to experience (in the visual sense). I really enjoy writing science fiction, but like the examples above I also tend to mix the genres and stay clear of pure science fiction. Duncan Jones on the other hand has been looked upon as being a modern day saviour of science fiction with his first film Moon. A master class of indie film making that was so well made, it was (and still is) almost impossible to figure out how it was made for a tiny budget of $5 million. But Iâ… Expand
The best thing i can say about this film is that is a decent balance between action and chick flick which makes it a solid compromise to the "what should we see" conversation.… Expand
8/10 gameandmoviereviews.com… Expand
Source Code stars Jake Gyllenhaal as a Colter Stevens, a helicopter pilot who is trapped in some sort of machine simulator. The beginning of the film starts with Stevens waking up on a train in a body that is not his own. He's sitting across from Christina Warren played by Michelle Monaghan, a female companion who he will learn latter on has a small crush on him, or at least who she thinks Sean Fentress. Stevens lives 8 minutes of Fentress's life trying to gather himself when a bomb suddenly explodes killing everyone on the train. Stevens awakens in a metal dome disoriented and locked into a harness. Without knowing who or where he is an image and voice appear when he is contacted by Luit Goodwin played by Vera Farmiga. Goodwin tells Stevens that he must identify the bomber of the train so that they can prevent another terrorist attack. Steven's doesn't quite understand what's going on with his last memories being aboard a helicopter in Afghanistan. Before too many of Stevens' questions are answered he is to told to try again and abruptly plugged back into the source code. This process continues over and over until bit by bit is revealed what the source code is. Apparently source code allows a certain someone to be plugged into the consciousness of another certain someone and live out an alternate reality, something involving string theory and such. The rules are that he only he can only live out the last 8 minutes of that someone's life because that's how long the "flash" lasts when someone dies. Also, whatever he does in that reality will not affect any other reality. So Gyllenhaal is plugged into the source code relentlessly by his military commanders over and over until he finds the bomber. Over the course of his multiple reenactments Stevens narrows down the bomber and develops a relationship with Ms. Warren and Luit. Goodwin. Gyllenhall and Monaghan are good but nothing spectacular. Jeffrey Wright plays the nerdy mastermind quite well. He's cruel, discordant and tunnel minded; just what you'd expect from a scientist who's spent his whole life dedicated to his pet project. But it is Vera Farmiga who really shines in her role as the intermediate officer between the enslaved Steven's and the heartless scientist. In every scene Framiga battles with the two conflicting personas of her character. The female empathic side trying to soothe and care for Stevens as he's used as a cog in the high tech military defense machine; and also the military stratagician (stratagician is not a word???) who must convince Stevens to finish the mission while withholding the painful truth of Stevens' condition. The music in Source Code is a little pretentious and is abnormally noticeable. Its special effects are not the greatest with explosions and slow motion looking like they had been done by a sub par video game company. However it's not just the special effects, nor its mediocre cinematography but also Source Code's erratic pacing and editing for my undistinguished rating. The scenes don't flow well together and you feel just as pushed around as Gyllenhaal's character as you bolt back and forth between scenes. This feeling may have been deliberate on director Duncan Jone's part but watching the movie you feel like you've been riding the old bumpy wooden roller coaster you'd find at the boardwalk. At the end of the film you're constantly teased with false endings. As soon as you think it's going to end, they tag on and extra scene which tangles the plot even further. During the last 20 minutes they start abandoning the rules of source code and begin cramming in new content. It's like they shot multiple endings of the film and instead of choosing one, they decided to put them all in. Source Code is an intriguing film with a lot of complexities and philosophical metaphysics involved which I think is the reason for its success at the box office and among critics. As we know from Inception and The Matrix audiences today are really drawn to these alternate reality movies. However Source Code is not particularly well constructed and i'll be re-watching Ground Hog's Day numerous times before I even think about re-watching Source Code.… Expand
Most viewers shrug it off as nonsense, but the Studios are really sending messages to the people watching these kind of movies. Maybe your right, maybe I am "looking to deep" into it, but if you look under all the BS plot on top - at the heart of these things is a message, and the message has nothing to do with the quality of the movie or the continuity and excitement. Unfortunate. It really could have been a great modern Sci-Fi flick. Surprised Coca-Cola or Nike hadn't hung like a banner on the outside of the train from tip to tip. Oh, and the ending. Geez! Did a 13 year old girl write that? WOW.… Expand
A gross and tactless use of every philosophical one-liner clichÃ© in the book while plagiarizing bits and pieces of nearly"Source Code" is definitely the stinkiest steaming pile of Hollywood CRAP I've seen in a long time!!!
A gross and tactless use of every philosophical one-liner clichÃ© in the book while plagiarizing bits and pieces of nearly every parallel-reality movie out there. For a movie like this to be acceptable, the action needs to be relentless and breathtaking ... it's not!
EVERYTHING in this movie is just sloooooow and predicatable while the script is just down right embarrassing (could you pah-lease have used the line "It's gonna be OK" just one more time for me? I don't think there were enough of those).
How on earth Duncan Jones could go from making a masterpiece like "Moon" and sink into this total waste of time and money is beyond me.
As for Jake Gyllenhaal ... I get it man, you're making lots of money playing these parts and who can blame you, I'd probably do the same, but can't you give us a good ol' indie drama part like you used to every now and then to remind me why I love you so much?? Could ya mix it up for me a bit there ol' buddy, ol' pal? How about a "Bubble Boy" for each "Prince of Persia"? A "Donnie Darko" for every "Source Code"? 'Cause to tell you the truth man, I'm starting to forget how good you REALLY are!!!
To conclude: If you like crap that "thinks" its deep and intelligent, this is the movie for you!!!… Expand
Jake is taking anything on that seems to come along. I guess good for him but I'm out 6 bucks for the rental. Watch Groung Hog day.
There are some plus points, as a story about the mental makeup of the main chafachter it works, as a kind of suspense movie it sort of works, unfortunately that is all the positive I could come up with.
That is vastly outweighed by the negative. Whenever you set about telling a story in the science fiction genre you have two options, either to go all out on the fiction or to root it in reality, this movie has everthing rooted in reality from the present day(ish) setting to present day computers and issues. For a movie based like that the science simply has to be plausable. Not only is the science of Source Code implausable but it is actually impossible.
The premise is that a scene can be reconstructed by using the last 8 minutes of peoples memories, mayeb that is possible, maybe not, I don't know, that isn't my issue. My issue is that 8 minutes is a tiny amount of time, with sufficient memories and thoughts I'm sure a computer model could forcast what a person would do if a specific in the timeline changed, 8 minutes isn't enough so there is no possible way to determine how each charachter would respond, making the intelligence gained useless. Even worse than this is that despite only having memories from those who died on the train they are trying to find a bomb that none of those memories would contain. The only brain that had those memories is driving around in van somewhere so realistically even if Stevens found the right location, thee would be no memory of the bomb being there.
To top everything off we get an idiotic parrallel world style ending just so the cripple and the idiotic bint who has only known him for 8 minutes can walk off happily into the sunset.
I'm sorry but anyone who actually understands anythign about logic or science is going to hate this film by about 20 minutes in. The worst part is that it looks like there was a decent premise fo a film in thre somewhere but it appears to have been battered around by hollywood screenwriteras need to dumb down science, raise action and needlessly include romance like they try to do in every film. Normally it's an annoyance but nothing more, this time it has created stupidly large plot holes that simply ruin the film.… Expand
The beginning is fun, trying to figure out what's going on and all, they reveal some mysteries you didn't expect and I was hope full for a great film. Once Jake's character decides to take the reigns, however, his actions are erratic at best along with the plot. All in all the movie tried to do to much and started unravelling by the third act. Also, could have done without both a love story and the father redemption story.
A+ for attention to detail and reflections.
A for the intriguing, clever, tickle me pink plot. B for the ending. A train explosion in Chicago. That's about all I can say without giving anything away.A+ for how it handled time and reality.
A+ for attention to detail and reflections.
A for the intriguing, clever, tickle me pink plot.
B for the ending.
A train explosion in Chicago. That's about all I can say without giving anything away. I'm partial to movies like this. Very nostalgic for me, I'm just a huge fan of sci fi and time type of movies. Love it, love it! Very Deja Vu, Quantum Leap, the Jacket, Groundhogs Day, Unstoppable, Fringe. Woot :)… Expand
The story begins with army helicopter pilot Colter Stevens (Jake Gyllenhaal) who was last time he remembered in Afghanistan, awakening on a commuter train bound for Chicago. He's accompanied by Christina Warren (Michelle Monaghan) but he soon discovers all is not as it seems when he finds out he's inhabiting the body of Sean Fentress, a school teacher who regularly travels this route. Before he has time to work out what's going on, the train explodes, killing him and everyone else on board. He awakens to find he is an unwilling participant in a project called 'Source Code' and that he is accessing the last eight minutes of a person's life in an alternate timeline. The operator, Captain Colleen Goodwin, explains that there has been a terrorist attack on the commuter train he was travelling on, and now he must go back again and again until he can identify the bomber and find out his next target.
But, like all good thrillers, all is not as it seems, Colter soon finds out his mission takes a very personal turn when using his eight minute windows in the alternate timeline, he begins to investigate his own life as well and how he came to be part of the Source Code project.
The movie plays something like Groundhog Day meets Inception meets Jason Bourne. Jones throws you in hard and fast, giving you little time to find yourself before you're dragged along for the ride, probably as confused as Gyllenhaal as to what's going on initially, but by the time the first act closes, you'll be hooked.
The script, from Ben Ripley, a relative newcomer whose previous credits include two films in the Species franchise, is well-constructed and rounded, each plot point is placed at the correct intervals and the script is clever, but at the same time neither does it try and intentionally confuse you for confusions sake. Ripley explores the theories of alternate timelines and quantum mechanics in small digestible bites that doesn't drag the script down with too much scientific explanation explaining the concepts behind the story.
Considering this is only Jones' second feature he knocks the ball right out of the park. With Moon, Jones was able to tell a high-tension tale with what was essentially a one-man show from Sam Rockwell, and in a way he does the same here, considering that nearly the entire film is based around the same eight minutes of time, Jones explores every angle the story can take, pushing Gyllenhaal this way and that and balancing the action inside of the Source Code machine with the character development-driven period in the 'real' world. What should also be admired is that the budget for this movie, whilst $32 million isn't high for a science-fiction movie, Jones manages to make this film look and feel like something that costs five times more. Jones is definitely a talent to watch.
Overall, Source Code is an entertaining thriller that leaves you thinkng about te aspects of it long after the credits have rolled, it will certainly be worth repeat viewings and is worth every word of praise passed its way.… Expand
Not surprisingly, dispare resolves into its opposite: hope. And yet, rather than adopting a resolute patriotism, the firm's anti-terrorism sentiment is grounded in the reverence of human life. Thus, while addressing a pervasive and distinctly American, post-9/11 sense of dispare, the strength of the films lies in its resolving upon a universal valuation of life--"Look at all this life," Gyllenhaal remarks in a final scene. In confronting the specter of terrorism, the film (wisely/refreshingly) affirms life rather than patriotism.… Expand
The story is terrific. The way it's madeOne of the best movies, I've ever watched! After the movie I was amazed. I think every part of this movie is perfectly attached to each other: writing (story), casting (actors) and filming. Good job.
The story is terrific. The way it's made is unbelievable. During the film you feel so emotional and at the same time excited!… Expand