- Studio: Destination Films
- Release Date: Nov 14, 2007
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It appears that Kelly spent the intervening years (since "Donnie Darko") taking hallucinogenic drugs, reading Philip K. Dick novels upside down, and – most disastrously – believing his own hype.
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30You can't be both political and incoherent, and even though Kelly's models are "Kiss Me Deadly" and "Blade Runner," this vision of the near-future suggests a random blend of "Dr. No" and "Faster, Pussycat! Kill! Kill!"
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25I recommend that Kelly keep right on cutting until he whittles it down to a ukulele pick.
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38Southland Tales does have enough energy and audacity to suggest significant potential. But was it ready for public consumption? The answer is no. It's as simple as that.
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0If a more incoherent and self-indulgent movie has been released so far this century, I'm not aware of it.
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38There's a lot of "stuff" here, and Kelly's biggest problem -- he's got more than a few -- is that he can't tell his good material from his bad.
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25A mess, and that's really a shame.
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30The English term "shambolic" best describes a slow-paced, bloated and self-indulgent picture that combines science fiction, sophomoric humor and grisly violence soaked in a music-video sensibility.
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30Rarely has a picture been so self-consciously designed to be a culturally meaningful touchstone, and fallen so woefully short, as Southland Tales.
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30May be ambitious in its genre-defying abandon, sideswiping science fiction, satire, film noir and melodrama along the way, but it's also exasperatingly convoluted, self-amused and politically sophomoric.