- Studio: New Line Cinema
- Release Date: Aug 1, 1997
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88It walks and talks like a big budget horror film, heavy on special effects and pitched at the teenage audience, and maybe that's how it will be received. But it's more impressive if you ignore the genre and just look at what's on the screen.
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70The special effects are effective and aggressive, although one might occasionally confuse a divine vortex with a flushed toilet.
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70Think Batman on crystal meth.
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67Spawn doesn't make a lot of sense, but the imagery whooshes by in glitzy psychedelic torrents.
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50Todd McFarlane's Spawn plays better on the page, but the adolescents of all ages who buy Spawn comics will probably enjoy the movie. Others should consider themselves forewarned.
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50Unfortunately, where the movie falls apart is in the storyline. While Spawn fans may be delighted by this effort, the uninitiated may have a hard time getting beyond the fancy special effects and often-incoherent plot.
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50The adventure is vulgar and violent, although the special effects are impressive.
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40It's all one big blur: sound, fury, and Martin Sheen devouring scenery as if it were going out of style (and in Spawn, it's definitely not).
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40If Spawn had anything close to a script, it would be a pretty nifty fantasy about conspiracy, apocalypse and a fat killer clown.
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38Shot by a special-effects superstar making his first stab at directing, Mark Dippe, the result is dizzying in its unreality, and the visual tricks are impressive. [01Aug1997 Pg.02.D]
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30The nonsensical screenplay can barely stand-up to the hellzapoppin, Beelzebubbin effects mustered by first-time director Mark Dippe.
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25Almost every moment has flashes and explosions and a pulsing, relentless soundtrack. It's like being trapped inside a video game.
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25Otherwise, the movie, which borrows from a dozen pop sources and improves on none of them, is pretty much a washout.
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20But after 15 minutes, this yellow-orange vision of spiraling circles of hell, snorting devils and demonic shapes continually morphing out of one another, begins to seem redundant and conceptually impoverished.
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20Spawn is a moodily malevolent, anything-goes revenge fantasy that relies more upon special visual and digitally animated effects for its intended appeal than any comics-derived sci-fier to date.
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10This hopelessly redundant action gross-out aspires to a form of hip vacuousness--and may achieve it.
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The special effects look model-shop cheesy, as if they'd been created using a handful of action figures and MacPaint, and the rest of the picture has the flat visual finish and phoned-in performances of a TV movie.