- Studio: Sony Pictures Classics
- Release Date: Apr 2, 2004
- Critic Score
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100Kim's movie conjures a sense of spiritual discipline as suspenseful as it is stunning to watch and exhilarating to contemplate.
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100A masterful portrait of the seasons of a life.
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100This meditation on spirituality, loneliness and accountability could touch your heart's core.
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91The triumph of ''Spring, Summer'' is that even those of us who don't happen to be Buddhists can catch a glimpse of ourselves in the spinning wheel of hope, destruction, suffering, and bliss.
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90Kim exalts nature--lifes passage--without stooping to sentimentality. He sees the tooth and claw, and he sees the transcendence. Whether this is a Buddhist attribute, I cannot say, but the impression this movie leaves is profound: Here is an artist who sees things whole.
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90The film unfolds at a deliberate pace, with a soundtrack occupied less by dialogue than by the sounds of water flowing and crickets chirping. And if you listen carefully enough, you might just hear the sound of one hand clapping.
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90As meditative and beautiful as its title would indicate. What is a surprise is the extent to which it manages to be involving if you can put yourself on its wavelength.
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90An exquisitely simple movie. Mr. Kim manages to isolate something essential about human nature and at the same time, even more astonishingly, to comprehend the scope of human experience.
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90This beautiful -- and beautifully controlled -- film is also an object lesson in how to hypnotize an audience.
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90Truly a movie for world audiences with a message that's devastatingly subtle.
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89Proof that movies dont always have to be busy to entertain and enrich, this tale of life at a bucolic Korean monastery is at once profound and simple.
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88An exquisitely realized film; a little gem, it keeps its conflicting or varying themes of tranquility and violence, sacred and profane love, recklessness and wisdom, in almost perfect balance.
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88This delicate, transporting movie, which keeps dialogue to a minimum to tell its story primarily through images, is also a triumph of sheer cinematic craft that mirrors its characters' contemplative natures while extolling the virtues of lives simply led.
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88Proves that the most local story is sometimes the most universal, the simplest tale sometimes the most complex.
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88The film is as spare and unvarnished as a wooden temple floating on a lake, but its reflections run deep, and it can ripple your thoughts for months.
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88Using perfectly composed shots to amplify an emotionally resonant story, the film successfully argues that "artistic" films do not have to be boring.
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88Beautiful, lyrical, but not in the least bit wimpy. [May 2004, p. 18]
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88Spring, Summer values life, beauty and even human fallibility, ascribing to humanity a nobility we neglect at our own peril.
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80Kim Ki-duk keeps dialogue to a minimum and actions simple in what is virtually a two-character piece. Humor arrives organically, often resulting in hearty laughs.
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80Far from a maxim-expounding sermon, the film is a fresh spring of irrational visual pleasure.
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This subtly entrancing paean to seasons earthly and emotional is to the developing male psyche what "Whale Rider" is to the female, and deserves equal acclaim.
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80A sublime, witty, gritty and transcendental movie reflecting one man's life journey.
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80Wise, gentle, and simply constructed.
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75Where Kim's best-known movie, "The Isle," was a stomach-churner, this beautifully composed canvas is the sort of film one falls into, resurfacing at the end with great reluctance.
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75In the end, inner peace is found by all - on screen and in the audience.
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70Exquisitely crafted drama.
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70It IS a little obvious, but that's the way it goes with spiritual enlightenment. The film's lessons are plain--spoken aloud, even--and deal with the close relationship between what can be shed in this life and what binds people to the world in spite of their best efforts to purify.
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63Looking like some gorgeous fan painting come to life, Spring, Summer, Fall, Winter . . . and Spring is pictorially spellbinding.
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Though lacking in any particular narrative surprise, the film nevertheless takes the viewer completely by surprise several times.
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User score distribution:
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Positive: 18 out of 21
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Mixed: 1 out of 21
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Negative: 2 out of 21
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JeffM.7
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M.Daye10