Metascore
27 out of 100

Generally unfavorable reviews - based on 21 Critics

Critic score distribution:
  1. Positive: 1 out of 21
  2. Negative: 13 out of 21
  1. 38
    Everybody knew to wait for the outtakes during the closing credits, because you'd see him miss a fire escape or land wrong in the truck going under the bridge. Now the outtakes involve his use of the English language.
  2. The movie even has the nerve to start with a montage of moments from his better films, a bad idea that sets off an escalating tumble downhill.
  3. Reviewed by: Ty Burr
    38
    The film’s so formulaic your 6-year-old will be ticking off the plot points as they lope by.
  4. 0
    Nobody of Chan's legendary stature should ever have to play second banana to George Lopez, and certainly not in a film that was already made five years ago with Vin Diesel (see: The Pacifier).
  5. Reviewed by: Claudia Puig
    38
    Chan has more chemistry with the kids than with Valletta, but the story is so insipid that it's likely to only sadden fans of the martial-arts icon and offer little enjoyment to its young audience.
  6. This is “True Lies” without the striptease or the Arab-maiming.
  7. 25
    The makers of The Spy Next Door should give 50 percent of their profits to James Cameron for ripping off "True Lies." Let's see, what's 50 percent of nothing?
  8. Reviewed by: Richard Corliss
    30
    That imperishable affability, that eagerness to please his Hollywood bosses, allows Chan to elude many of the indignities thrown his way in The Spy Next Door. It may also be the reason he says yes to a junky movie like this.
  9. The little action here will disappoint fans; it’s way too choppy.
  10. 25
    Limp and lifeless, this Next Door neighbor should be evicted to DVD.
  11. In middle age Jackie Chan can't keep coasting on boyish charm, as evidenced by this dreadful family comedy that does him no favors with its opening title sequence.
  12. Chan's comedic gifts and still-nimble moves are wasted in a string of unimaginative household calamities and practical jokes.
  13. Reviewed by: Amy Biancolli
    25
    A mostly inoffensive nothing of a film with one or two mild chuckles and lots of chop-socky commotion.
User Score

Mixed or average reviews- based on 30 Ratings

User score distribution:
  1. Positive: 3 out of 12
  2. Negative: 5 out of 12
  1. This is it. Jackie Chan ain't no star anymore. "The Spy Next Door" says it all.
  2. WHY JACKIE DID YOU HAVE TO TAKE THIS **** ROLE AND RUIN YOUR REPUTATION. this movie was garbage, so many forced comedy lines and stupid useless characters Full Review »
  3. ChadS.
    5
    Bob(Jackie Chan) and Jillian(Amber Valetta) are an item, lovers, to the utter dismay of the divorced woman's children, who complain that their neighbor is "boring", a "geek". To them, the mother could do a lot better, since this suburban mom is a total milf, and obviously, "so far above [Bob]." Conspicuous in its absence, as the kids read Jillian the riot act concerning her latest beau, is any mention of Bob's ethnicity. Since they don't address the very pertinent fact about this bespectacled man being Chinese, the moviegoer is left to interpret their bias against Bob as either being racially-motivated or not, since the "The Spy Next Door" is too innocuous to acknowledge this rupture in the film text. "The Spy Next Door" treats Bob's Chinese heritage like a secret identity, like Clark Kent keeping Superman under wraps until the time is right to tell Lois Lane. Chan, sporting black horn-rimmed glasses, in fact, resembles Kent, and quite pointedly, during a dinner scene with Jillian, takes them off when he attempts to tell her about his secret life as a spy. Also, this moment doubles as a reflexive move for the moviegoer, because it alludes to Chan's past glory as an action hero(practically a superhero of sorts to his fellow countrymen), a persona that eventually emerges from the trappings of this domestic comedy. It's no accident that Bob reveals himself at a Chinese restaurant, in which Jillian's kids are explicitly confronted by his true identity as a spy, and minority. Earlier in the film, they go through Bob's personal belongings at his home, but find nothing that addresses his otherness. The DVDs, the clothes, the overall decor of Bob's lair, confirm his "boring"-ness, and the post-colonial construct of the screenplay is preserved, for the time being. As a romantic lead, Chan does nothing more than trade chaste kisses and a brotherly hug with Valetta, which has the effect of making Bob seem vaguely asexual. Jillian's actions, are like the children's actions, which seem to be quietly dictated by Bob's nationality. The kids can't hate him because he's Chinese, and also, Jillian can't really kiss Bob for the very same reason. Full Review »