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88Stranger than Fiction is a wonderful cinematic experience - a welcome way to spend a chilly autumn evening.
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38Watching the movie made me long for the big , risky ideas and entertainingly fearless filmmaking in David O. Russell's "I Heart Huckabees " and Spike Jonze's "Adaptation ," which Kaufman wrote. Both were similarly conceptual escapades, but they let it all hang out.
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91In a feat of performing imagination, Ferrell turns his usual extroversion inside out and his usual zaniness into precision, and makes it all work for him.
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70While Stranger Than Fiction traffics in a bit of darkly funny existential anxiety, it also finds room for romantic fantasy and sentimental uplift.
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In practice, "Fiction" isn't nearly that unusual. Less like "Adaptation" than a smarter version of "Click," the picture pleases while remaining unchallenging to a broad audience.
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88What a thoughtful film this is, and how thought-stirring. Marc Forster's Stranger Than Fiction comes advertised as a romance, a comedy, a fantasy, and it is a little of all three, but it's really a fable, a "moral tale."
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88Stranger Than Fiction is slicker than Kaufman's work - and Forster's direction is certainly more studio-ish than Kaufman collaborators Spike Jonze's or Michel Gondry's. But it's a clever idea, and you feel a little smarter watching the thing unfurl.
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75This is a Ferrell you've never seen before, nailing a role that calls for breakneck humor in the final race against the clock and touching gravity in the love scenes with Gyllenhaal.
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75When Ferrell and Hoffman do their thing together, a charming bit of whimsy becomes something more. It becomes really, really funny.
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75Stranger Than Fiction may not be the typical crowd-pleaser, but it's a sweet, funny, intelligent film that showcases just how much Ferrell can do, even when he's doing less.
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75It has a nifty premise and outstanding performances from Ferrell, as the protagonist-in-progress, and Emma Thompson, as his blocked creator.
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75In a film that easily could have been cold or ironical, Ferrell provides the emotional thrust.
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75Foster finds the common ground on which his eclectic cast can meet (no small feat when they range from brassy Queen Latifah to "Arrested Development"'s deadpan Tony Hale) and keeps the story's sweetness from devolving into saccharine kitsch.
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75Intricately plotted without being contrived and exhilarating in its eccentricity.
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75With a track record that stretches from "Monster's Ball" all the way to "Finding Neverland," Forster is clearly a director at ease with a wide range of material. He's found confection-land here, setting his beater on ready-whip and mixing the dough just fine.
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63A boldly original undertaking: It's the first movie ever to come up with the idea of remaking "The Truman Show."
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63With its twist, the movie leaps into a fresh realm of fantasy. But director Marc Forster and first-time screenwriter Zach Helm don't know what to do when they get there, and the film's greatest asset almost becomes its undoing.
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80It might be Charlie Kaufman lite, but this is a great date movie for the discerning -- smart, ingenious and heartwarming.
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70An oddly sweet little tale, and easily Ferrell’s most enjoyable movie in recent memory. And even though his onscreen chemistry with Gyllenhaal fills me with murderous rage, this film goes a long way towards erasing the memory of his more obnoxious roles.
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A good movie but not a great one, Stranger Than Fiction is reminiscent of the films of Charlie Kaufman (Adaptation, Eternal Sunshine of the Spotless Mind) but lacks that writer's conceptual rigor and imaginative power.
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83Maybe the best thing about Stranger Than Fiction is the way it extracts unexpected work from underrated actors.
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67An eminently easy-to-watch piece of one-joke pop japery, is a movie that mimics the I'm-a-character-in-my-own-life metaphysical playfulness of "The Truman Show."
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67Like Jim Carrey, Ferrell seems to think that the way to be taken seriously as a dramatic actor is to drain himself of everything that audiences love about him.
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42The bad news is that Ferrell's modestly likable performance is the ONLY good thing about this misguided comedy that's so tiresomely written, badly acted by a stellar cast and ploddingly directed (by art-house whiz Marc Forster) that it just never quite gets off the ground.
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70Teems with ideas both literary and existential, which might make it unbearably precious, were it not redeemed by woozy charm and some serious acting from Will Ferrell.
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70A refreshingly grown-up comedy, "Stranger" is a charming film that is unafraid to be low-key in ways that studio releases seldom are.
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70A more sensitive Ferrell in a script that plays like Charlie Kaufman Lite: that should send up breakthrough and Oscar signals. It doesn't quite, though. The movie is clever, but a little too pleased with its own clockwork intricacy.
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70Sometimes becomes too self-consciously clever, and it doesn't entirely resolve its own central dilemma. But it remains inventive and funny to the end, features fine performances from Will Ferrell and especially Emma Thompson.
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70It's soon apparent that a closer model for this charming romantic comedy is "Bell, Book and Candle." The direction by Marc Forster (Monster's Ball) is so fluffy it's easy to drift along and ignore the logical lapses.
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50The picture is an overworked trifle: There's so much going on in it that it becomes hard to care about ANYTHING that's going on in it. The story in Stranger Than Fiction is stranger than fiction. But what good is it if it's unreadable?
User score distribution:
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Positive: 55 out of 63
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Mixed: 4 out of 63
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Negative: 4 out of 63
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MiguelD.8
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MartinS.8
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WayneH.10