- Studio: October Films
- Release Date: Sep 17, 1999
- Critic Score
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100The moments of accidental sweetness that emerge from these odd, ultra-lives are meltingly funny and touching.
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90Lovely, lovely, lovely.
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88A far more trenchant - and funnier - satire of the fame-afflicted than Woody Allen's "Celebrity."
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80Sugar Town's tunes are terrific, and the writing is sharp. But the typecasting is a work of genius.
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80A wry, rambling, smart comedy.
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Warmly funny ...wise little comedy.
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80(There's) a half dozen other deftly sketched show-biz desperadoes who make this slight but tangy sleeper such an unpretentious delight.
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79There's lots of sweet music to savor in this snide industry satire.
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75Cuts between a rich assortment of characters; it's like a low-rent, on-the-fly version of Robert Altman's "The Player" or "Short Cuts."
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75A real pleasure, a sweet, funny, ensemble comedy...utterly authentic.
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75Isn't vicious. It's just cheerfully mocking as it courses the canyons and flatlands of Los Angeles.
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70Isn't profound, but it is perceptive...it's a pile of fun.
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70Persuasive stylized drama.
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67That durable, sexy powerhouse Beverly D'Angelo steals every scene she's in.
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67A shapeless comedy that is enjoyable to watch and often clever with its barbs -- and doesn't have very much to say.
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63Just because it's true to life doesn't mean it can sing.
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63While entertaining with its swipes at everything from health food to the Latin pop craze, the semi-sweet story is about as deep and meaningful as a groupie grope.
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63Likable, but at times it's also inescapably sketchy and ramshackle.
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60Never adds up to anything more substantial than shrewd observations. There's no dramatic core.
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60May not rock the joint. But then, it isn't trying to.
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50A hyped-down, no frills VH1 "Behind the Music" story...that is no doubt closer to reality than the fodder in the pages of "Rolling Stone."
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50Diverting and sometimes humorous but sticks to the superficial ...not distinctive enough to make much of an impression.
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40The performances are uneven and the loosely structured story never actually goes anywhere.
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38A bad Altman impression of the L.A. rock scene.
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38An only fitfully engaging L.A. soap opera.
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30Neither as lively nor as tough as the original, and compared to the hardcore punk of "Border Radio," the score for Sugar Town sounds like Muzak.
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