- Studio: Artisan Entertainment
- Release Date: Apr 17, 1998
- Critic Score
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75It's an amazing actor who can carry a movie by simply sitting calmly in a chair. That's what Christopher Walken does in the comedy-thriller Suicide Kings. He's so good, one hardly blinks.
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75For those who aren't offended by extreme profanity and violence, Suicide Kings offers a kinetic and surprisingly funny two hours.
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70Satisfying, unpretentious fun.
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70A smart and snappy drama tinged with dark humor and brimming with self-confidence.
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60Character and plot are the main event, and the film's got both in spades.
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You can draw a straight line from "Reservoir Dogs" to "Pulp Fiction" to Suicide Kings.
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50For most of its duration, Suicide Kings turns into something like a hoary murder-mystery theatre piece in the Agatha Christie/Clue tradition.
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50About the only thing suicidal in this lethargic crime drama is the convoluted script that wastes two fine performances by Christopher Walken and Denis Leary.
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50What hip means in this uneven comic suspense film is maintaining the ironically distanced tone of a deadpan ''Married to the Mob'' or a tongue-in-cheek Coen Brothers caper.
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50The mixture of tension, yuks and horrific violence at times reminds one of nothing more than a poor man's "Pulp Fiction."
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42Just when you thought it was safe to go to the movies without sitting through another imitation of early Quentin Tarantino, along comes Suicide Kings.
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40Suicide Kings' morbid sense of humor does nothing but muddle the film's overall tone. Comedy? Caper flick? It's all too much, and simultaneously not enough by a long shot.
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30The only redeeming moments come from Walken, whose assured, effortless screen presence stands out from his faceless co-stars. Taped to a leather chair and bleeding profusely from a severed finger, he's still the most powerful person in the room.
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30The premise of this neither dark nor funny movie--which wants to be both--is that it's somehow ironic when wealthy characters are motivated by greed.
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25Uninspired thriller-comedy.
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