Metascore
43 out of 100

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 4 out of 15
  2. Negative: 3 out of 15
  1. It's an amazing actor who can carry a movie by simply sitting calmly in a chair. That's what Christopher Walken does in the comedy-thriller Suicide Kings. He's so good, one hardly blinks.
  2. 75
    For those who aren't offended by extreme profanity and violence, Suicide Kings offers a kinetic and surprisingly funny two hours.
  3. Satisfying, unpretentious fun.
  4. Reviewed by: Joe Leydon
    70
    A smart and snappy drama tinged with dark humor and brimming with self-confidence.
  5. Reviewed by: Ken Fox
    60
    Character and plot are the main event, and the film's got both in spades.
  6. Reviewed by: Edvins Beitiks
    50
    You can draw a straight line from "Reservoir Dogs" to "Pulp Fiction" to Suicide Kings.
  7. For most of its duration, Suicide Kings turns into something like a hoary murder-mystery theatre piece in the Agatha Christie/Clue tradition.
  8. Reviewed by: Tom Meek
    50
    About the only thing suicidal in this lethargic crime drama is the convoluted script that wastes two fine performances by Christopher Walken and Denis Leary.
  9. What hip means in this uneven comic suspense film is maintaining the ironically distanced tone of a deadpan ''Married to the Mob'' or a tongue-in-cheek Coen Brothers caper.
  10. The mixture of tension, yuks and horrific violence at times reminds one of nothing more than a poor man's "Pulp Fiction."
  11. Just when you thought it was safe to go to the movies without sitting through another imitation of early Quentin Tarantino, along comes Suicide Kings.
  12. 40
    Suicide Kings' morbid sense of humor does nothing but muddle the film's overall tone. Comedy? Caper flick? It's all too much, and simultaneously not enough by a long shot.
  13. 30
    The only redeeming moments come from Walken, whose assured, effortless screen presence stands out from his faceless co-stars. Taped to a leather chair and bleeding profusely from a severed finger, he's still the most powerful person in the room.
  14. 30
    The premise of this neither dark nor funny movie--which wants to be both--is that it's somehow ironic when wealthy characters are motivated by greed.