User Score

Generally favorable reviews- based on 19 Ratings

User score distribution:
  1. Positive: 13 out of 19
  2. Negative: 4 out of 19

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  1. Aug 25, 2014
    A friend referred this movie to me. I guess I should be cautious in the future when taking advice from her, because frankly, this movie was weird. And not in the good way.

    The movie starts with a scene that makes no sense whatsoever, bordering to bad, ironic humor, and there are several moments in the whole film that seem totally off.

    There are a lot of characters, but very few of
    them stand out (the sheriff is definitely the comical relief in the whole movie, and kept it at least somewhat bearable with occasional laughs).

    A lot of stories exist within the big plot, but most of them fail miserably. They are almost off-handedly represented, as if they are not all that important even if they are, leaving a lot for guessing, and then there are a whole lot of things that might be meaningful, but you can't really tell because it's an awful mess.

    The timing of some scenes is difficult to place because they appear randomly, and that really doesn't make the entire film any more pleasant to watch.

    I don't know if it was the Eastern flavor, because some elements in the movie were definitely from there. But I've seen Japanese movies better constructed than this, so that cannot be blamed.

    Lots of pretty faces (especially Masanobu Ando as Yoichi!), but that alone doesn't carry the movie very far ? especially when their characters just don't find their place in the movie like they should.

Mixed or average reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 4 out of 13
  2. Negative: 1 out of 13
  1. Reviewed by: Derek Elley
    Basic joke wears off after five minutes, and many bystanders will start to head out of town. But genre/Asian buffs prepared to ride shotgun for two hours will be rewarded with some classy action sequences and densely accoutred widescreen lensing.
  2. Reviewed by: Jim Ridley
    This delirious spaghetti eastern could only have come from the boiling brain of Takashi Miike, the prolific Japanese auteur whose spectacularly uneven films account for the lion's share of the past decade's most utterly batshit movie moments.
  3. 50
    More often there is a frantic, compulsive quality to the action. Fanboy intoxication with the idea of formal ingenuity too often stands in for the thing itself.