Metascore
82

Universal acclaim - based on 30 Critics What's this?

User Score
7.6

Generally favorable reviews- based on 50 Ratings

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  • Summary: Tell No One is based on Harlan Coben's international best-selling thriller about pediatrician Alexandre Beck, who still grieves for his beloved wife Margot Beck, who was murdered eight years earlier. When two bodies are found near the scene of the original crime, the police reopen the case, and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest that Margot is somehow still alive and with a message that says "Tell no one." (Music Box Films) Expand
Score distribution:
  1. Positive: 30 out of 30
  2. Mixed: 0 out of 30
  3. Negative: 0 out of 30
  1. Tell No One's plot thickens in about five ways at once, but they're all connected. The issue of how is a riddle that does more than tease --gives you an itch you won't want to stop scratching.
  2. Reviewed by: Richard Schickel
    90
    Indeed, you could argue that Tell No One is a variant on one of Hitchcock's favorite themes: the running man whose story no one (except us in the audience) believes. These fictions, of course, depend for their success on the French respect for rationalism (and their horror when reason is torn asunder by criminal irrationality).
  3. 90
    Crisply and competently filmed, Tell No One is an intriguing sample of new-school French cinema at the more commercial end of the spectrum.
  4. It's a solid study in paranoia and gamesmanship.
  5. 80
    A crafty, swift, subtly stylish thriller.
  6. Reviewed by: Reyhan Harmanci
    75
    It just does everything really well: perfect pacing, lovely camera work, spot-on acting and an ingenious plot.
  7. 63
    Once the final character has put the last puzzle piece in place, courtesy of an epic explanation, a kind of relief sets in: Someone just needed to spell it all out. It does not entirely help.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 15 out of 22
  2. Negative: 4 out of 22
  1. Feb 20, 2012
    5
    Something was missing, the movie was not as good as the book. Harlan Coben is a good writer. Turning one of his book into a movie was challenging this result is not as good as I expected even Canet is a good director. Expand
  2. Mar 2, 2012
    2
    I just can't resist. I know my reaction to French films; but I hope I will encounter one that is good. Maybe it's because of the culture and language gap. But they just do not work. Here is another example of the critics trying to make me believe that "the emperor is wearing clothes"; but as usual he is not! This is a long ridiculous film. There is no one to root for. Characters come in and out at breakneck speed. Just as I thought I know who someone was and what their motivation might be, how they relate to the hero, another "huh?" moment. I hung on to see what was happening, but around half-way in, I started to use the dreaded fast forward button. I could not have cared any less about any of these people (okay, maybe the gangster who saves our hero; how did he find him? was he tracking him too?) The police and prosecutors are presented as bumbling fools, jumping to conclusions (save for one who is unbelievable at not continuing his chase of the hero). The defense lawyer based on nothing but some, I say some, circumstantial evidence is ready to give up on her client. Ah you say characters that do not conform; that's different, worth watching. I was shown one thing, a certain way, and then a different way. I guess no on is enlightened about the dangers of smoking; does everyone in France smoke? Even the doctors? And the grand finale, a character who conveniently sits down, makes the hero sit, and said to me, "okay, you relax too, I'll explain everything) and spells out very single detail of what went on. The filmmakers must have known no one would be able to figure it out, let alone care. I could tell you where to go to so you donâ Expand

See all 22 User Reviews

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