Review this movie
May 30, 2016Okay, Terms of Endearment won all of the noticeable Oscars for 1983, and since most people will be checking this movie out/ criticising it based on the amount of oscars it won, so will I.
Best Picture - I personally dont think this movie deserved to win Best Picture of the year, i dont know what other notable works has been nominated in 1983, but i did not think Terms of Endearment isOkay, Terms of Endearment won all of the noticeable Oscars for 1983, and since most people will be checking this movie out/ criticising it based on the amount of oscars it won, so will I.
Best Picture - I personally dont think this movie deserved to win Best Picture of the year, i dont know what other notable works has been nominated in 1983, but i did not think Terms of Endearment is at all a cinematic achievement, like most Best Picture winners tend to be. Terms of Endearment is entertaining but that's all it is, it isn't bravura filmmaking, it isnt showing us things we haven't ever seen before, it's basically a formula chick flick, only better than the usual garbage that is being produced these last couple of years.
Best Screenplay - Here is where the movie's main faults come in, the Screenplay is very bland and uninvolved, the screenplay is neither funny nor emotionally evocative, the characters arent interesting, nor do you feel compassion for them. Except Jack Nicholson's character, who is a clear stand out with a good performance playing a delightful character, the rest of the characters are all pretty much uninteresting, and you dont feel anything for them. The reason for that is the constant jumping forward in time, something like that could make simple story (which Terms for Endearment is) more captivating and interesting to watch, but how it is done here results in the audience being unable to fully connect with the characters, and it skips forward just when it gets interesting and when you want to see more. (Especially in the beginning of the film) Also, the ending was very predictable, the screenwriter wanted to make this film an emotional adventure so he chose the easy way out to just have a main character die in the end, which i was expecting since the story wasn't going anywhere half where through. and there is another problem, a movie like this (a movie that doesnt really have a story/ a structured beginning and end) must be really captivating to work. (structureless/episodic films) Movies like this are difficult to make and succeed at, but it is possible, take La Dolce Vita for instance, that movie doesnt really have a firm story, it doesnt have a perfect beginning, middle and end, but it works because the rest is soo perfect. Unlike La Dolce Vita, Terms of Endearment has no solid clue what it's about, it's just a section of the lives of some people...
Best Director - Best Picture and Best Director usually go hand-in-hand for me, i personally thought legend filmmaker Ingmar Bergman should've won Best Director for Fanny Och Alexander.
Best Actress, Shirley MacLaine - The character she plays is one-note, she doesnt have a character arc, she doesnt change behavior (at least not that much) which makes her an interesting character to look at. The way she's played by MacLaine really isnt all that great either, in emotional parts she seems vastly mediocre, in more eccentric parts of the film she gives a hammy performance, that comes close to overacting. She was fine, but not all that great, she should've won for The Apartment, where she was much more delightful.
Best Actor, Jack Nicholson - Not his best performance but certainly something different, he plays a normal guy, but still shows what Nicholson does best, being sarcastic and funny. His character certainly is a secondary character, he doesnt have much screen time, MacLaine, Daniels and Winger certainly have the most screen time, but whenever Jack is on screen he is, as always, a delight to look at. My favorite scenes from this film are all with Jack on screen.
All in all, Terms of Endearment is certainly an above-average chick flick, and a good/entertaining watch for family/ loved ones, but the amount of Oscars it undeservedly won is ridiculous.… Expand
The dual-track plot, with constant cutting between mother and daughter, seems less an attempt to establish meaningful parallels between the two stories than the nervous twitches of a compulsive channel changer.