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100I have seen love scenes in which naked bodies thrash in sweaty passion, but I have rarely seen them more passionate than in this movie, where everyone is wrapped in layers of Victorian repression.
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100A great, velvety, beautiful anachronism. It's a movie almost drunk on romance, literature and cinema, a splendid period picture that keeps rashly breaking rules and boundaries [17 Sept 1993, Friday, p.A]
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100Thoughtful and reflective, it stands with the most exquisitely crafted films in recent memory, joining eloquently conceived images to an uncommonly literate screenplay. [17 Sept 1993, Arts, p.11]
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100Best “performances,'' however, are given by the movie's almost agonizingly beautiful historical settings -- luxurious households, rich architecture, furnishings, ornaments, draperies, fineries and such are often more captivating than the hushed tones of the lovers. [17 Sept 1993, Daily Notebook, p.C1]
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100After watching Pfeiffer and Day-Lewis submerge molten 19th-century sparks here, it is now conceivable that Scorsese could make compelling cinema out of “Three Blind Mice.” [17 Sept 1993, Life, p.1D]
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100A sumptuous motion picture, a feast for the senses.
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100It comes eerily close to duplicating the experience of reading while, at the same time, remaining very much a motion picture. That's a rare, perhaps even unprecedented, achievement.
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100A beautifully done adaptation of the novel, polished, elegant and completely cinematic. It is also a bit distant, a film that doesn't wear its feelings on its sleeve, but given the effects it's after, that would be counterproductive. [17 Sept 1993, Calendar, p.F-1]
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100A magnificent movie. [19 Oct 1993, p.A18(E)]
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100Instead of "Masterpiece Theatre"-style fawning, [Scorsese] fills this movie with visual flow, masterful cinematography and assured direction. There's an alert, thinking presence behind the camera.
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90A gravely beautiful fairy tale of longing and loss. [20 Sept 1993, p.82]
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88Day-Lewis is smashing as the man caught between his emotions and the social ethic. Not since Olivier in "Wuthering Heights" has an actor matched piercing intelligence with such imposing good looks and physical grace.
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83Up through its first half, The Age of Innocence is a masterfully orchestrated tale of romantic yearning.
User score distribution:
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Positive: 4 out of 5
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Mixed: 0 out of 5
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Negative: 1 out of 5
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JoshC.2A bore from begining to end. This is white elephant art at its worst.
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GiuseppeB10Michelle Pfeiffer had to win the Oscar.
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HTI.10This is one of the most heart-wrenching movies I have experienced.