To love this movie you'd need to love old movies. I do, but they begin with Gary Grant having a verbal duel with Katherine Hepburn. No such duel in this silent film. (There was one short sword fight.) Several people in my audience fell asleep. Too long. Too predictable. My biggest split in years with the critics.

The Artist is one of the most overrated movies of all time. Some people call it a tribute, but is nothing more than a rough copy. Getting started, all the value of the film is due to the year it was made, in other words, if The Artist was from 1930, would have been a film of the bunch and nothing more. The plot it is absolutely simple and you cannot say that it has the common structure: intro, development and conclusion. Third, the award winning performance of Jean Dujardin, is totally misjudge, all what he did was laugh and dance, that is not an Oscar. Fourth, the direction is poor, Hazanavicius has a lot to learn; he had not a chance to beat the great filmmakers, like Allen, Scorsese, Payne and Malick, something is wrong here. And for worse, the soundtrack was stolen from **** picture: Vertigo.
The good part of the film was when the protagonist suffers in dreams because of the appearance of sound in movies and in his life. Another interesting thing is that it was filmed as a silent movie and for telling what the characters said, they use signboards. But the cinematography was awful.
Awarding this picture the Academy is losing prestige and for me, this entity is no longer believable.… Expand

The Artist for a film student as myself is little more than a self-congratulatory concept piece that lacks the authentic charm of real silent movies. This is not 'City Lights'! The Artist, revels far too much in its own cleverness, allowing neither a connection to the characters to form or a true sense of wonderment. The plot is recycled from several films, most obvious elements of course being from Singing in the Rain, and whilst the sets and acting are deserving of their commendations the overall arcing plot and characterisation is poorly dealt with. This will most certainly win all of the Oscars, so Hollywood itself can receive a lifetime achievement award (thanks a lot France!). Irregardless, if this type of feature starts a new trend in the silent gimmick and reflection of the past then I am not looking forward to the casting or should I even hope for an appearance of minorities within a format which celebrates its white exclusivity and achievement in a medium. This is merely an average film which disguises itself through the crowd-pleasing and tiring 'homage to...' genre for acclaim.… Expand

This is a disappointing movie. The emotions are superficial (as in almost all silent movies), the ending is predictable, and frankly, the plot is somewhat boring and uninspiring. The critics and I strongly disagree about this one. Perhaps they are too nostalgic to take an unbiased look at this movie...

I love a good silent movie. No need for words when the story is that good..........

Felt quite emotional watching this trailer. There are several clever, even brilliant moments in the film. The power of music is phenomenal. I wish the movie could got a nomination for Best Picture in OSCAR.......

I do not understand the universal praise for this movie. It wants to toe the line between satire and homage but ultimately falls flat. There are a few charming moments but, the rest adds up to not much of anything. It doesn't even capture the rhythms and narrative thrusts of the great silent films. Find your homage of silents elsewhere: some of the films of Guy Maddin or even Mel Brook's Silent Movie, maybe. What you'll find here is a gimmick with little charm.… Collapse

What a great movie to watch. It had everything that makes a movie viewing experience magical. It was funny, charming, sweet, romantic, sad and enjoyable. Jean Dujardin and Berenice Bejo performed wonderfully and is directed, written and edited perfectly. Going to be in my top 3 for sure. Amazing.

What an amazing film. I knew Jean Dujardin would bring talent to the table based on his comic turns in the OSS movies - and he does a great job. But Berenice Bejo is the real find here, though. She lights up the screen like nobody I've seen since Elena Anaya in Sex & Lucia. (Or maybe Paz Vega in Spanglish - yes, that was a good movie!) It's a classic Hollywood film that shouldn't be missed.

Since I didn't enjoy the overall movie and technically overrated and overhyped by critics and viewers, this black-and-white silent film in digital presentation is unacceptable for the 21st century, not to mention that the title of this movie would have reflect the plot and idea of seeing a great colorful presentation. The classics are the past and they do stay in the past, not the present and not the future. Even though this movie will get some great awards, that should have happen in the past. This is definitely one of the worst and most boring movies of 2011.… Expand

SIMPLY....IT'S AN EXCELLENT MOVIE....it's dedicated for love movies .....the movie remains movies like sunset boulevard, the thin man and chaplin movies...

This was a really entertaining movie. It really drew on the art of the silent movies with a breezy story. And who doesn't like Uggie the dog?

I first saw this trailer makes me amazed.
This will be the preferred film and loved by many people.
Acting from Jean Dujardin and Berenice Bejo also Uggy the dog is very impressive and memorable way.
Dujardin won the Cannes Film Festival's Best Actor Award for his performance.

The Artist is cheery, charming and beautifully made. With amazingly charming performances from Berenice Bejo and Jean Dujardin who provide all the charm and the most moving moments seen in film in years. I give this film 100% of a good movie.

George Valentin (Jean Dujardin) has a dream halfway through The Artist with real sound. He sets a glass down on the table and it makes a noise. The phone rings, the dog barks, and it all sounds so harsh and shrill. Both George and the audience wait for George to wake up and end these horrible noises. Please, take us back to the wonderful world of silent film in black and white whose only sound is the soothing cinematic orchestral score. Yes, The Artist is silent. The actors are moving their mouths but only every now and then does a dialogue screen pop up for the audience to read. The effect of this throwback is a mesmerizing masterpiece. Just as Hugo was homage to the earliest films and George Melies, The Artist celebrates the late 1920s silent film era and appears so accurate it most likely could have been released in 1927. The giveaway is that everybody in the movie theater on screen is smoking. Nobody in Hugo… Expand

It just goes to show that you should read more about a movie before you go and see it. I was expecting some uproarious comedy, not some derivative hommage to 'Ollywood. It was mildly amusing, with a winning performance by the dog, but the 'plot' was slight and I'm not sure I got it. "The Woman In Black" was more enjoyable, "The Descendants" more worthy of recognition.

As for the silent gimmick: give me talkies.… Expand

Stylistically, "The Artist" is exquisite. Director Michel Hazanavicius wields the camera like a magician treating us to one delightful shot after another. It was wonderful to see all of the creativity that went in to every single moment. The story isn't bad either. There where quite a few moments where I had a big open faced smile and a case of the chuckles. But mostly, those chuckles came because of the talented cast. Jean Dujardin and Berenice Bejo perfectly portray their characters, Dujardin a struggling silent film actor, and Bejo a hot celebrity rising to the top after the invention of talkies. Together, they radiate chemistry and always keep the movie hopping along even during the unhappiest of times. The only drawback for me was the running time. With a story so familiar, I felt like about 10 minutes of the movie should have been cut particularly when Dujardin is going through the rough times in his life. I know that the familiar story is part of the "silent movie" style in itself, and I also know that many other viewers found the storyline to be enchanting. But for me, I was never swept up in the magic. It started to build for me in the beginning, but it sunk in the middle as I waited for Dujardin to recover and make it back on top for the eventual happy ending. Still, "The Artist" is an expertly handled exercise in style. If you can find the substance as well as the style, you will absolutely love it. But if you're like me, and you only enjoyed the creativity of the storytelling, you won't love it, but there will be plenty to excite you.… Expand

What a charming film! I saw it at the Toronto International Film Festival and at the end of the film, everyone gave a standing ovation to the film and its director and cast. This film put a smile on my face. The story is intelligent -- a black and white silent film that tells the story of a silent film movie star who doesn't believe in talking pictures. This film is an Oscar best picture with best actor and actress. (I have noticed that many different awards consider Bérénice Bejo a supporting actress! That's wrong in my opinion. Her character and performance is absolutely a lead performance.) Her star power shouldn't affect the category of the performance.… Expand

This was an enjoyable movie. I wouldn't really score it a perfect 10 or 100 (as many users and critics have), but I enjoyed it. The plot is pretty simple, and very close to that of Singing in the Rain, but it feels creative and different because it's a silent movie itself...not just a movie about them. I feel like if it wasn't a silent movie in black and white, it would have gotten only modest reviews. It's pretty much the most interesting thing about it. I did like the movie, but I found myself comparing it to Singing in the Rain the whole time, which is one of my favorite movies and is much funnier and more entertaining. But The Artist is still a good movie and worth seeing in the theatre. I loved the dog.… Expand

While one can certainly not like a movie for many reasons, not liking it because it is an artfully made homage to and about black and white silent films is, at the very least, immature. Critics love this movie because, in general, movie critics love movies and the history of the art form. Much like Hugo, The Artist has a soft spot for the silent film era. This movie is beautiful and well shot, using modern techniques and cinematography to replicate old style silent movies. It is true that one needs more of an attention span to appreciate a movie like this. It is also valid to suggest that much of the plot is nothing groundbreakingly new. But there are so many truly bad, and quite frankly mind numbingly stupid, movies released for mass consumption in the U.S. that it is refreshing to see someone try something different, novel and inspired.… Expand

The Artist will stand as one of the best films throughout this decade. Jean Dujardin is incredible (I think should easily win Best Actor @ the Oscars), along with Bérénice Bejo's performance as the adorable Peppy Miller. I advise that YOU do NOT watch the trailer prior to seeing this film. Basically, nearly all of the story is told through the trailer, along with ruining, not necessarily, okay ruining, the best scenes. (Soapbox moment) ... Why do American trailers ruin films? Drive, The Artist, Hugo...STOP! ... See the Artist!… Expand

A refreshing, unique movie in these modern days of 3D, robots, aliens, and huge, vapid blockbusters, "The Artist" is the charming story of a huge silent movie star, George Valentin, on the precipice of industry change, unable to adapt as "talkies" begin to rule the world. The appeal of this film is centered around animated performances, adorable situations and a genuinely stellar attempt at something different. While it certainly deserves recognition as one of the best of the year, the push as "Best Picture" is a tad overzealous. The simplicity of the plot is required in order to supplement the lack of voice for the sake of common understanding. As a result, it's hard for me rank it as the absolute best of the year. However, the genius of "The Artist" is how that simple story is woven into a tapestry of the brilliance of sound and how George can finally use his own "voice."… Expand

I love Charlie Chaplin and Buster Keaton, so I was looking forward to this modern homage to the silent films of old. I found the film to be charming, but it was predictable and not as funny as I had hoped. The reason Chaplin and Keaton were so great was because of their great physical comedy which required unbelievable timing. This film has little to none of that, just a simple story with a few chuckles here and there. The best things about the film for me were the dog and the soundtrack. The music fit the scenes perfectly. The acting and cinematography are very good but I would have preferred a more comedic script and more physical comedy.… Expand

The Artist has swept into UK cinemas on a tidal wave of critical acclaim, and a raft of increasingly major awards. Set in the late 1920s, just as the advent of sound overturns the Hollywood status quo, The Artist tracks the pride and fall of George Valentin (Jean DuJardin, best known over here for the OSS 117 espionage parodies) following a chance encounter with Peppy Miller (personified by the delightful Bérénice Bejo).

Itâ… Expand

Just seen this. I went from initially impressed ("wow look how authentic it looks!") to bored . . . to amazed, excited and hopeful (at the talking dream part) . . . to slowly bored again and then disappointed, as the film ended.

A few points that struck me.During the movie I was struck by the beautiful, ever so slightly familiar, string theme. On reading up after the movie I learnt this wasn't an original composition. I know the whole thing is sposed to be some kind of "homage to cinema" but thats really stretching it a bit for a Best Picture Nominee. Minus one point there.

I think the film, while technically excellent, didnt take enough risks. As I said, I thought the 'sound dream' but was fantastic and really got me excited for how the rest of the film would play out - maybe it would get surreal, maybe there would be colour, maybe matrix style SFX, even 3D as we see the evolution of film! (ok maybe not 3D, but you get my point). Instead there was nothing else of note.

The plot was wafer thin. I find it ironic that many critics who marvelled at, say, Avatar's fantastic technical aspects but berated its poor, predicatable generic plot, are willing to overlook that crucial aspect in the case of The Artist. Double standards?

Overall, and most importantly, the reason this film should NOT win best picture is that it simply has nothing to offer the viewer on repeat viewings. The first time round has its moments- "wow look how authentic it looks!" - and there's the excitement of not knowing what to expect.
But on repeat viewings all you've got is a mediocre silent film - a bit dull in places, with a wafer thin plot.… Expand

Did not think I would like a silent movie but I loved this one. Now I know what the great movies must have been like in the 20's! The music and expressions were all that is needed to get the message across. It's black and white, and that also added to the movie.

The acting is over the top and cheesy. The plot is so simple the movie could have been twenty minutes long. The music is nothing but annoying. There is a reason silent movies are no longer made.

Being younger and not thinking this type of film would work in my time, I thought this film was AMAZING!!!! I loved the characters played by Jean and Berenice; there was literally almost nothing I can find that is wrong with this film. Now the hard part for me is deciding whether this or "Tree of Life" should win Best Picture in the Oscar race.

A wonderful film that is very crowd pleasing and also very ambitious. The ambition of the film for the most part pays off and is a good enough reason to make a silent film in our time. The film does not need words for it's actors or great symbolism. Overall the film is very solid and one of the best of the year.

Its hard finding the words to describe how wonderful this film was. The Artist is an enjoyable piece of work that has a simple, yet impressive story. It boast beautiful visuals:- from its lavish sets, to its bold black&white cinematography. Though simple the story was translated to the screen well by director, Michel Hazanavicius, who also handles its vintage black&white and silent-film elements very well. The plot a silent film star who's unable to transition to the new medium of talking film.The clever use of inter titles and sound (and lack there-of) in key sequences adds an interesting paradox to the film and its plot. It did drag a little in the second act, but it picked up again thanks to the silent performances. With that said, Jean Dujardin and Berenice Bejo are excellent, after all, action speaks louder than words.… Expand

I'm sorry, but this movie is terribly overrated. What I can't get over is how it doesn't even approach the best old silent films in the way it is shot and edited. It really plods along in places. A decent editor could have cut out about 15 minutes and given the movie some snap. All I can say is it sure made me want to go back to the great old films...and the dancing sequence--well, Astaire and Rogers they aren't. It's a likeable, but way overrated movie. Rent a Harold Lloyd or Buster Keaton or Charlie Chaplin and see what real film making looks like.… Expand

I too question if a silent film would be able to hold up in days where action films rule and it suprisingly does. I really enjoyed The Artist and I would highly recommend it.

With the advent of the talkies in Hollywood, the career of a silent film star declines, as a cute young starlet is on the rise. In keeping with the period, it's in 1.33:1 ratio black and white with a musical accompaniment. There are title cards to explain some of the dialogue (they're on screen much faster than in the 30s). Besides all these devices, the simple story proves engaging, the actors are appealing and the director has added some clever flourishes to freshen it up. This is not an important film, as much as a sweet and charming homage.… Expand

The Artist was a wonderful surprise! I do enjoy a good silent film but these days it is a bit of an effort to get yourself to actually sit down and watch one, as is a documentary. But either genre can be a delight if they are done well, as this one is. I was afraid that my 22 year old son and I would get bored and had already told him we could leave early if that was the case, but we were anything but bored. I found myself caught up in the story line and characters almost immediately. It was a real pleasure!… Expand

"The Artist" is a comedy-drama set in 1920s Hollywood, following the fortunes of a successful actor moving from the age of silent films to movies with sound.

Upon first watch, this film is an undoubted triumph. Whilst a little difficult to adjust to at first - given our acclimatisation to special effects, colour, and, hell, dialogue - the black and white, mostly speech-lacking layout of "The Artist" is soon both a joy and a pleasure to watch. In terms of character arcs the story is a familiar one, that of a man refusing to adapt to a changing world and risking being left behind because of it. The performances had to be fantastic, and are. Jean Dujardin is immensely likeable as George Valentin, and exuberant performances from co-lead Berenice Bejo and support cast including John Goodman and the wonderful James Cromwell help the story zip along nicely. (The best performance is, of course, that of the dog, who provides the films funniest and, surprisingly, most touching moments.)

Stylistically the film is also superb. The essence of old cinema is captured expertly and the tinkling score is a perfect match. Even the speech cards work well. My personal favourite scene follows George Valentin's first encounter with "talkies" (films with sound): a nightmare where everything around him suddenly makes noise for the first time... except for himself. He tries yelling but ends up being laughed at by a growing group of dancers walking past. The scene ends with a feather touching down lightly on the floor with a sound like a bomb.

It was to my dismay that the film did not held up as well to repeat viewings. Maybe the novelty wore off, or maybe the foreknowledge of the plot was a problem, but "The Artist" lacks the punch it first provided when re-watching it later. Bizarrely, this exact problem is mirrored by another film of the past few years that couldn't be more different in terms of effects and budget: Avatar.

The Artist is a film well worth watching, and should please anyone willing to give it a go with an open mind, but one viewing is probably enough.… Expand

It was a piece of art in itself. Fantastic job and well made. I was not sure what to expect going into the theater, but while I was watching it, I felt like I was an audience member from the 20s! "The Artist" was spectacular and utterly surprised me. I did not expect to understand everything that was happening in the movie and yet I did. One can tell the Director and his co-workers did research on the average person. Bravo. I would like to see more silent movies in theaters. As I always like to say, "The Old is the new New!"… Expand

'The Artist' is unlike anything you have ever seen. It is meticulously crafted and edited to present an often surreal experience, but a consistently sweet and engaging one. About a quarter of the way through the film you'll be hooked, forgetting that it has no dialog at all. The music will lull you into the story and the subtle nuances of the acting will slide right by you, felling simply appropriate. There is a dream sequence (all I'll say) that is beyond brilliant. The film ends in a wonderful climax that will leave you entranced.… Expand

While the basic idea of this film is creative and has the potential of being a powerful experience, it is not realized. This is not a great film, as the creators did not actually study what makes silent film great. Silent films have a great depth but a different rhythm, more like opera than film, and this movie clearly has no knowledge of what makes silent films tick, so it is an academic exercise, done with passion, but which ultimately fails. The story within the story is ultimately not very interesting.… Expand

One of the best film of the year! It is brilliant, original, funny, and the actors (Jean Dujardin and Bérénice Bejo) are very talented. There are great musics too. It feels good to see something different for once.
I have only one thing left to say : GO SEE IT! :)

An excellent film that knows film. Hyper aware of what has come before it while doing something different because it can. A delightful melodrama with some laughs mixed in.

Please don't see this movie. I've seen it twice and need to see it again. Wait until after it wins the Oscar when you'll feel embarrassed for not having believed all the reviews.

This film is nothing special short of being a silent movie in 2011. The story has been told many times over in the past. I found myself just hanging in to see if my predicted conclusion would hold true, which it did. The story of The Artist is essentially covered by sections of "Chaplin" with Robert Downey Jr. I applaud the filmmakers for taking a risk. Its worth a novelty viewing, but hardly worth Best Picture consideration in any country. Well, unless they have a Best Silent Picture category.… Expand

You cannot doze or take your eyes off the screen during this movie, and the acting and direction will keep you focused. This is daring moviemaking, and wonderful artistry. Liked it a lot, but ultimately, it's a one-time only viewing for me.

It's time someone said "the Emperor has no clothes" -- this movie sucked! And I love old movies, and silent movies -- was at Radio City when Napoleon re-premiered, but his was just a really bad movie that someone at production must have just gotten so sick of, they said to "turn the damn sound off" and then forget to turn it back on before the printed the copies, and then got released figuring it couldn't be any worse with sound and not worth the trouble re-printing. You could write the plot on a matchbox, hell, you could write it on a match. And the lack of a soundtrack just keeps you focused on their lips trying to figure out what's being said so you don't focus on the (lack of) acting. They can keep the thirteen bucks but I want my hour forty minutes back!… Expand

Amazing film, I went to see it without reading any reviews or hype and really enjoyed it. It's an absolute master piece and it made me cry, laugh and feel very entertained through out. Beautiful acting deserving of oscars. Get to the cinema now! ! : )

Hello, moviegoers! There is a reason that no one makes black-and-white silent movies anymore. Those films were made because the technology was not enough advanced to contain sound and color. To revert to the black-and-white silent genre today is simply ludicrous and artificial and excruciatingly boring. Worst of all, The Artist is simply a very bad reprise of a romantic comedy-tearjerker with no attempt at originality of style. I KNOW what it was trying to do vis a vis the history of the silent movie, and it fails miserably. The one moment in the film of interest is the one in which Valentin, after seeing and hearing the prototype of a talking film, knocks over a brush in his dressing room and we, the audience, hear the sound it makes. It is a rivieting moment, followed by a few others sounds -- objects falling, girls laughing. And then the film reverts to the silence and the deadly dull music score. So why do that in the first place? I lasted in this movie for one hour, and honestly, I stayed that long only because I could not believe that it was not going to get better -- and by better I mean not black-and-white and silent. Dujardin has a great smile, I gotta give him that.… Expand

This is a beautifully told story taking the best elements of both modern and classical films. Though it will surely come across as a fairly good movie to most movie-goers, those who truely understand the artistic elements behind it will be blown away by its incredible depth. From realizing the subtle things, such as a pillar in the center of a camera shot showing seperation between two people, one can understand the true beauty of this film. Of course, the story is nothing to laugh at, either. It's a wonderful story, and it is well told. However, it is a bit predictable and does not attach you to the characters as much as it could. Don't get me wrong, I'm not saying it's a bad story. I'm simply saying that I think it had the potential to do more. While it is a wonderful movie, and I think is seen as such by the average moviegoer as well, I still wish it were more accessible to those who could not understand all its subtleties. This is its greatest shortcoming; this movie was mostly made for people who can understand all the subtle intricacies of films. For this reason, I would say that if you are of average understanding of film, this is a great movie to see and I would definitely suggest it. However, if you are able to understand things beyond the surface in a film, then this movie is, without a doubt, a must-see.… Expand

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This was a very enjoyable film. Clever, fun, well-cast, with great twists and turns. Bérénice Bejo was fantastic, such a vibrant woman, so authentic. The dog was superb, and although the film did drag in places, all-in-all it was great fun.

My mind kept wandering. It wasn't the silence or the dated plot but the lack of meat on the bones. A remake of Tugboat Willy would be as blah. It's a nice artistic conceipt for 15 minutes then it just continues to grind on into endless repitition of self love.

What a fun and creative film. Lead actor is brilliant, lead actress utterly charming, and it's interesting how the lack of sound makes you attend extra closely to every facial crease and raised eyebrow. This movie gives you a happiness hangover.

Brilliant. You've heard it's a silent film and you wonder how could it be so great, why are so many people raving about it. Well it really is pure genius, a glorious work of art. The two leads - Jean Dujardin and Berenice Bejo - are superb and the dog deserves an Oscar. It's obvious why Dujardin won the Cannes Best Actor Award. Bravo.

Probably safe to say it's one of the most daring, charming, and beautiful films made in a REALLY long time. Everything about this film is sheer perfection. And the fact that this is a silent black and white film from the year 2011 really says something. Incredible acting performances from Jean Dujardin and Berenice Bejo truly help this film shine. The script is lovingly crafted and stays true to the late 20' s and early 30' s. The silent film concept is genius and is played out perfectly. The one very small minor con is that there were times that you really wanted to know what some of the characters were saying. However, this wasn't even an issue at all since it was a silent film and the characters were likable, funny and charming. Their actions in the film definitely spoke louder than words. In all honesty, "The Artist" definitely deserved to win best picture. It won my heart as I'm sure it did for several others. An amazing, funny, and truly heartfelt film. A wonderful cinematic experience not to be missed.… Expand

In the era of 3D comes a film that does not even have colour, the relative unknown cast is silent and the plot is nothing short of uninspiring. However, it is full of emotions (hence colour), very expressive actors (hence not silent) and a direction that is so spot that the result is is genuinely surprising (hence not uninspiring).

I found this film a breath of fresh air; it took me back to Saturday morning TV when they used to show the odd silent movie. A simple love story with some great acting and a brilliant musical score really hit the mark. I did find, though, that George’s decline went on a little too long, just when you thought he’d hit bottom there was a little further to go. But that’s the only criticism I ism I have, it’s beautifully made in the style of the time and, although it may not be for everyone. A marginally lower score this time around; I guess it didn’t quite have the same impact it did on the big screen… Still well worth a look though!

SteelMonster’s verdict: RECOMMENDED My score: 8.4/10.… Expand

What??? How could this have a 7.9? This movie AT LEAST deserves an 8.5. Yes, the movie was full of cliches, but it was executed SO WELL! How could you do this to me?

A lovely film, driven by her killer soundtrack, a masterful interpretations and the sentimentality that surrounds you all the nice time when you are looking at.

It grows on you. You watch because it won all those awards but a half hour in you actually start caring. And let's be honest: we all love movies about alcoholism It grows on you.

Those who haven

I like commercial movies, not artsy movies. So I was skeptical about this one. But boy, did it win me over. Not sure how this movie even got made, but I'm glad it did. Maybe not for everyone, but this movie's casting a far bigger net than I'd ever of thought. Kudos to everyone involved.

Speechless... is one word to describe thiz movie. It has been proven that you do not need expensive Actors or famous Director to make a terrific movie. The movie is presented like an old time silent movie, it is black and white, almost no conversation and even was shot in the 1.33 : 1 aspect ratio. It takes place in 1927, when George Valentin (Jean Dujardin) was the king of silent movies. An unexpected encounter with the young and lovely rising star Peppy Miller (Bérénice Bejo) takes him to the mutual delight adventure in film industry. Every Actor plays its role perfectly, main or supporting. Jean Dujardin performs a superb and flawless acting. His charisma is unquestionable central element. He got the eye gaze, the eyebrow raised, the eyelash flutter, the dancing, everything that knocks down the game entirely. His opposite love interest, Bérénice Bejo creates an equal presence. Maybe she is not the most gorgeous blonde girl figures, but she is positively charming in every way. Other roles which are played by John Goodman, Penelope Ann Miller and James Cromwell as a loyal butler and even the dog are proportionally fit as they need to be. The plot is perfectly told. Although it is a black and white silent movie, every minute you spend it does not make you bore at all. The selection of Musical Scores is vital. Music is the life of thiz movie. It flows up and down dynamically during the mood changing in every scene. The man behind the curtain is Michel Hazanavicius, the under radar and unknown Director takes the risk to do something completely different and it seems to be perfectly pay off. I have to say that the conflict issue is brilliant! It is a solid winning theme. If you are an Actor or someone who has been involved in thiz industry, you will surely appreciate the message behind thiz movie. It is a Golden Gate that bridging the intergenerational gap. Silence is Golden, my friend!



Visit My Blog on JONNY'S MOVEE: http://jonnyfendi.blogspot.com… Expand

Academy movie, well it's great movie in any aspect but maybe 21st century never experience silent and black and white movies. But I think maybe it could better,like one Chalkzone episode.

A beautiful film in many ways. Even though completely black and white and (mostly) without sound, it is as affecting as any other film, relying on the performances and story. Jean Dujardin is quite magical in the central role as are the whole main cast. The ending was ruined by my local cinema's ineptitude, but thank God for youtube! A heartwarming nostalgic film.

This is a genuinely impressive movie that doesn't use its nature as a silent film as a gimmick but instead a way to enhance the film. Facial expressions, body language, these are still excellent ways of telling a story and it is nice to watch a movie where the audience isn't spoonfed every detail. It has a simple, predictable plot in keeping with the films of its era and yet I still found it involving and engaging. This could be attributed to the great performances of the cast or the fact that this is a movie with real heart.… Expand

Gee, I assumed there was a certain gimmick-level, (for a B/W silent film in this era, there would have to be) but in no way does this hinder the fun. . What I found was mostly brilliantly art-directed and photographed... in a true tribute sense.... all the costumes, cars, sets, makeup, were wonderfully accurate. The story would have to be a bit simple without speaking and few text-boards, but that did not diminish the fun or beauty for me. It is a tad long in the middle, but there is great payoff and follow-thru. It's a great artistic accomplishment, very imaginative, with admittedly, a so-so story. But that's good enough!… Expand

How good is The Artist?? W-O-W!!!! SOOOOO worthy of all the buzz!! What an amazing tribute to motion pictures! Definitely the "must-see" picture of the year. Brilliantly creative and thoroughly entertaining from start-to-finish. Had my doubts if this needed to be seen on the 'big screen" or not.... and the answer is a resounding YES!!!! Its been a long time since I sat with a movie audience that all applauded a film at the end. Just in case there is any doubt,.... this one earns an A+.… Expand

This movie deserves all the awards they had received because this is an amazing film. I thought black and white films are not effective anymore in the 21st Century, I was wrong..............

Even when you ignore the astounding fact that The Artist is a silent film that has made a real impact on audiences in the modern world, the film is a good old-fashioned, incredibly sweet love story, and also an insightful comment on a key point in film history - the point where the modern idea of filmmaking was born, where the industry and the art form changed forever with the invention of synchronised sound. The casting is great - Jean Dujardin's Best Actor Oscar was undeniably well-deserved, and he fits the part of George Valentin, a washed-up silent film star perfectly, and embodies the showmanship-dependent acting style of the period. Berenice Bejo is captivating as Peppy Miller, an actress whose star is rapidly on the rise, and has the classical poise and beauty of a 30s film actress. James Cromwell also leaves his mark, playing the most pivotal and sympathetic of the film's supporting roles, that of Valentin's loyal valet Clifton. It is true what you've heard, however, Uggie the dog threatens to steal the show from his bipedal fellow cast members - he is an obscenely talented and transfixing little canine. The film is a breath of fresh air not only in the way it appropriates a long out-dated aesthetic and musical style and lack of synchronised sound, but also in the way in which writer/director Michel Hazanavicius experiments with mainstream film conventions and keeps the divide between the film world and the real world playfully permeable (most amusingly in one scene, Valentin discovers his studio has pledged to only produce talkies from then on, he has a nightmare which is accompanied by synchronised sound, though he himself remains mute - a clever comment on silent film actors failing to make the transition to talkies). It's a film that warmly pays tribute to silent cinema, but which also uses modern moviemaking techniques and has a definite sense of post-modern self-awareness, resulting in an incredibly satisfying, layered viewing experience. The Artist is creatively refreshing, engaging and well-performed, funny and endearing, a real feel-good movie, and will hopefully drive filmmakers to take more risks with their projects in the next few years.… Expand

The Artist, making a statement about art and the film industry without saying a word. I had my doubts going into the film. but came out of the theater very impressed. Definitely one of the best pictures of the year. How could you not fall in love with this underdog of a movie?

The Artist was entertaining, which is incredibly surprising. It may have been a gimmick according to some but forgetting the hype, it is a well-made, well put together movie with great performances.

Absolutely Amazing ! The Artist proves that no matter how Improved the film world is now but That Silent Era was the Start . Its an amazing story of Changing and Love . This is the magic of great a Silent movie, I always felt Silent movie has a thing where it feels like Magic . We are not hearing a thing with our ear but we can feel it in our heart & Believe me its a great feeling !!!!! Michel Hazanavicius did something amazing, What he did was very risky and he believed in his dream,And I respect him for that. It was a amazing Writing and Michel's Directing was Unbelievably Awesome . Jean Dujardinm di an great job and Probably one of the best acting in the 21st century.Bérénice Bejo did really good , She was very charming , Rest of the actors were amazing too & Uggie (the dog) should be given an Oscar for Supporting Actor !. Music score was (In one Word) Superb ! Dance scenes were so remarkable. it was Michel's dream to make a silent film and like him its my dream too and he directed the film so well and amazingly .… Expand

This is a really great movie, the best of 2011, should have won more Oscars, minimum 7, for me is much better than Hugo, who has to win as 3 Oscars, and Harry Potter should have won 2, 3 or maybe 4 Oscars. There were many injustices in the Academy Awards this year.

An Oscar? So this is the best the movie industry did in 2011? Pleaaaaaseeee!

I can go for an honorary mention because of the bravery of doing a silent movie on 2011. But saying this was the best movie done in 2011 is insulting all modern filmmakers.

I'm the first to hate this era of the cinema where all that matters is doing 3D movies and superhero sequels. But if you don't go for the masses you still can find good movies.

But this wasn't one of them. And the idea that it got the best movie award in so many places made me like it less... if possible.… Expand

Utterly charming and excellent in every way! I loved this film from beginning to end, and I fell in love with every character. The direction, acting, cinematography, music, scenery, and costumes were all superbly executed. Bravo! It was so refreshing to watch a movie that "focused" our attention on the subject matter on the screen, rather than trying to have a competition to see how many images they could flash by per second. A "10" is a rare rating to me, and The Artist deserves it with a "+" after it!… Expand

9/10
Tremendous bravery to do a black/white, and a silent movie in 21st century, in bluray.
Innovative, inspirational, and mind-tickling, which are what this world needs most.
Though the score is not fully matching to my standard, and the plotting can be better, can be more dramatic to the lead, especially the ending of his part. But nonetheless, good enough to score a 9/10.

I knew very little about this movie when I saw it. Just saw that a lot of critics liked it. Part way into it I was worried...when are they going to speak? By a quarter way through the movie I was so interested in the fact that they weren't speaking and I actually liked it. Half-way through the movie, I was so enthralled and 3/4 of the way I loved it. By the end of the movie, I was at the edge of my seat and what a fantastic job they did! See it!… Expand

What a novel idea for a film, make it like they used to be. It wears thin soon but the acting is flawless while the story, well, you know it. The ending did hold a surprise and that's a plus. In summary, well done, kudos to all, it should be seen. Hopefully the critics have not gone gaga over it just because it is different and they are forced to see the 80% of films that are boring and usually a waste of time; but of course, that is their job.… Expand

Wow -- really? As a lover of silent film and films set in that period, I just don't get what the excitement is about (with the exception of the novelty). Characters are underwritten, direction all over the place, plot and direction have anachronistic issues. First Act is exciting, Second Act meandering and lost, Third Act charming...but by THAT time... Plays like an AFI student film.

Beautiful, retro-modern and much deserving of the Golden Globe accolades it got. And Jean DeJardin he is a superstar! I hope Hollywood does not corrupt him and make him too commercial. This silent movie will be enjoyed by everyone, not just film buffs, although it is a Valentine to Hollywood

http://luhathoughts.blogspot.com/2012/01/magnificent-silence.html

"The Artist" is a very entertaining novelty perhaps a bit too overladen with cinematic references and metaphors to be completely captivating. More a marvel for the fact that it was made than for what it actually is. Over-rated by critics with some directorial missteps, but enjoyable. I would recommend watching the real movies of the 20's and 30's than this pastiche of cinematic cliches and tropes. It might also help to know that 'beauty spot' is the British term for what we Americans call a 'beauty mark'...odd that language should fail in a silent film! Acting is superb in a 'we didn't need dialogue, we had faces' kind of way. This movie's silence loudest in that it has nothing new to say.… Expand

I don't know if I agree with all of the main stream critics on this film, however, I read an interesting take on Oscar-nominated The Artist here: http://4thdimensionfilms.wordpress.com/

'The Artist' is a pretty daring film. It has appeared almost out of nowhere with a relatively unknown cast and director and has taken the world by storm... And did I mention it was a silent movie? It's already tipped to be the big winner at the Oscars after taking best picture at the Golden Globes earlier this year. But amidst all the hype, is it actually any good? And can it possibly be as good as everybody says? It turns out that it is. After a few viewings, the joy felt when watching 'The Artist' still remains. You find yourself sat watching the film with a big grin on your face that will last for most of it's running time.

Jean Dujardin plays George Valentin, the biggest movie star of the silent period. The film follows his success in the mid-20's and how it turns on him and his life with the introduction of talking pictures in 1929. That is the film in a nutshell. But really, it is about the nature of fame, ambition and the inevitable moments of reality that face everybody in life. Jean Dujardin is perfect in his role. He is smooth, charming, reflective and incredibly human without even saying a word. Rather than dialogue, his facial expressions do the talking and it's very easy to see why he has an Oscar nomination for this role. Watch for moments of subtle humanity beneath his celebrity exterior when he is preparing for his roles or in a beautiful scene towards the end of the picture which I won't spoil for you. All the other performances are predictably superb with Berenice Bejo and John Goodman supplying the charm expected in old silent movies.

Another reason the film is so captivating is in the attention to detail with all the technical aspects. Firstly, the film is presented in the aspect ratio all old movies were screened in, to not only capture the essence of the time but to put greater focus on the performances of the actors. It works. The audience will feel every bit of emotion in this film because of it. Additionally, the music is one of the best original soundtracks I've heard in a long time. The 80 plus minutes of music from this film is almost like a character itself; a scene can be viewed as serious or comedic just by the use of a few notes. A final factor worth noting is the cinematography, which makes this film look like it could have come from 1927. It is shot in beautiful black and white which gives the film an extra texture and depth that today's digitally shot coloured films cannot capture.

It is possible to write for days about 'The Artist' but all that needs to be said is how moving, beautiful, joyful and brilliant it is. For a film to come out as daring as 'The Artist' in 2012 and be only half decent is a good result. However, it does much more than that. It captures the essence of cinema itself with it's ability to entertain, surprise and engage audiences all over the world, myself included.

A Classic.… Expand

The starting is a bit boring, the story is not very original, but damn, this movie is GOOD, and funny as hell, with sad, exciting and touching parts too. Not the best film of the year, but still better than almost every other films.

Having watched this soon-to-be Oscar winner in the local cinema (after repeatedly brainwashed by its trailer in the multiplexes), indeed itâ

The Artist (2011): A modern silent film that attempts homage, borders on mimicry. Has trouble with individualism, charming and emotional nonetheless.

www.unsungfilms.com by Georgia Xanthopoulou

Opening Nights: Athens International Film Festival 2011, Pt. 1

The Highlights: â

Is silence golden?

It was one man's singular vision: to create a film in 2012 that reflects the look, style and charm evoked in the cinematic world of 1927. If successful, it would surely be the toast of the Academy. If not, it would be doomed to work the art-house circuit, garnering an apostolic fan base but only seeing the light of day for, ironically, an assortment of midnight screenings. Purists take note: director Michel Hazanavicius does take some liberties with the final product, but for a film that hardly utters a single word, the language of cinema oozes out of every scene with an all-ages charm that deserves every accolade it receives.

George Valentin (Jean Dujardin) is the world's biggest silent movie star. But with the groundbreaking introduction of 'talkies', it becomes increasingly apparent that this is a business for the young, and that he must change with the times to remain relevant. This is easier said than done for the vain Valentin, who has only ever known one way to make art, and he isn't about to give it up just because some Hollywood big-wig says so. The face of this new generation is Peppy Miller (Berenice Bejo), a former co-star of Valentin's who seems to keep showing up in his collapsing personal life.

Having to work without the help of the spoken word, Hazanavicius finds a myriad of other ways to tell his story. The occasional attention paid in Year Twelve English finally comes in handy, as the well-trained eye can spot visual motifs all over the place. The titles of movie posters in the background of most shots cleverly reflect and foreshadow the story, while a handful of Hamlet-esque films-within-films add depth and personality to the proceedings. Appropriately, though, music is the organic piece of storytelling, deftly enthralling, calming and bolstering audience sympathies whenever necessary, including a suspenseful climax made all the more engaging by some directorial slight-of-hand, in which the film takes advantage of its lack of diegetic sound to exploit the audience's perception of reality.

And yet, on top of its excellent appropriation of outdated techniques, The Artist has the benefit of being made in an era that does not restrict one's imagination. Filmmaking methods considered too sophisticated for their contextual time are used to great effect when the film demands a sudden change of pace, such as during moments of reflection or dream sequences. In a wholly recreated film, these scenes would look as out of place as a drum solo at a Ramones concert, but their inclusion brings a uniqueness and originality that was certainly not expected.

Overall, though, this is not a movie about technicalities. Nor is it a comedy, as so many people have hastened to classify it. It's a movie about heart, trying to tell of the rise and fall of a conflicted man struggling to find his place in a burgeoning new world. And where the medium of delivery might be unorthodox, the theme is certainly universal. Dujardin earns his Best Actor award with the creation of a painfully strong headed, yet sympathetic character, while the (quite literally) unspoken chemistry between our lead and Bejo is enough to make most modern actors extremely jealous.

The film might start off as a gimmick of sorts, introducing a sceptical audience to the marvels of ancient movie-making. Over time, the slow cuts, sped-up pacing and deliberate overacting do not so much 'wear off' as they do 'graciously step aside', allowing the plot and its drivers to take centre focus.

In a world where all films are immediately categorised as either 'indie' or 'blockbuster' well before their release, those who disliked The Artist might argue that it was the film's blatant reverence for the past that won it the top prize. Of course, this argument can only exist in its own vacuum, as a love of all things old seemed to be the theme of this year's Oscars, employed by many quality nominees, including personal favourite Hugo. But where Scorsese has crafted a tribute to one man's greatness carefully disguised as a children's film, The Artist is more of a character piece, with a theme so recognisable it could have been just as engaging if set today.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*… Expand

I thought that this film was a great throwback to an era that has become extinct. Both leads were endearing and intoxicating. I loved the score as well as the imagery. It is honestly one of the better films to come out of 2011. I don't think that it is a movie that I will watch again anytime soon, but as a novelty and memento I think it works great.

What a piece of art this is! I found myself smiling throughout the entire film. It became a permanent fixture on my face that wouldn't leave. Magical. Charming. Witty. Joyful. This movie will put you in a really good mood. Jean Dujardin and Berenice Bejo were outstanding. A silent film requires actors to convey a wide spectrum of emotions, and boy they sure did! It would be delightful for Dujardin to win Best Actor this year for his role. And to you Mr. Hazanavicius, thank you for your wonderful love letter to cinema!… Expand

The artist is nearly two hour renaissance of silent movies. Michel Hazanavicius's movie is a complete opposite of other mainstream movies today - it's not everyday you get to see a silent movie at the theaters anymore. I have read many reviews, and some (a minority) say, that the facial expression, the mimics of the actors are overplayed and straight up bad. How can you not love Jean Dujardin? His face is made for thirties-hollywood. To those who say this, I say this: **** commented such on talking movies: "The essential of theater films is the visual. Letting actors talk, will take a way the words of the pictures". Also Charles Spencer Chaplin was worried that talking would take away a very aspect of movies. The artist is a fantastic example of speaking pictures. In a today filled with movies of mainstreams, a direct opposite was, perhaps a dangerous project. But no gain without risk. This movie is absolutely amazing, and I strongly advice everyone to go see it.… Expand

It was a great movie - but actually, nothing really special about screenplay or storyline. I loved Berenice Bejo and Jean Dujardin's performances. I also loved music by Ludovic Bource, and great direction by Michel Hazanavicius. Overall, I think I really enjoyed watching this film. And it will definitely win the Best Picture Oscar at the Academy Awards. (Also, I think it will win Best Director, Best Actor and Best Original Music.)… Expand

I don't know what the critics and especially the Academy of Arts and Sciences found so fascinating about this- at most- mediocre offering. It's a decent film about the movie industry in the 20s. It's silent and Black and White. After twenty minutes it's boring. The hero frequently flashes his teeth and raises his eyebrows to show emotions. Anthony Hopkins he's not; 'Silence Of the Lambs' it's not. Silent movies went the way of the dodo because talkies were able to use the technology of the day to woo audiences into the theatres. Box office at this film is a disaster, despite all the hype. Fortunately this movie had its fifteen minutes of glory. No one will ever watch it on TV and the novelty of the thing will wear off. The 'Emperor has New Clothes' comparison might be overused, but it's true. Roger Ebert and others have given their five star blessing to this film so we HAVE TO like it. When i saw it, the theatre was at 10% capacity. A couple of viewers walked out after fifteen minutes. In a couple of years 'The Artist' will be forgotten and hopefully this one movie fad will finally end.… Expand

Loveable, charming and thoroughly entertaining. As someone who generally only watches new films, a black & white silent film didn't sound particularly appealing, my curiosity led me to contradict my initial instinct. I'm so glad I went to see this film. Definitely worth the hype!

This film was incredibly well made, but I found myself disappointed in the lack of risk it took. Instead of being something completely original, the film relies on a derivative plot line that feels over done in the cinematic world. Besides this Jean Dujardin and Berenice Bejo both deliver spot on performances that deserve recognition.

The Artist might have taken a good risk of stepping out of the kinds of movies today ( mainly garbabe) but it failed miserably and became an extreme bore with irritating music and a length of a silent movie that was unimaginable.

This is such a splendid little film and a rare piece of fantastic film making. It delivered everything wonderful a movie can offer and more, and yet it was silent. This is a movie to cherish.

I sat down to watch The Artist with a certain degree of apprehension, it was the first black and white or silent film I have ever really watched. Sadly these factors put off Mrs Media Worm so I watched it solo.

The Artist is like no other film I have seen (stating the obvious) before, in the same way I often lean towards black and white photography, I found the lack of colour enhanced the film's stylish presentation. After a short time I forgot I was watching a film with no dialogue, and enjoyably so. Ludovic Bource's score sublimely supports the cast, with necessary dialogue provided by the occasional old fashioned dialogue intertitles. Before seeing the film, I'll be honest, I was sceptical of the film's hype, especially seeing actors unknown to a wide audience wining awards for Best Actor, but Jean Dujardin's performance as the proud, egocentric star George Valentin is as wonderful as I have seen lately. Dujardin seems built for silent film where expressions count for so much, ironic given the film's story. The contrast between his over-acted performances as the silent film actor and his toned down but still expression led performance as an actor in what is a silent film is subtle but fascinating. Berenice Bejo is just as rapturous as Peppy Miller and together the two are enchanting. Considering the film is French, I was surprised by the faces that popped up amongst the supporting cast, notably John Goodman, Malcom McDowell and James Cromwell. Credit must also go to Uggie the dog, probably now the most famous on screen canine since Snowy.

Academy Award Best Director Michel Hazanavicius includes some stylish shots, my favourite being the shot of George and Peppy talking on the stairway of the Bradway Building while extras busily move around them on all levels at a seemingly faster speed.

The film's plot is actually a sombre, simple little romance story where very little actually happens but what does transpire does so leisurely, at an easy going pace, as befits the time.… Expand

this silent movie is great. it made me cry 3 times.it is my favorite movie of all time. the actors did great. i loved the dog. it was so cute. i loved every single part of it. i did not know if i was going to like i t because it was a silent movie. but i loved it.

Good but extremely overrated. Don't see why this one best picture and best actor at the Oscars, must be because old people do most of the voting. Don't get me wrong, this movie is very well made and well acted and everything, it's just overhyped and nothing spectacular is all. Still a good movie, nothing too deep or superb though.