Generally favorable reviews- based on 21 Ratings
Jun 18, 2013“The Baader-Meinhof Group” is a provocative, brutal, German film meticulously directed by Uli Edel "Last Exit to Brooklyn" (1990), written by Bernd Eichinger "Downfall" (2004), and stars some of Germany's best actors: Martina Gedeck, Moritz Bleibtreu, Johanna Wokalek and Bruno Ganz. These talents come together to tell the story of the founders of the Red Faction Army (RAF), one of Germany's violent left-wing anti-capitalist group against western imperialism in Germany, whose logo is a combination of a Red Star and an MP5 sub-machine gun.
Working off of transcripts and real-life accounts, Uli Edel simply re-creates the story and history of the Red Army Faction in accordance with the historical record, while never imposing judgment or opinions.
Germany in the 1970s: Murderous bomb attacks; the threat of terrorism and the fear of the enemy infiltrating high levels of government is rocking at the very foundations of the fragile German democracy. The radicalized children of the Nazi generation are led by Andreas Baader, Ulrike Meinhof, and Gudrun Ensslin who are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment--many of whom have a Nazi past. Their aim is to create a more human society, but by employing the use of terrorism and the threat of violence, they lose their own humanity in the process.
"The Baader Meinhof Complex" is visually riveting with fantastic action scenes, and at times can become almost emotionally overwhelming. Edel propels the complex narrative and its myriad ricochets, and it surprisingly holds together quite well. That being said, the sheer length and constant brutality and bloodshed mount, making the viewing of last third of the film laborious. An impressive, well done period piece, but "The Baader-Meinhof Complex" is diluted by too many events, with too many characters, distributed over too much time.… Full Review »
Nov 14, 2012Great film. I went into it expending some propaganda piece one way or the other but i left with thoughts similar to Hitchens about the beautiful display of blurring lines between criminality and rebellion/revolution. It's well casted, well acted. Baader seemed to be a bit over the top psychopath/sociopath, but i don't know the history well enough to know if he was really like that. The movie was very immersive and it hardly felt subtitled at all. Went in skeptical, left a fan.… Full Review »