Metascore
80

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 29 out of 29
  2. Mixed: 0 out of 29
  3. Negative: 0 out of 29
  1. 100
    The Band’s Visit has not provided any of the narrative payoffs we might have expected, but has provided something more valuable: An interlude involving two “enemies,” Arabs and Israelis, that shows them both as only ordinary people with ordinary hopes, lives and disappointments. It has also shown us two souls with rare beauty.
  2. Reviewed by: Ty Burr
    88
    It's a small, profoundly satisfying movie that keeps echoing long after it's over.
  3. Something marvelous happens as the filmmaker, in his first feature, expertly metes out small scenes of communication between people taught, for generations, to be wary of one another: This Band swings with the rhythms of hope.
  4. Reviewed by: Ken Fox
    88
    A remote, Israeli desert town is the setting for this droll, endearing comedy about an accidental cultural exchange that very quietly says some very important things about contemporary Arab-Israeli relations.
  5. 83
    A charming little film built of bits of music, romance, cultural conflict and the simple human need to connect.
  6. 88
    A modest and charming comedy from Israel.
  7. First-time filmmaker Kolirin paces his can-we-all-just-get-along? parable as if it were a silent comedy, which for long stretches it is. This movie about musicians has no soundtrack. Its musical moments are few, but potent.
  8. 100
    This movie has a tone, look and mood all its own - it's a joyously bittersweet piece of visual music about isolation, melancholy and everyone's yearning for transcendence, through love, art or both.
  9. 83
    Tonally, The Band's Visit steps gingerly on the line between “sweetly humane” and “cloyingly quirky.”
  10. Reviewed by: Will Lawrence
    100
    A heartfelt, wry and decidedly spry film.
  11. Reviewed by: David Wiegand
    100
    A lovely, smart and beautifully understated film.
User Score
8.4

Universal acclaim- based on 26 Ratings

User score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
  1. Jun 24, 2014
    8
    Out of the context of Egypt and Israel’s historical feud, this succinct awards-winning film (87 minutes) debut from Eran Kolirin may seem toOut of the context of Egypt and Israel’s historical feud, this succinct awards-winning film (87 minutes) debut from Eran Kolirin may seem to be a prosaic essay about an unfulfilled romance with a few light touches on the quotidian lives in a rural Israeli town through the eyes of a band composed of members of the Egyptian Police Force from Alexandria, who are invited for a cultural event in Petah Tiqva.

    read rest of my review on my blog, please google cinema omnivore, thanks
    Full Review »
  2. Sep 17, 2010
    10
    I just watched this movie a second time. It is a parable of such aching beauty. Every move is so carefully and subtly played out, at onceI just watched this movie a second time. It is a parable of such aching beauty. Every move is so carefully and subtly played out, at once humble and downplayed, at the same time sublime and uplifting. I'm a fan of minimalism for example, of the styles of musician Arvo Part or artist Marc Rothko. This film reflects this tradition, with the simplest of pauses, moments, glances or gestures, communicating from the depths of the soul. Full Review »
  3. ChadS.
    Aug 12, 2008
    10
    All dressed up and nowhere to go, the Egyptian Invasion of Israel gets off to an ignominious start when The Alexandria Police Ceremonial All dressed up and nowhere to go, the Egyptian Invasion of Israel gets off to an ignominious start when The Alexandria Police Ceremonial Orchestra find themselves in the wrong town, the wrong Bet Hatkiva. This Bet Hatkiva is practically a ghost town, whose chosen people, choose to live by the tenets of minimalism. In spite of the orchestra's extended layover, these stoic musicians remain in their formal blue uniforms, which grows increasingly hilarious as they clash repeatedly with the drab interiors and exteriors of the town. The band is like some straight-laced person's acid flashback. The clash of egos between Tewfiq(Sasson Gabai) and Simon(Khalifa Natour), and the filmmaker's absurdest sensibilities, results in a film that suggests "This is Spinal Tap" by Beckett. Tewfiq and Dina(Ronit Elkabetz) sit on a "park" bench, waiting, not for Godot, but for love to arrive. Unfortunately, Dina makes an offhanded comment about Arab men which rankles the lieutenant-colonel; so natural, is the buried expression, like breathing, does her deal-breaking words of racial stereotyping, suddenly politicize their sitting and talking, once mired with great expectations for love. Alas, God rears its ugly head. Wistful, but never gloomy(like the "gloomy girl", a possible nod to Aki Kaurismaki's "Leningrad Cowboys Go America"), "The Band's Visit" shares the same comic touch for miniature emotions as the Finnish master of the subtle ha-ha. Full Review »