User Score
8.4

Universal acclaim- based on 26 Ratings

User score distribution:
  1. Positive: 25 out of 26
  2. Mixed: 0 out of 26
  3. Negative: 1 out of 26
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  1. PatrickT.
    Mar 4, 2008
    10
    You may not have a more thoroughly enjoyable time at the movies this year. Stark yet sumptuous in its implications. Sweet yet devastatingly sad. An immensely pleasurable exercise in contrast and plurality.
  2. js
    Feb 16, 2008
    10
    The antithesis of Hollywood film product: well played, well scripted and well filmed. The critics' average score is not a fair measure of the humanity so deftly captured in this work.
  3. ChadS.
    Aug 12, 2008
    10
    All dressed up and nowhere to go, the Egyptian Invasion of Israel gets off to an ignominious start when The Alexandria Police Ceremonial Orchestra find themselves in the wrong town, the wrong Bet Hatkiva. This Bet Hatkiva is practically a ghost town, whose chosen people, choose to live by the tenets of minimalism. In spite of the orchestra's extended layover, these stoic musicians All dressed up and nowhere to go, the Egyptian Invasion of Israel gets off to an ignominious start when The Alexandria Police Ceremonial Orchestra find themselves in the wrong town, the wrong Bet Hatkiva. This Bet Hatkiva is practically a ghost town, whose chosen people, choose to live by the tenets of minimalism. In spite of the orchestra's extended layover, these stoic musicians remain in their formal blue uniforms, which grows increasingly hilarious as they clash repeatedly with the drab interiors and exteriors of the town. The band is like some straight-laced person's acid flashback. The clash of egos between Tewfiq(Sasson Gabai) and Simon(Khalifa Natour), and the filmmaker's absurdest sensibilities, results in a film that suggests "This is Spinal Tap" by Beckett. Tewfiq and Dina(Ronit Elkabetz) sit on a "park" bench, waiting, not for Godot, but for love to arrive. Unfortunately, Dina makes an offhanded comment about Arab men which rankles the lieutenant-colonel; so natural, is the buried expression, like breathing, does her deal-breaking words of racial stereotyping, suddenly politicize their sitting and talking, once mired with great expectations for love. Alas, God rears its ugly head. Wistful, but never gloomy(like the "gloomy girl", a possible nod to Aki Kaurismaki's "Leningrad Cowboys Go America"), "The Band's Visit" shares the same comic touch for miniature emotions as the Finnish master of the subtle ha-ha. Expand
  4. Sep 17, 2010
    10
    I just watched this movie a second time. It is a parable of such aching beauty. Every move is so carefully and subtly played out, at once humble and downplayed, at the same time sublime and uplifting. I'm a fan of minimalism for example, of the styles of musician Arvo Part or artist Marc Rothko. This film reflects this tradition, with the simplest of pauses, moments, glances or gestures,I just watched this movie a second time. It is a parable of such aching beauty. Every move is so carefully and subtly played out, at once humble and downplayed, at the same time sublime and uplifting. I'm a fan of minimalism for example, of the styles of musician Arvo Part or artist Marc Rothko. This film reflects this tradition, with the simplest of pauses, moments, glances or gestures, communicating from the depths of the soul. Expand
  5. KhanM.
    Jul 13, 2008
    9
    One of the finest examples of film aesthetics. One can never be bored or tired of watching this beautifully made movie.
Metascore
80

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 29 out of 29
  2. Mixed: 0 out of 29
  3. Negative: 0 out of 29
  1. Mr. Kolirin, it emerges, is wrenching comedy out of intense melancholia.
  2. Reviewed by: Jay Weissberg
    70
    A warm and delightful take on cross-cultural relations that proves that sometimes a light touch is just what's needed to address serious topics.
  3. Reviewed by: Will Lawrence
    100
    A heartfelt, wry and decidedly spry film.