- Studio: Miramax Films
- Release Date: Aug 22, 2003
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63Surprisingly sweet and smart... LaBeouf does an excellent job, and the talented Beeney is one to watch.
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60LaBeouf somehow manages to turn Kelly's self-centered behavior and irritating character quirks into a sympathetic lead, and the well-written script by newcomer Erica Beeney brings a lot of humor to some very touching moments.
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Another heartfelt coming-of-age story that plays much more like a television movie than a theatrical feature.
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50Isn't bad so much as jumbled...You get the sense of too much input, too many bright ideas, too many scenes that don't belong in the same movie.
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Painfully blasé coming-of-age story.
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50Directors Potelle and Rankin lack the skill to integrate the sometimes drastic shifts between comedy and drama - and the serious portions ultimately get short shrift, apparently at the behest of Miramax's marketing executives.
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50If that sounds a lot like Rushmore, it is, except that the heart has been sucked out of the thing -- replaced by glib chatter, gratuitous Baudelaire references, and distracting product placement.
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50In a better movie -- a much better movie -- LaBeouf might make the same sort of impact Dustin Hoffman did in ''The Graduate.'' But the kid's young. There are movies to come.
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50The dubious whimsy, devoid of any directorial voice, plays more like a very special episode of Dawsons Creek.
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50Best to experience Shaker Heights for what it is: not a movie, exactly, but the true season capper of ''Project Greenlight,'' a series that finds its very drama on the road to mediocrity.
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50If there is a delicate story of forgiveness, friendship and family buried somewhere in Erica Beeney's script, Potelle and Rankin haven't managed to find it under the throes of empty rebellion and painless triumph.
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50The nice thing about seeing so much time, money and effort go into a bland film is that it makes you appreciate truly inspired filmmaking even more.
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50While decidedly green, at least isn't mealy or tasteless. And if the juice in tyro screenwriter Erica Beeney's witty dialogue can't quite flow through the hard tissue of underripe gimmicks and derivative set pieces, there's enough sweetness in the performances, and tautness in the direction (by Efram Potelle and Kyle Rankin), to forestall any serious bellyaching.
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50The characters talk like smart, unpredictable people, and Kelly Ernswiler is one of a kind.
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30LaBeouf's got the beef, and his inevitably bright future may be the only reason anyone will ever look back on The Battle of Shaker Heights.
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30The best thing that can be said about this lethargic coming-of-age tale, noticeably undernourished at 78 minutes, is that it's better than the even more pathetic "Stolen Summer."
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30Although Erica Beeney's script beat out more than 7,000 entries, the screen version dulls her potentially distinctive voice with deadly doses of sentimentality.
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30Goes down fighting, but it goes down just the same.
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Dispiriting mess. The movie is bad in a boring way: tepidly paced, disjointed and lacking any emotional hook.
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20May lead to a new axiom: success has many fathers, but failure has "Project Greenlight."
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10Brain-numbingly innocuous, cliche-soused melodrama.
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10An insufferable piffle.