- Studio: Universal Pictures
- Release Date: Oct 22, 1999
- Critic Score
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A delightful, inspiring and ultimately redemptive comedy-drama.
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88A chick movie for guys that zings and pings like a game of supersonic pinball.
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78Deeply moral, thoughtful, and amiably humorous.
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77Contains more than a handful of big laughs and a highly charismatic cast that knows how to put them over.
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75Makes a fine date movie...thanks to its life-affirming view of friendship, love and honor.
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75The performances by the attractive ensemble cast are uniformly solid.
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75Breathes fresh life into old formulas.
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Say 'I do' to Best Man.
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75A smooth, often funny, occasionally thoughtful romantic comedy.
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70Charmer of a comedy.
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70Everything about the film is familiar except that the twentysomethings are all African American.
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70A class act, from top to bottom.
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70Another demonstration that current movies about upscale black characters have much more traditional values than ones about catty white teen-agers.
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70Funny, sentimental, cheerfully bawdy story of a wedding reunion that stirs up a hornet's nest of old loves, lusts and jealousies.
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70Overall, this smooth, glossy, enjoyable film showcases an impressive new authorial voice.
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Tapping into the Zeitgeist of young black professionals starving to see themselves on film, it hits all the right cultural touchstones.
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63They're all too old to be considered a black brat pack, but you get a feeling The Best Man will lead to even better.
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60Lee's pace is slow enough to try viewers' patience.
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It's a tribute to the actors' appeal that they can sling this hash and keep our sympathies, but they can't squeeze much drama from pure soap.
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55Oversimplifies the concept of unrequited love, and over-romanticizes the notion of everlasting love.
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50The glossy ensemble cast is consistently interesting.
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50As innocuous as the love songs on its soundtrack.
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50Has added virtually nothing to two cinema genres with their own prodigious histories: ensemble and black.
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50A throwback to the slickly entertaining melodramas of Hollywood's golden age.
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50The best parts of the film...are often distractingly slick enough to cover the film's overriding lack of soul.
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Lee's attempt at making a romantic comedy that black audiences can enjoy without having to reimagine themselves as Hugh Grant and Julia Roberts.
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50This agitated comedy could be called "The Big Chillin'" if it had a smidge of the 1983 film's wit and charm.
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50Nicely toned.
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40Stranded in superficiality, the film is a lifestyle commercial.
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25Largely a disappointment.
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