Metascore
75

Generally favorable reviews - based on 33 Critics

Critic score distribution:
  1. Positive: 30 out of 33
  2. Negative: 0 out of 33
  1. A masterpiece of wry violence and stylized mayhem, The Blind Swordsman: Zatoichi turns loose one of Japan's most brilliant film auteurs, Takeshi Kitano, on one of its most enduring pop legends.
  2. This roaring crowd-pleaser also boasts hilarious bits of business, insightful observations into the human condition, and geysers of kitschy computer-generated blood.
  3. The summer's most rousing action picture.
  4. 88
    The kind of film I more and more find myself seeking out, a film that seems alive in the sense that it appears to have free will; if, in the middle of a revenge tragedy, it feels like adding a suite for hoes and percussion, it does.
  5. A boisterous and improbably entertaining action comedy.
  6. Reviewed by: Ty Burr
    88
    If there's a larger theme in Zatoichi, it's that nobody is quite who he or she seems.
  7. It's a top-notch action film, albeit on the bloody side, complete with decisive action, mysterious characters and a nobility and sense of purpose that allows its excesses to be forgiven.
  8. Reviewed by: Chris Barsanti
    80
    As entertaining and surprising as the film is, however, nothing can prepare one for its rousing final fight scenes.
  9. Reviewed by: Walter Chaw
    80
    Although Zatoichi may disappoint some Kitano purists, who might think it a vanity piece or submission to popular taste -- he's even begun moving his camera -- its pyrotechnics are still audacious and breathtaking.
  10. Kitano uses exaggerated acting, choreo-graphed violence and, most radically, the rhythms of everyday life -- farmers pounding the earth, the syncopated plop of falling rain -- to turn this genre story into a crypto-Kabuki play and one blissfully idiosyncratic diversion.
  11. Like many musicals, The Blind Swordsman works better in individual scenes than as a whole. Mr. Kitano is not the most disciplined storyteller, and the plot meanders along tangents and stumbles into flashbacks, losing momentum for long stretches in the middle.
  12. Reviewed by: David Rooney
    80
    Over-plotted and at times incoherent but never dull, this is a stylishly designed, highly entertaining bloodbath full of offbeat comedy and inspired musical moments.
  13. Kitano the filmmaker makes sure that everything is beautiful, from the wonderful colors and passing tableaux to the intricate fighting choreography. This blind swordsman, you realize, has vision to spare.
  14. Beneath its layers of epic detail, this Zatôichi is cinematic cotton candy.
  15. 75
    Kitano is a riveting spectacle. So's the movie.
  16. Stylishly directed and smartly acted, especially by the filmmaker-star, who gives one of his best performances as the unerring swordsman.
  17. 75
    Because Kitano also wrote and directed the movie, Zatoichi also features all kinds of beguiling, if admittedly bizarre, subplots and forays into nonsequitur territory.
  18. 75
    The tap-dance finale is a gem.
  19. Hyper-violent yet emotionally powerful.
  20. It feels like one long non-sequitur -- like closing a Charles Bronson film with a disco medley -- but there's an emotional consistency to Kitano's boisterous celebration of movement.
  21. The movie, quite simply, goes to sleep whenever Zatoichi isn't fighting. When he is, it's a pulp dazzler.
  22. 75
    What really separates Zatoichi from a run-of-the-mill action pic is the sense of humor -- and even more than that, the sense of fun -- that Kitano brings to it.
  23. More reinvention than remake, this black-humored, blood-soaked adventure is a colorful if impersonal audience pleaser done up in a showy, fluid style with a tongue-in-cheek flair.
  24. Mixing all the liberal blood-letting with equal amounts of inspired comedy, Kitano puts a fresh face on the classic material without messing with its heart.
  25. 70
    Like Ang Lee's "Hulk," it's a fusion of arthouse and multiplex instincts, and though it seems unlikely to satisfy anyone, it's just as unlikely that anyone who sees it will forget it soon.
  26. 70
    A reasonably good Kurosawa pastiche. But overburdened with convoluted flashbacks and interpolated gags, and generally lacking a dynamic sense of cutting, the movie doesn't possess the master's sardonic brio.
  27. Reviewed by: David Ansen
    70
    A mix-and-match crowd-pleaser that shouldn't add up, but delightfully does.
  28. Though the filmmaker has by now ridiculed the martial-arts drama virtually out of existence, the final dance number -- actually closer to festive stomping than tapping -- somehow manages to transcend irony, conveying instead only Kitano's childlike exhilaration, with a sense of ease regained.
  29. Reviewed by: Claudia Puig
    63
    This incarnation is funny, quirky and clever, with some mesmerizing action sequences.
  30. I never did sort out the gangsters fighting for control of a 19th-century town, nor did I figure out exactly what happened to the main henchman. But I was rarely bored.
  31. 60
    A bravura tap-dancing finale as exhilarating as it is bizarre.
  32. The best part of Zatoichi is its fine sense of rhythm, culminating in a galvanizing clog-dance finish.
  33. Reviewed by: David Edelstein
    50
    What saves Zatoichi is that it ends -- for no clear reason -- with a foot-stomping ensemble dance number that is both delightful and unhinging: It sends you home with spasmodic giggles, convinced this Japanese imp has discovered a new path to your unconscious.
User Score
8.1

Universal acclaim- based on 29 Ratings

User score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
  1. Nov 22, 2013
    7
    The story could be better developed since there are pacing problems, needless secondary characters and a guy who behaves like a geisha. However 'Zatoichi' has a cool protagonist, a dangerous villain and bloody, realistic action. Moreover the acting is good, there are several intense moments and the ending will satisfy your need for retribution.
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