Metascore
67

Generally favorable reviews - based on 30 Critics

Critic score distribution:
  1. Positive: 24 out of 30
  2. Negative: 0 out of 30
  1. 90
    A maliciously funny and keenly observant movie -- director-writer Patrick Stettner makes a potent feature debut -- that serves its humor dark and without artificial sweeteners.
  2. 88
    I'm not generally a huge fan of movies with two-or three-person casts -- they tend to resemble filmed plays -- but The Business of Strangers is a knockout.
  3. 83
    Intriguingly puts two distinct, strong women together as if to pose the question, just what is a strong woman? By the film's end, that question is tough to answer.
  4. Reviewed by: Rich Cline
    80
    This is a stunning examination of issues of doubt and control, as well as a cracking good little thriller.
  5. Crisp and provocative, and no small amount of its pleasure derives from Channing's dazzling performance.
  6. With an intensity that few movies have mustered, The Business of Strangers makes you feel the acute loneliness of it all.
  7. Reviewed by: David Rooney
    80
    While it could have used a punchier final act that distilled its themes more cogently and conclusively, this intelligently scripted drama about power and its many channels nonetheless delivers thanks to Stettner's stylish visual sense and, most of all, to the smart, commanding performances of leads Stockard Channing and Julia Stiles.
  8. Mr. Stettner has a serious subject here -- how the hurts that women suffer at the hands of men can be internalized more deeply than the victims know -- and his film is graced with a stunning performance by Ms. Channing.
  9. The dynamic between Channing and Stiles is as compelling as a freeway wreck.
  10. 80
    It's a pleasure to watch these two superb actresses circle and attack, conspire and conflict in the corporate shark tank, and it's just as profound a pleasure to behold a talented new filmmaker who's managed to succeed his first time out.
  11. 80
    Looking back at the film, I don't buy all this, but no matter; Channing is so stormy, so keen to unleash her resentments, that for an hour or so you do believe in Julie. [17 Dec 2001, p.98]
  12. 75
    It's a good movie, and Channing and Stiles are the right choices for these roles. They zero in on each other like heat-seeking missiles.
  13. In The Business of Strangers the right words are hard to come by, but the truth of them -- and the lies -- cut to the quick.
  14. Stettner approaches this material with a playwright's incisiveness and structural sense. His dialogue is cutting, often surprising.
  15. Reviewed by: Claudia Puig
    75
    Incorporates a range of genres -- black comedy, thriller, psychological drama -- and emerges more powerful for it.
  16. Reviewed by: Ken Fox
    70
    One is left with an unsettling ambivalence about the night's awful events -- there are no absolute villains here, just as there are no total victims -- and much of the credit is due to the performances.
  17. After an hour of brilliant, bitchy dialogue and deceit, it simply runs out of energy; or possibly the budget ran out.
  18. The film raises many interesting questions about our own responses, but it may finally be too open-ended for its own good.
  19. None of this detracts, however, from the terrific piss-and-merlot performances of Channing and Stiles, or from the committed participation of Frederick Weller as a Neil LaBute-era businessman caught in the lounge between two she-devils disguised as businesswomen.
  20. Plays largely like a performer's showpiece, with all the showboating and not so surprising character twists that entails, but Stettner comes out the other end with a pleasantly modest and satisfying revelation.
  21. This is a movie that really has little to offer but performances and ideas. For a while, that's enough.
  22. 63
    Even though The Business of Strangers loses its nerve in the third act -- you'll wish Stettner had dared to push things further.
  23. Reviewed by: Jay Carr
    63
    Isn't much more than ''Baise-Moi'' in business suits as they deconstruct sisterhood with an expense account, but their duets sizzle.
  24. 63
    You know the line about paying to hear a great actor read a phonebook? I'd pay to see Channing just leaf through one.
  25. 60
    The Business of Strangers goes too far in dramatizing Julie's primal, Paula-fied surge of female fury, and the script finally mistakes respectful ambiguity for vaporous drift.
  26. Try to imagine "In the Company of Men" with a feminist twist and you'll have the gist of this fervently acted, ultimately unconvincing drama.
  27. A claustrophobic psychodrama.
  28. 50
    Stettner must be one of the luckiest and unluckiest debut directors in years, blessed with actors who both take the focus away from his limitations and wind up shining a spotlight on them.
  29. Channing's formidably good -- a career woman in extremis -- but the movie, which was written and directed by Patrick Stettner, otherwise unfortunately resembles a product of the Neil LaBute Finishing School.
  30. Stettner's vision of both women lacks fullness, relying on stereotypes of feminine strength and vulnerability.

There are no user reviews yet.