- Studio: Virgil Films & Entertainment
- Release Date: Feb 13, 2009
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60Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.
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40The resulting cat-and-mouse game -- occupies most of the film's running time, to gradually diminishing results.
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The Caller begins as a multinational corporate thriller more ambiguous and geopolitically senseless than "Demonlover."
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30Turns into an impenetrable essay on guilt, memory and the fear of death that even Mr. Langella's gravity cannot salvage.
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25The Caller qualifies as something of a Holocaust movie, with flashbacks to World War II France. Guess who the two boys we see grow up to be?
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