Metascore
59

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 8 out of 15
  2. Negative: 0 out of 15
  1. A romance incandescent, a fiery pageant of l'amour fou. Whatever its historical transgressions, it opens up a vein and lets life and blood pour out.
  2. In scope, ambition and accomplishment, Children of the Century therefore takes Kurys' career to a whole new level.
  3. 75
    In between all the emotional seesawing, it's hard to figure the depth of these two literary figures, and even the times in which they lived. But they fascinate in their recklessness.
  4. The film's appeal has a lot to do with the casting of Juliette Binoche as Sand, who brings to the role her pale, dark beauty and characteristic warmth.
  5. 70
    For all of the heroine's shockingly "modern" lifestyle choices, the thrust of the film is remarkably old-fashioned. It embraces the notion that you can have only a single great love in a lifetime...and that's if you're lucky.
  6. Though well dressed and well made, ultimately falls prey to the contradiction that afflicts so many movies about writers. What makes them so fascinating, so representative, cannot really be shown on screen.
  7. Inexplicable human bondage is a literary staple of film as well as literature, but Kurys ("Entre Nous"), usually so sure-handed with her actors, has trouble making this bond compelling.
  8. 63
    No one around this beauty-first rendition of these addled artisans and their brief, obsessive affair really understands the attraction, so most people just get out of the way.
  9. Reviewed by: Rich Cline
    60
    The art direction and costumes are gorgeous and finely detailed, and Kurys' direction is clever and insightful. Even so, it feels very, very long.
  10. 60
    It does best when it leaves behind hothouse literary discussions and closes in on these two legendary behemoths, battling for sexual supremacy.
  11. As a literary bodice ripper this is better than average, partly because of its glimpses of early-19th-century bohemianism in France and Italy but mostly because Juliette Binoche and Benoit Magimel manage to keep the story hot and unpredictable.
  12. 50
    Juliette Binoche and Benoit Magimel have great chemistry together as the lovers, and the scenes of their lovemaking and frequent battles bring the movie to life. Outside of those moments, however, the film is too stagey, talky - and long - for its own good.
  13. Reviewed by: Frank Lovece
    40
    Never has the adage "You can't help who you fall in love with" been more lavishly illustrated than in this historical drama.
  14. 40
    Juliette Binoche is the only reason to see Diane Kurys' florid, incoherent movie.
  15. Reviewed by: Todd McCarthy
    40
    A generally old-fashioned costumer that runs out of gas even faster than does the tempestuous love affair between writer George Sand and poet Alfred de Musset that it so devotedly recounts.

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