- Studio: Tribeca Film
- Release Date: Nov 9, 2012
- Critic Score
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91It's a meaty film, filled with ideas unobscured by any generic narrative string, a move that shows not only the confidence of the director but his respect of the audience. This is one that'll have people talking.
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91There's genuine pain at the core of Heidecker's character - or at least a numbness where the pain used to reside - but the film is keen on obscuring it.
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88Tim Heidecker's Swanson does not amuse us in spite of the pity he inspires but because of it.
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70For a catalog of aggressively stupid, socially deviant male behavior, Rick Alverson's cheekily titled The Comedy is not without a certain subversive intelligence.
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63At some point, he finds himself drifting around a swimming pool, and it's tempting to think of Dustin Hoffman sinking to the bottom of the deep end in "The Graduate." But there's a difference. Swanson's pool is empty.
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63Picture "Raging Bull" with a sleazy prep from the Brooklyn hipsteropolis of Williamsburg, and you'll get the idea of The Comedy, a character study that tries to make the revolting compelling.
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50The Comedy pretends to be a satire of entitlement, but it's made in a style so indulgent that the whole film feels entitled in the extreme.
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Nov 7, 201250The anomie of entitlement pushed to poisonous extremes is the basis of this provocation, which is as frustrating as it is intriguing.
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Nov 7, 201250There's not a false note in the film, but maybe there's a difference between accuracy and truth.
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Nov 28, 201240The film retreads much of the anti-comedic territory already bulldozed in Heidecker and Wareheim's own "Tim & Eric's Billion Dollar Movie," retaining the scatological flavor but none of the surrealism.
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40The movie may critique its antihero, but it also offers just one more venue in which he's allowed to wallow - while we pay his way.
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25If it weren't for Kate Lyn Sheil, who has a couple of scenes as a blase Brooklyn waitress inexplicably ending up in the protagonist's bed, 'The Comedy' might well have qualified as the worst film of 2012.
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20If you can discern any critical distance or interesting perspective here, or even a good reason to spend 90 minutes in such company, I'm afraid the joke is on you.
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20Unlike a truly daring movie like Lars von Trier's "The Idiots" - about a gang of clever jerks who pretend to be mentally retarded - The Comedy never musters an articulate indictment, nor does it have much to say on the subject of free-floating fatigue.
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Nov 23, 20120The Comedy, one of the most self-indulgent, pretentious and unfunny movies of the year, is a mean-spirited piece of mumblecore that tries to provoke you, but only succeeds in boring you.
User score distribution:
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Positive: 2 out of 3
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Mixed: 0 out of 3
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Negative: 1 out of 3
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10
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Suffice to say,
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3