Metascore
46 out of 100

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 6 out of 15
  2. Negative: 4 out of 15
  1. Reviewed by: Christopher Bell
    Nov 8, 2012
    91
    It's a meaty film, filled with ideas unobscured by any generic narrative string, a move that shows not only the confidence of the director but his respect of the audience. This is one that'll have people talking.
  2. Reviewed by: Scott Tobias
    Nov 7, 2012
    91
    There's genuine pain at the core of Heidecker's character - or at least a numbness where the pain used to reside - but the film is keen on obscuring it.
  3. Reviewed by: Joseph Jon Lanthier
    Nov 4, 2012
    88
    Tim Heidecker's Swanson does not amuse us in spite of the pity he inspires but because of it.
  4. Reviewed by: Justin Chang
    Nov 4, 2012
    70
    For a catalog of aggressively stupid, socially deviant male behavior, Rick Alverson's cheekily titled The Comedy is not without a certain subversive intelligence.
  5. Reviewed by: Wesley Morris
    Dec 6, 2012
    63
    At some point, he finds himself drifting around a swimming pool, and it's tempting to think of Dustin Hoffman sinking to the bottom of the deep end in "The Graduate." But there's a difference. Swanson's pool is empty.
  6. Reviewed by: Kyle Smith
    Nov 16, 2012
    63
    Picture "Raging Bull" with a sleazy prep from the Brooklyn hipsteropolis of Williamsburg, and you'll get the idea of The Comedy, a character study that tries to make the revolting compelling.
  7. Reviewed by: Owen Gleiberman
    Nov 14, 2012
    50
    The Comedy pretends to be a satire of entitlement, but it's made in a style so indulgent that the whole film feels entitled in the extreme.
  8. Reviewed by: David Rooney
    Nov 7, 2012
    50
    The anomie of entitlement pushed to poisonous extremes is the basis of this provocation, which is as frustrating as it is intriguing.
  9. Reviewed by: Karina Longworth
    Nov 7, 2012
    50
    There's not a false note in the film, but maybe there's a difference between accuracy and truth.
  10. Reviewed by: Leah Churner
    Nov 28, 2012
    40
    The film retreads much of the anti-comedic territory already bulldozed in Heidecker and Wareheim's own "Tim & Eric's Billion Dollar Movie," retaining the scatological flavor but none of the surrealism.
  11. Reviewed by: Elizabeth Weitzman
    Nov 15, 2012
    40
    The movie may critique its antihero, but it also offers just one more venue in which he's allowed to wallow - while we pay his way.
  12. Reviewed by: Michael Phillips
    Nov 26, 2012
    25
    If it weren't for Kate Lyn Sheil, who has a couple of scenes as a blase Brooklyn waitress inexplicably ending up in the protagonist's bed, 'The Comedy' might well have qualified as the worst film of 2012.
  13. Reviewed by: A.O. Scott
    Nov 16, 2012
    20
    If you can discern any critical distance or interesting perspective here, or even a good reason to spend 90 minutes in such company, I'm afraid the joke is on you.
  14. Reviewed by: Joshua Rothkopf
    Nov 13, 2012
    20
    Unlike a truly daring movie like Lars von Trier's "The Idiots" - about a gang of clever jerks who pretend to be mentally retarded - The Comedy never musters an articulate indictment, nor does it have much to say on the subject of free-floating fatigue.
  15. Reviewed by: David Lewis
    Nov 23, 2012
    0
    The Comedy, one of the most self-indulgent, pretentious and unfunny movies of the year, is a mean-spirited piece of mumblecore that tries to provoke you, but only succeeds in boring you.
User Score

Generally favorable reviews- based on 14 Ratings

User score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3
  1. The Comedy, alongside The Master, was far and away the best film of last year. The low critic reviews are a little suprising, but not so much when we consider Kaufman's tragically low rating of 67 for Synechdoche New York. Sometimes they get it wrong. Firstly, Heidecker's turn as the lead in a serious film was criminally passed over. Naturalistic, realistic acting appears to be becoming a thing of the past in mainstream film, so his portrayal in this is refreshing. The movie is not a comedy, but it is very funny in parts, thanks mainly to Tim's cruel deadpan and his chemistry with Eric Wareheim. It's a character study, and one that finally targets the apathy and emotional distance of aging 30 year olds who aren't willing or able to let go of their youth or play the 'game.' Looking forward to seeing another film from the director, who has the potential of being a darker harsher Noah Baumbach. Full Review »
  2. Suffice to say,
  3. 3
    I can't understand people saying it's the second best film of last year. It's a quite boring tale about an old hipster in Brooklyn. Often having abusive monologues to strangers, who in some strange way just numbly stare at him. Then he meets his friends and they do some ordinary thing like playing baseball, of course with a cool song playing as a soundtrack.

    All in all pretty boring.
    Full Review »