- Studio: Weinstein Company, The
- Release Date: Jul 30, 2010
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91The crowd-pleasing comic Euro-drama The Concert is, at its musical center, as full of ripe emotion as Tchaikovsky's Violin Concerto in D Major. It's also as darkly funny as a Slavic farce, a composition of sweet cacophony.
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91It acknowledges grief, horror, and loss, but never lets it get in the way of a big, bright laugh.
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88Builds beautifully from a farcical premise that requires a suspension of disbelief to a musical climax that washes away our cynicism in a wave of honest tears.
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80Manipulative, overly sentimental, sometimes ludicrous and almost completely irresistible.
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80Moves from rowdy, broad comedy to shameless heart-tugging, but Romanian writer-director Radu Mihaileanu keeps this French production flowing buoyantly, skittering past all manner of improbabilities.
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75Though The Concert swerves and skids, it never goes off the road, and when the moment counts, when things really make a difference, the film comes through beautifully.
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75For at least three-fourths of its running time, The Concert is predictable, soft-edged and unremarkable. Then the titular performance, of Tchaikovsky's Violin Concerto, begins, and the music elicits the emotional response the rest of the film has been striving for the whole time. It's enough to almost make the whole thing worthwhile.
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70Fans of "Train of Life" will undoubtedly embrace the picture's similarly ragtag collection of clever, lovable misfits.
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70Cross the cold war nostalgia of "Good Bye, Lenin!" with the larcenous high jinks of "The Producers" and you've got the gist of this zany Russian screwball comedy.
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65A pleasant dramatic caper that wears out its welcome, The Concert is the houseguest who sings a little too loudly and too long for his supper, tone deaf to the line between charm and imposition.
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63All in all, not good, but not bad.
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63A passable, sometimes skillful farce.
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60How much control are you willing to cede when you see a movie? Because director Radu Mihaileanu is fiercely determined to manipulate your every emotion.
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60More sentimental, less spiky than Mihaileanu's stock-in-trade, Le Concert is an enjoyable take on the underdogs genre. And Laurent and the music are sublime.
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50A discordant mix of melodrama and chaotic farce.
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50The story regurgitates the usual trappings of underdog tales, milking stereotypes as well as tear ducts.
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40So it's the story of a down-and-out bigwig vindicating himself by revising his crowning cultural moment. Feel free to draw your own conclusions.
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40Beyond fans of Mélanie Laurent--who furiously fingers a fiddle and wears flashback wigs--The Concert may appeal to those who delight in stereotypes.
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40The harder this desperately obsequious circus of a movie tries to entertain, the more it falls short.
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38The Concert is an art-house trap, the cinematic equivalent of one of those salads that turns out to have more calories than a Big Mac. And for the same reason: gobs of thick, sweet dressing.
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