- Studio: Metro-Goldwyn-Mayer (MGM)
- Release Date: Jul 12, 2002
- Critic Score
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83The mad genius of this cheerily bonkers feature is the integration of a documentary-style safari into an outlandish fiction involving a fancy-pants CIA pursuit of a downed spy satellite, and a shotgun-wielding outback widow.
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80So refreshing and funny and, in its way, sophisticated.
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80When I say this movie's a charm, I'm really talking about Irwin.
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75Forget the plot. The movie is really about Steve and Terri taking us on a guided tour of the crocs, snakes, deadly insects and other stars of the outback fauna. Steve's act is simplicity itself.
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70Thankfully, the film, which skirts that rapidly deteriorating line between fantasy and reality -- Irwin as "himself" as croc expert as suspected international spy -- takes a tongue-in-cheek attitude even as it pushes the Croc Hunter agenda: Mother Nature? Dont muck with her.
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70A curiously thrilling and often hilarious experience.
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70A perfectly respectable kid-friendly family offering.
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70Kids used to watching him on TV might find it all perfectly normal, but for adults it's almost an acid trip.
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63It's a lot more entertaining than box office success "Scooby-Doo" and more honest, too. When Irwin plays out a scene with a reptilian, you can be sure the croc is not computer-generated.
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63Possibly the most unintentionally hilarious film since Ed Wood's "Plan 9 from Outer Space," Steve Irwin's big-screen debut is destined to become an instant cult classic.
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63The downtimes are so flat that it makes you wonder whether director John Stainton and writer Holly Goldberg Sloan made them intentionally bad, just so we'd look forward to seeing Irwin again.
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50Oscillates between pragmatist genius and B-movie mediocrity.
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50It is not a great ad-vain-cha, and it's a lousy movie. But it underscores Irwin's kitschy popularity as a sideshow entertainer on the Animal Planet channel, where he cheerfully wrestles or rescues all manner of Aussie wildlife while telling the camera what great danger he is in.
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50Has a weirdly divided structure that alternates Irwin's nature segments with clumsy dramatic footage set in the CIA.
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50Though Walt Disney's Peter Pan once implored us never to smile at a crocodile, the Irwins' own home movie is worth a couple of chuckles. Shivers, too.
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50The question is, is the interspecies wrestling match really worth the ineptly acted spy antics, the big flatulence jokes and Steve-o's endless grandstanding? Not without a handy remote control with a mute button, it isn't.
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50The film's wittiest moment comes before it starts: the familiar MGM lion is replaced by a roaring crocodile when the studio's logo appears.
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50If Irwin is your bag, then this is your film. Otherwise, Crocodile Hunter: Collision Course is dumb, mate. Real dumb.
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40The pleasure to be derived from watching a loopy Australian risk life and limb is not to be dismissed or underrated, but Collision Course proves that that guilty pleasure, no matter how potent, just isn't a solid basis for a film.
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40The next time Irwin wants to make a feature, however, he should find a director who knows how.
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30Nothing more than an extended version of the syndicated television program, with the unkempt Irwin spending most of the movie excitedly shouting at the camera as he taunts something venomous.
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10Crikey, what a croc o shit! But hey, at least the title of this film lets you know exactly where it's heading. So as painful as this movie is to watch, if you willingly buy a ticket, youre only doing it to yourself.
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0If you have to ask why this sucks, you deserve to waste your money. Why not also check out "Like Mike," "Juwanna Man" and "Hey Arnold! The Movie"?
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