- Studio: Festival Media
- Release Date: Jan 28, 2000
- Critic Score
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100The first feature-length movie from Bhutan tells its lighthearted story through smart performances, appealing images, and unfailing good humor.
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90The lovability quotient is as high as the altitude.
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90A chalice of unpretentious delight, flowing over with goodwill, a cheeky love for soccer and, uh, Buddhist humor.
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88So joyous it can actually shake viewers out of a bad mood.
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80This sweet little movie is a mild comedy, a much calmer cousin to "Sister Act," with men in robes rather than women in habits.
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80A very funny movie, alive with a sense of absurdity and human foible.
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75A delightful demonstration of how spirituality can coexist quite happily with an intense desire for France to defeat Brazil.
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75Past the foreign mysticism and eccentricity of Tibetan Buddhism to portray its characters as unmistakably, identifiably human.
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75Could well end up on the coming Oscar ballot for best foreign language film.
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75The glimpses of religious life bumping into secular passion are touching and warmly comic.
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75A small film and, ultimately, a satisfying one.
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75It's a clear-eyed, unsentimental portrait and indelible for that very reason.
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70The tragedy of modern Tibet haunts this otherwise lighthearted tale of life inside a Buddhist monastery-in-exile.
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70Wouldn't you rather learn about his culture from Norbu than from Richard Gere?
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70Charming, slyly comic and far from conventionally religious.
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67While never dull, The Cup is a leisurely, quiet film, rife with staid, sometimes ponderous moments reflecting the seriousness of their situation in exile.
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63An improbably funny and transcendent account of soccer-mad Tibetan monks in exile at a Bhutan monastery.
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60Though The Cup is lovely to look at, it has none of the ceremonial rigor mortis of Scorsese's "Kundun."
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60Norbu tries too hard to please and charm, but his film at least carries the advantages of unactorly faces and a premise based on actual events that dramatizes the issue of religious vocation in a secular world.
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58A cute, clichéd, coming-of-age comedy.
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50Never offers much enlightenment through its message.
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50Too slow-moving and too understated in much of its humor.
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42Little more than a plodding celebration of global television trumping everything in its midst.
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