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100A picture that certain Brits and connoisseurs of British colloquial English might call "a grower" … more moving and funny the more I think about it.
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88All the acting is exemplary. Brody, new to Wes' World, is revelatory as Peter.
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88Anderson is like Dave Brubeck, who I'm listening to right now. He knows every note of the original song, but the fun and genius come in the way he noodles around. And in his movie's cast, especially with Owen Wilson, Anderson takes advantage of champion noodlers.
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83This is familiar psychological as well as stylistic territory for Anderson after "Rushmore" and "The Royal Tenenbaums." But there's a startling new maturity in Darjeeling, a compassion for the larger world that busts the confines of the filmmaker's miniaturist instincts.
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80Funny peculiar and funny ha ha, with a spontaneity and energy that gather up a powerful emotional head of steam as it chugs along.
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80This tale of filial love and family baggage is Wes Anderson's most heartfelt feature film yet. Its companion short, "Hotel Chevalier," is darn near perfect.
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80The India of the movie is more an idea than a reality...Exotic, spiritual and, according to Peter Whitman (Adrien Brody), "spicy"-smelling, it's a magical mystery place where wayward foreigners can go to get their souls back on track.
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80The Darjeeling Limited amounts finally to a high-end, high-toned tourist adventure. I don't mean this dismissively; it would be hypocritical of me to deny the delights of luxury travel to faraway lands. And Mr. Anderson's eye for local color - the red-orange-yellow end of the spectrum in particular - is meticulous and admiring.
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80What this movie has going for itself in spite of its cloying pleas for indulgence is a playful and interesting narrative structure that precludes much development and comes to the fore only toward the end. The whole thing may drive you batty, but as with "Rushmore," the melancholy aftertaste lingers.
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75Spiritual journeys, even if they're comedies, don't really lend themselves to the extreme, anal-retentive formalism found in every frame of The Darjeeling Limited.
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75A movie about people who literally carry a lot of emotional baggage, metaphorically unpack it, and spiritually lighten their loads. By the end, I felt lighter. Which is closer to enlightenment than most movies get.
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75A spiritual quest can take many forms. One could argue that all of director Wes Anderson's movies focus on a sense of personal melancholy and directionlessness that often fuels such an odyssey. And they do so with a dark and offbeat wit.
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75As always with Anderson, the comedy is neatly embedded in the jaded banter, where the insecurities and rivalries bubble up -- here, all within the bell jar of that shared sleeping compartment.
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75By now, you know exactly what to expect, which is both good and bad. To my mind, Anderson reached the acme of this formula in the first go, in "Tenenbaums," and has now replicated it twice, evoking smaller pleasures each time.
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75Anderson can't quite rise above his own quirkiness. It's not that he can't respond to the beauty he places before us – he can – but his jokiness keeps undercutting his own best efforts. The Darjeeling Limited is a transitional film for him: He's outgrown a comic style that can no longer accommodate his deeper feelings.
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I was moved by Darjeeling, flaws and all, but if my job is to explain why, I find it difficult for reasons that are none of my business. From the minute Wilson walks onscreen, face covered in scars, eyes full of trouble, Darjeeling is warped by the gravitas of his recent suicide attempt.
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70A return to form after the flat "Life Aquatic," Darjeeling has a lightweight, coloring-book charm that deepens and darkens after these odd, privileged ducks are thrown off the train.
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70Inventively staged picture should satisfy the upscale, youth and cult auds Anderson has developed, though it's unlikely to draw significantly better than his earlier work.
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70The film as a whole operates in Mr. Anderson's patented, semi-precious zone of antic and droll. It's not as if the filmmaker has gone off the rails. He's just not solidly on them.
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70The Darjeeling Limited"has its charms, chief of which is watching three terrific actors evince with unforced ease the rewards and resentments of brotherhood.
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70The Darjeeling Limited works best when the level of artifice is at its highest and most overt.
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67It's a hard film to shake, and there's an awful lot to be said for that.
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67The men are fuzzily defined and the film feels incomplete. The devil may be in the details, but for the first time, Anderson's obsession with them has caused him to lose sight of the bigger picture.
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63The latest Christmas-tree movie from director Wes Anderson, who makes pictures so carefully appointed and decorated, they sometimes feel like they're made to be looked at instead of watched.
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63You have to admire that someone thought it'd be cool to assemble three of the movies' most fascinating noses for a 90-minute romp.
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63Technically and thematically, there's a lot in The Darjeeling Limited to arrest the attention. Emotionally, there's a void.
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60Picaresque movies often feel longer than they are. For them to work, they need an interior spring with more thrust than Darjeeling's attempt at reconstituted brotherhood. The problem is in Anderson's approach, which is so supercool, it's chilly. Anderson has the attitude for comedy but not the aptitude.
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58Anderson creates a deluxe train set, for sure. All he neglects is building up an electric current or a head of steam.
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Wilson, Brody and Schwartzman have their charms, but the script gives them little to work with. Anderson and his co-writers have come up with an ordinary road movie.
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50The trouble with this precious fable isn't that the Whitmans are self-absorbed ninnies: It's that they aren't characters at all.
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50The Darjeeling Limited isn't so bad as to offend those who love Wes Anderson too much, but it is not the triumph that his previous films have been.
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50Hit and miss, but its tone of lyric melancholy is remarkably sustained.
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50The Darjeeling Limited (Fox Searchlight) struggles to open out from the beautiful, stifling world inside Anderson's head. But like in his last movie, The Life Aquatic With Steve Zissou, Anderson makes the mistake of keeping its protagonists trapped for too long aboard a means of conveyance.
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38A slow train to Dullsville that makes all local stops. You know a film is in trouble if the most interesting thing in it is the luggage.
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25A frustrating movie, a work of immaturity from a director who should be past the empty gestures and self-protective distance of his early work.
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User score distribution:
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Positive: 50 out of 73
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Mixed: 8 out of 73
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Negative: 15 out of 73
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