SummaryIt has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was ...
SummaryIt has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was ...
A cinematic, cultural and personal triumph, The Dark Knight Rises is emotionally inspiring, aesthetically significant and critically important for America itself – as a mirror of both sober reflection and resilient hope.
With spectacle in abundance and sexiness in (supporting) parts, this is superhero filmmaking on an unprecedented scale. Rises may lack the surprise of Begins or the anarchy of Knight, but it makes up for that in pure emotion.
Although it seemed impossible to follow The Dark Knight this didn’t get over shadowed by it but instead gave such a great Finale to a classic series. Again the intro is strong & badass & really builds anticipation for what you’re about to watch. Tom Hardy as Bane was perfect & although it seemed impossible to follow The Joker, he did so & definitely is one of the strongest & best villains in any Batman movie. His first fight with Batman was just badass to watch. Michael Caine as Alfred is one of the most underrated performances from the series. Again this has amazing cinematography & plenty of exciting action. I also loved the story of seeing a hero fall then rise. There’s a lot of great scenes, one of my favorites is when Gordon realized the Batman is Bruce Wayne
The reviews were still very strong. “The Dark Knight Rises” had laudable scores on Rotten Tomatoes (87%) and Metacritic (78). This puts its scores just under “The Dark Knight” (94% on Rotten Tomatoes and 84 on Metacritic) and well above “Batman Begins” (which had 84% on RT and 71 on Metacritic)
The Dark Knight Rises ultimately justifies its length (in fact, a good argument could be made for a longer cut) and the last 45 minutes is nothing short of spectacular. From the point where the narrative takes a leap of faith, it never lets up.
The Dark Knight Rises may be a hammy, portentous affair but Nolan directs it with aplomb. He takes these cod-heroic, costumed elements and whisks them into a tale of heavy-metal fury, full of pain and toil, surging uphill, across the flyovers, in search of a climax.
Doesn't rise as much as it flounders and frustrates, in what would appear to be a case of a filmmaker prioritizing ego over efficiency, and engaging in generally muddled storytelling.
Halfheartedly, I give The Dark Knight Rises - the third and final Batflick in the Nolan trilogy - one star for eardrum-busting sound effects and glaucoma-inducing computerized images in blinding Imax, but talk about stretching things.
Christopher Nolan’s epic conclusion to his Batman trilogy, "The Dark Knight Rises," is a cinematic masterpiece that delivers a riveting and emotionally satisfying conclusion to the saga of the Caped Crusader. Set against the backdrop of Gotham City’s descent into chaos, the film is a thrilling and thought-provoking exploration of heroism, sacrifice, and redemption.From its gripping opening sequence to its breathtaking finale, "The Dark Knight Rises" immerses viewers in a world of heightened tension and moral ambiguity. Christian Bale reprises his role as Bruce Wayne/Batman with a brooding intensity that underscores the character’s inner turmoil and unwavering sense of duty. As Gotham faces its greatest threat yet in the form of the merciless terrorist Bane, portrayed with chilling charisma by Tom Hardy, Wayne must confront his own limitations and find the strength to rise once more as the city’s protector.Nolan’s direction is as masterful as ever, seamlessly blending heart-pounding action sequences with moments of quiet introspection. The film’s visual effects are stunning, particularly in its breathtaking set pieces and expansive cityscapes. Hans Zimmer’s haunting score further elevates the film, imbuing each scene with a palpable sense of urgency and **** perhaps the film’s greatest strength lies in its richly drawn characters and nuanced storytelling. Anne Hathaway shines as the enigmatic cat burglar Selina Kyle, whose complex relationship with Wayne adds depth and intrigue to the narrative. Michael Caine delivers a poignant performance as Alfred Pennyworth, Wayne’s loyal but conflicted butler, while Gary Oldman imbues Commissioner Gordon with a sense of moral authority and **** its core, "The Dark Knight Rises" is a story about the enduring power of hope in the face of despair, and the capacity for ordinary individuals to rise above their own limitations and become heroes. It is a fitting conclusion to Nolan’s Batman trilogy, offering both closure and a sense of possibility for the **** conclusion, "The Dark Knight Rises" is a cinematic tour de force that combines thrilling action, compelling characters, and thought-provoking themes to create an unforgettable viewing experience. It stands as a testament to Nolan’s visionary storytelling and the enduring legacy of one of the most iconic characters in modern cinema
Unfortunately the weakest movie in the Trilogy. Most of the characters are likeable and there are some pretty cool fight scenes, but some parts are badly paced, and the writing is mediocre. Despite the flaws, it's overall a decent ending to the Dark Knight Trilogy.
If the first two films did not impress me this is the one I liked the least and that I think is the worst of the trilogy. Nothing comes back in the script, action scenes shot very badly, characters who do not convince by writing. A film that I didn't like at all.
Why is it that Bane is literally so cool in every other incarnation of him /except/ for the one he's most notably known for? This movie ****, dude. The portrayal of Bane is literally so exaggerated its comedic. You could say that about this entire movie, actually-- the whole conflict that it rides on is so out of the feeling of anything real it's hard to get invested in. Bale has never been a good Batman to me, and this movie just cements his mediocrity. The Dark Knight is perfect because its everything this movie isn't-- almost never wasting a moment, always keeping you guessing, beautiful performances that bring you into the characters, a story and plot full of themes that are coherent and come full circle, a well believable world and take on the story, and of course, not one but two amazing villains. This movie has none of that. It's predictable, has little replay value, I don't care about ANY of the characters, blah blah blah "darkness", and i **** hate Bane. It really **** that this movie ends an iconic trilogy. It just doesn't do it justice at all!