- Studio: Summit Entertainment
- Release Date: Dec 25, 2011
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50The Darkest Hour turns out to be a modestly inventive and involving variation on a standard-issue sci-fi doomsday scenario.
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Dec 26, 201140Capable and compelling performers like Hirsch and Thirlby seem left to their own devices to make some connection with the material. The idea of semi-invisible aliens, an unseen enemy, should mean the film has a lingering sense of paranoid abstraction (not unlike "Right at Your Door"), but Darkest Hour never gets beyond rote efficiency.
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Dec 29, 201133You should be rooting for the humans, but you might as well be rooting for the blobs. Most likely, though, you'll just be rooting for the credits.
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Dec 26, 201130An alien invasion flick that evidently expects dramatic shots of a depopulated Red Square to make up for a flatlining screenplay and the absence of even a single compelling character.
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Dec 28, 201125Once upon a time, you'd go to see a grade-C genre movie like this willing to trade consistency and artfulness for a few stray thrills or oddball charm. But Darkest Hour doesn't have even as much character as those Discover commercials.
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20This is exactly the sort of film I wasn't expecting from either Gorak or his producers. In many too-obvious ways this is just a formulaic riff on Spielberg's "War of the Worlds."
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20Really, how slovenly is it to use invisible aliens? If you're going to tease us with nothing but pinwheels of light for three-quarters of the film, you'd better have one heck of a reveal up your sleeve.
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Dec 28, 201110The Darkest Hour isn't just a dark horse contender for the year's biggest joke, it's the darkest.
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0Not since Mark Wahlberg trembled in fear beside a menacing houseplant in "The Happening" has a film tried to provoke terror with such an unlikely object of menace.
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Dec 27, 20110In a year-end season stacked deep with worthwhile films, what possible incentive could there be for submitting to The Darkest Hour's utter pointlessness?