Generally favorable reviews - based on 37 Critics

Critic score distribution:
  1. Positive: 27 out of 37
  2. Negative: 0 out of 37
  1. Reviewed by: Betsy Sharkey
    Aug 30, 2011
    Bristling with dangers both corporeal and cerebral, The Debt is a superbly crafted espionage thriller packed with Israeli-Nazi score settling.
  2. Reviewed by: Steve Persall
    Sep 7, 2011
    Christensen plays him with Lecter-like intensity; the unsettling calmness of someone capable of anything.
  3. Reviewed by: Owen Gleiberman
    Aug 31, 2011
    The Debt is basically an entertaining riff on "Munich." It's about a (fictional) operation of top secret Israeli revenge, carried out by three highly trained agents whose plan goes off the rails in ways that are more fascinating than the mission itself.
User Score

Generally favorable reviews- based on 117 Ratings

User score distribution:
  1. Positive: 27 out of 39
  2. Negative: 4 out of 39
  1. Sep 2, 2011
    It's a bit deceptive to give Helen Mirren star billing, because she's only onscreen for the first and final few minutes (although she IS a star and the fulcrum character). The majority of the film follows three Mossad agents with the mission of capturing a Nazi war criminal living in '60s East Berlin. It's bookended 30 years later, when the trio deals with their shameful secret. Although the story is interesting, the pacing is lax and the few mildly tense scenes aren't worth the payoff. The uniformly strong cast enhances the narrative, but a shorter, tauter film would have been more effective. Full Review »
  2. Sep 27, 2013
    In a year where not many effective thrillers put all their cards on the table, The Debt is a sigh of relief. It is intelligent, and the way they did the flashback and present day was an interesting addition. Great acting, and good dramatic moments. This was actually a very thrilling movie. Full Review »
  3. Apr 13, 2013
    "The Lie" would've been a more appropriate title. It's a decent enough film but doesn't raise the bar in any area. I'm not a fan of temporal-settings (ie, jumping from settings in the past and present) because it does more to upset the viewer than to tell a coherent story. And sorry, but the fight between two ancients at the end was comically reminiscent of the "Family Guy" episode where Mr Herbert fights the old nazi that lives next door. Full Review »