- Studio: Kino Lorber
- Release Date: Feb 24, 2012
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88Do yourself and your kids a favor. On the way to multiplex to see "The Avengers," tell them The Fairy is about an all-powerful superheroine. Someday, they'll find the words to thank you.
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75One's enjoyment of The Fairy depends a lot on knowing why it's worth seeing. It's a comedy with two or three big laughs, but it's not side-splitting. Nor does it have a particularly compelling story. Its appeal is rather in watching people who have devised their own original style of comic performance and have taken it to a rare level of refinement.
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75The Fairy may be as close as we'll ever get to a live-action cartoon.
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75This is the third feature by the three gifted stars, who deftly pull off hilarious, nearly wordless slapstick routines reminiscent of Jacques Tati, Buster Keaton and Jerry Lewis.
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75For the most part, it's too dry and quirky to connect. Still, those gags are something.
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Feb 21, 201270While every scene is art-directed with zest and innovatively staged, The Fairy rarely inspires outright laughter. At least it respects its influences more than does "The Artist."
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Feb 21, 201270In The Fairy, Abel, Gordon and Romy have all of Le Havre as their playground. And now that the they've established the ideal format for their brand of comicbook-style humor, one can't help but wish they show the good sense to keep it at this level going forward.
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65Deeply silly in a classic mode, The Fairy continues the French new wave of near-silent cinema.
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63Re-employing the tools of Jacques Tati and Jerry Lewis, this pleasant fable reclaims artful slapstick with a bliss that's hard to deny.
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60The persistent whimsy gets a bit wearisome, but it's hard to dismiss any film so determined to make us happy.
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60Deadpan clownishness is The Fairy's raison d'ĂȘtre and its superior mode; when the lovey-doveyness turns cloying and the atrophied message-mongering creeps in, you wish the threesome knew when to keep their traps shut.
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50An alternately effortless and forced French-language diversion.
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