- Critic Score
- Most active
- Publication
- Most clicked
-
30The film's elegantly tricky cinematography and ominous, pounding score by Hans Zimmer (provocatively juxtaposed with the Rolling Stones), only underline the emptiness behind its technical flash.
-
30This preposterous stalker flick, in fact, has less to do with America's favorite pastime or Gil's psychosis than with Hollywood's own obsession with blood sport. And for all British director Tony Scott knows about baseball, the thing might as well have been set in a cabbage patch.
-
The Fan would have worked better had it dissected the mechanics that shape celebrity adulation. Instead, The Fan takes a knife-wielding action route that leaves film fans feeling - dare I suggest it - cheated? [16 Aug 1996, p.35]
-
25My guess is you'll probably have more fun watching a game at the ballpark than you will at The Fan.
-
25Aside from Snipes' well-tuned performance and a few clever scenes detailing superstar marketing, this picture is a veritable wasteland. Even watching the horror show that the real Giants have become during the 1996 season is more fun than this. The advertising slogan may be "fear strikes soon", but, when it comes to The Fan, fear, like the movie, strikes out.
-
20De Niro's performance begins to seem more a matter of well-practiced gestures than real conviction, and the long, silly finale more an exercise in empty panache by director Tony Scott than a truly gripping suspense piece involving people we care about. [26 August 1996, p.61]
-
20Mr. Scott's idea of making movies is to bludgeon or deafen his audience with every scene. In another line of work he'd be certifiable. [16 Aug 1996, p.A8]
-
10Even in thriller terms, nothing rings remotely true here, with even the baseball action--including a game that is not called despite enough rain to unnerve Noah--laced with a heavy dose of preposterousness.