User Score

Mixed or average reviews- based on 143 Ratings

User score distribution:
  1. Positive: 66 out of 143
  2. Negative: 61 out of 143

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  1. Jun 8, 2013
    This review contains spoilers, click expand to view. I loved the first half...the pacing especially. The film follows a woman who is grieving over the loss of her son, and then during that process, she's informed that her son didn't exist. The plot progressed nicely and was aided by the solid performances by Julianne Moore and Dominic West. Then there was sudden shift about 3/4's of the way through the film where it just all went downhill. The plot got really confusing, and then the ending was Overall, a decent and entertaining film, but I was slightly disappointed because I thought it had potential. Expand
  2. Apr 20, 2014
    Is it a good concept? yeah but the result is really boring, gosh,i ****** hate this movie. It's really long for nothing the acting is bad and the result is horribly bad.
  3. Jun 10, 2012
    The Forgotten begins with an intriguing premise: however, as the story develops, the audience realizes that the film may not be so psychological as it is supernatural. The film had lots of potential, but it didn't follow through.
  4. Dec 17, 2012
    This review contains spoilers, click expand to view. "The Forgotten" is, in short, a movie quite worth forgetting. The initial premise is intriguing - Julianne Moore plays a mother who lost her son in a plane crash, only to realize that the child was supposedly stillborn and she has invented 9 years of memories with him. Unfortunately, it doesn't take long at all before the film goes from interesting to bland and silly. At 91 minutes, the movie is astonishingly short for what it's trying to do, resulting in consistent overpacing - it feels you've only been watching 10 minutes before Moore's confronting the idea that her son never existed, and about 5 minutes later she's joined up with a father in a similar predicament and on the run from NSA agents. And just when this movie seems to strike the most basic level of boring, our characters come to the realization that their kids are still alive, and have really been . . . (sigh) . . . abducted by aliens. Really? Aliens? We went from an engaging psychological thriller to aliens? And of all the scientific research priorities such aliens would have upon discovering our species, the one they choose is kidnapping children to see if they can dissolve the parent-child bond? Is this a drama or a comedy? The main alien villain (who shows up about 5 minutes in and is a patently obvious "secret" antagonist right off) is probably the blandest and most nonchalant extraterrestrial ever put to film, whose one single freak-out moment is reserved for a cheap CGI face gimmick and a bunch of breaking glass (because, you know, yelling solves everything). And outside of Moore herself, the rest of the characters might as well be forgotten also, because they're about as memorable and deep as the aliens. Honestly, this film should have ended 20 minutes in - Moore finds out she's nuts, she's locked up, the end. Nice, neat, and a big time-saver. A shame her talents went toward such a lazily-written film. Expand
  5. Dec 9, 2011
    The Forgotten starts off splendidly leaving questions unanswered so that suspense builds. Then, we discover the source of the missing children and the entire story crumbles. This film had the capacity to be a great mystery and psychological thriller with great themes of love, morality, and family, but ultimately, it becomes inane, far fetched, and a laughable farce.

Mixed or average reviews - based on 34 Critics

Critic score distribution:
  1. Positive: 5 out of 34
  2. Negative: 8 out of 34
  1. 40
    The resolution is as surprise-free as it is improbably sunny.
  2. A thriller of carefully cultivated murk. It's enigmatic in the worst sense, in that every explanation for what's going on holds less water than the last.
  3. Ultimately only Moore, with her eyes always half-damp and voice half-cracked and body language half-mad, keeps the movie on the ground, when it too often threatens to fly into the thin air, where the audience would laugh it off the screen.