- Studio: Magnolia Pictures
- Release Date: Jul 3, 2009
- Critic Score
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75Casting can be the reason that one movie works and another doesn't. It is the first reason for the success of The Girl From Monaco, the kind of romantic comedy with a twist that used to star Jack Lemmon.
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75This is a modest but expertly performed piece. And this summer, surrounded by lesser, louder, bigger and dumber diversions, it's especially welcome.
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75A notable, worthwhile picture.
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With its echoes of the Nicole Kidman vehicle "To Die For" -- the blonde in question is a television weather-reporter with big ambitions -- the film will appeal to movie-goers who appreciate story, character and crisp dialogue.
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70The murder trial and the possibility of a real attack on the attorney nicely offset the sexual gamesmanship, though the movie is badly compromised by a final left turn into serious drama and plot machination. Up until that point, it's an uncommonly shrewd and funny farce.
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63At best diverting, at worst an almost self-parodic compendium of French film cliches.
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63A broad comedy and sometimes charming character study that takes a strange turn in tone and becomes a disappointing drama.
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60A generally entertaining piece of fluff that's kept afloat by a weathered cast including Fabrice Luchini and Roschdy Zem.
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58Isn't slow-paced. It's slick and audience-friendly.
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58Sometimes a film is best utilized as a travelogue. Such is the case with the comedy-drama The Girl From Monaco, which isn't much of a movie but offers scrumptious views.
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50May be momentarily entertaining, but don't expect anything profound from the lightweight saga.
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50Doesn't seem to know whether it wants to be a sprightly sex comedy or an enigmatic little thriller. Unfortunately, it's neither very funny nor very thrilling.
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50Accepting the final twist of The Girl From Monaco depends on whether you're in the mood.
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50Party buddy-comedy, part romantic tragedy. If it had been more of the former than the latter, perhaps I would have liked it. But I am so tired or stories about men who are powerless against the wiles of a Succubus.
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The modest pleasure of the film issues chiefly from the performances.
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50If in the end the film is neither a cogent psychological thriller nor an effervescent sex comedy, it does at least have an interesting sense of place.
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40Equal parts French sex farce, Mai-Decembre romance, middle-aged white male fantasy, and wannabe Hitchcockian intrigue, Fontaine's film can be a chore to sit through, but not for any of the obvious reasons.
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40Fabrice Luchini is thwarted by an unwieldy plot.
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Zem and Bourgoin are great, but the movie is too frivolous to win anything but a dismissal in the court of moviegoer opinion.
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