The best movie I've seen all year. Mara Rooney deserved top billing! Struck me as much as Saving Private Ryan: fascinating to watch, parts of it were shocking, and I spent a long time thinking about it afterward.

David Fincher's "The Girl With The Dragon Tattoo" is exceptional. I write this having read the novel only one week before. It was amazing to see a master filmmaker lend his vision and excellent craft to a story that I truly enjoyed. Fans of the novel will note that a few side-plots are deleted and unfortunately a very revelatory journey at the end of the story is omitted. But the the detailed character development, thriller, mystery, romance (?), and real-life horror elements are all there.

For a few days I've been reading deprecatory reviews that said this is a "slicker" version than the original Swedish film. They were correct in that it is more streamlined and wrong in that it is the worse for it. The book is 682 pages, how do you fit that into 2.5 hours? The director and screen-writer have to move plot points along at a brisk pace.

Immediately after seeing Fincher's version I watched the original Swedish movie online. The difference is night and day. I loved the original movie when I saw it in an art-house theater a few years ago. But now that I've seen Fincher's vision? David Fincher and his Director of Photography bring a true cinematic brilliance to what is at first a whodunnit and then turns out to be a mix of emotional character study and real life horror on many levels.

Daniel Craig as the male lead is great but maybe not as "real" and haggard as Nyqvist in the original film. But the standout of the whole movie, above and beyond the harrowing script, is Rooney Mara's portrayal of Lisbeth Salander.

Where Noomi Rapace excellently portrayed Salander in the original film as an aggressive punk, Mara conveys social and emotional scars not just through her appearance (peircings and black leather) but also through her physicality and dialogue. Mara's Salander averts her gaze from the world, but when she looks into your eyes you see pain and fear that will quickly turn to aggression. In the original film Salander's sexuality is an extension of her aggressiveness. Here it's a crack in her armor that makes her human. My only complaint is not in the length of the denouement but how the details go by so quickly. All in all, f@#king brilliant. I want to see it again soon.… Expand

David Fincher returns to his roots and directs a near perfect neo-noir pyschological thriller. Rooney Mara also returns from her minor role in The Social Network and proves that she is more than capable of becoming an A-list actor. If the film only focused more on Lisbeth's dark past rather than glossing over it, the film would be perfect.

Just finished the 3 book series and watched the movie tonight. Overall, I thought is was very well done. Of course, there were details and side stories that were left out; however the overall story and relevant material were handled exceptionally well. It was well acted, suspenseful and worth the price of a movie ticket.

This review contains spoilers, click expand to view. I have not read the books, nor have I seen the original version of the movie. Therefore, some of my pet peeves about the Girl with the Dragon Tattoo may lie somewhere in the story itself rather than the editing. Don't get me wrong. The movie is great. I immensely look forward to sequels. Rooney Mara's performance alone is enough to want to see the series continue. The entire cast is fantastic, but what seemed to bug me most during the movie is the extended amount of time spent on some elements of the story, like her being a ward of the state, but how much time wasn't spent on explaining the backstory re: Daniel Craig's lawsuit and relationship with Robin Penn. A lot effort was spent building up the need for Christopher Plummer to hire Daniel Craig to solve this mystery, yet very little into connecting Craig and Mara together. For someone so unsociable, she unnaturally connected quickly with Craig. Then, when it was all said and done, the story seemed to wrap up too quickly as compared to the build up. So, while the story was good, the directing was good and the cast was good, the piecing together of the film itself seemed haphazardly done. Was this editing? Was it the story itself? At 2:34 long, I would have expected a better flow, but nonetheless, my high expectations were met and I look forward to more.… Expand

Excellent. Engaging for the whole time. I'm thinking Brendan shouldn't go to anymore movies... just in case they might be a remake; it is obvious he didn't judge this movie on it merits. Though it is a long movie, it keep me wondering what was going to happen next, and I wasn't bored (and I don't like movies over 2 hours, just too self-indulgent by the director usually) but this one succeeds where other directors and editors lose their way.… Expand

I've read some of the reviews on here, whining about the fact that it's a remake of the original movie, or that the book is better...blah blah blah. That is a really unfair attitude to throw on a very well made film. The cinesnobs seem to really have it out for this one. If you're Swedish, I can understand that attitude. I singularly enjoyed not having to read subtitles. David Fincher did a wonderful directing job, as always. Daniel Craig is too cool for school. Rooney Mara is awesome. Great titles. Good music. I was just so thrilled to not be insulted at the megaplex. I think we all can agree that that is an absolute rarity these days. To the snobs...save your venom for Transformers 4 or Mr. Popper's Penguins 2. Sheesh.… Expand

Following the very successful adaptation of Stieg Larssons millennium trilogy into three very successful Swedish language films, it came as no surprise when Hollywood announced that it would be making an English-language version of the series. Director David Fincher was announced to craft the first book in the series, The Girl with the Dragon Tattoo. The new version follows very close to the original material with one fairly big exception which I will detail later in the review. Daniel Craig stars as Mikael Blomkvist, who at the opening of the film has recently lost a court case for which he was being sued for libel by a prominent business figure. His career is in ruins and virtually all of his savings gone as a result of the trial and punitive damages. So when he is contacted by an attorney representing the wealthy and powerful Vanger family, he agrees to meet. Although highly reluctant to take a meeting, Mikael takes the four hour train ride north of Stockholm to a cold and remote island to meet with Henrik Vanger (Christopher Plummer). Henrik wishes Mikael to investigate the disappearance of his niece some 40 years earlier, a niece vanished under the familiesâ… Expand

God Damn, this film is excellent. Fincher has that signature style that keeps audiences entertained and engaged with the story, characters, and dialogue. I can honestly say that there was nothing that i disliked about TGWTDT. I was a little skeptical about how the soundtrack would turn out, because I'm not a huge Trent Reznor/Atticus Ross fan, but it surprisingly complimented the movies dark and ominous tone in the most subtly effective way possible. The cinematography is nothing short of amazing, along with the lighting, sound, and editing. Fincher has this uncanny ability to keep the camera "calm" in the brutally graphic, high-tension scenes. I could go on and on about how good this film is, but just go see it for yourself.… Expand

Anyone that is complaining about how this is a remake of a movie that came out last year, the original film of the same name actually came out in 2009. Also, it is a remake, but it's a remake by one of greatest directors in our time, David "F*ckin" Fincher. Deal with it, not every American saw the original film, so give the remake a break everyone. Next, Daniel Craig is a marvelous actor throughout the film, next with Rooney Mara, who was also in the film "The Social Network." The film looks beautiful, Fincher's creative way of capturing the settings and the realistic emotions of the characters are superb. You can see prior films by Fincher in this film, including "Se7en" and "The Social Network." The soundtrack is also great by Trent Reznor and Atticus Ross, who previously created the soundtrack for "The Social Network." All in all, everyone who is "angry" about this remake should shut it and just enjoy the film as it was intended from Fincher's and Zaillian's perspective.… Expand

I LOVED the original, Swedish version. I though "ok, this will be good, but it's still a remake." Sure, the film is a remake of the Swedish version because "American's don't read subtitles," but usually they aren't as good as the original, they certainly don't surpass it, TGWTDT did that. It's better than the already great original film.

David Fincher's take on The Girl With the Dragon Tattoo is a bleak, gruesome, and some times hard to watch film, yet its amazing style and intriguing story keep the audience captivated. We don't want to watch, but we can't look away because Fincher doesn't hold back and because every moment Rooney Mara's Lisbeth is on screen she commands attention. She gives perhaps the best performance of the year and even tops Noomi Rapace's amazing portrayal of the same character in the Swedish version. It seems many critics have decided to diss this movie on the only basis that it came out so soon after the Swedish version. These critics/people are trolls and should be ignored. Remakes and alternate adaptations should be able to stand apart and be judged on their worth rather than on their predecessors. All in all Fincher's version is on par with the Swedish adaptation, though I felt the longer drawn out ending in the American film was inferior to Niels Arden Oplev's ending version.… Expand

Better than the Swedish version and stays surprisingly true to the text and does not hold back in terms of nudity and violence as North American films often do. Rooney Mara makes for an excellent Lisbeth Salander while acting under Social Network Director David Fincher once again.

I am quite frankly gobsmacked at the reviews this film has received. This film was my joint favourite of the year, tying with drive. Me and my girlfriend have read the books within the past year, and sat down to watch the extended version of the Swedish film the night before. To both of us, the difference was like night and day. The pacing in the Swedish version was plodding, and Lisbeth felt far too friendly (as did Henrik Vanger). And despite it being an extended version, so much great stuff from the books was omitted.

David Fincher did exactly what I wanted; he upped the pace to the point where lines nearly overlap, cramming in tons of content in a shorter space of time. Not only that, Lisbeth was almost perfect, feeling as spiky, cold and unapproachable as she should do (although I personally would give her an internal monologue if I directed the film). Gladly the film followed suit and reflected her personality, meaning that as opposed to the Swedish film, she felt more like the main character she should be.

My only complaint would be of choosing Daniel Craig as Blomkvist. I personally felt he was quite fatherly and warm, until he was obsessed in his work. Daniel felt a little cold throughout, and exuded a little more confidence than I would've expected. That said, seeing him as Bond does not help my case.

Anyway, thoroughly enjoyed it; the music, cinematography, pacing, acting and plotline were exactly what I was looking for. Better than the Swedish film if you're looking for a more spiky, frightening, fast-paced take on TGWTDT.… Expand

The whole point of making the film for English audiences is so we can watch the movie with people speaking English. So what do they do? Make all the actors have a thick accent and mumble the lines so they are hard to understand. I would say I missed about 20% of the dialogue due to poor enunciation and bad recording, not to mention the irritating loud electronic soundtrack which drowns out some of the dialogue as well. There is a large cast of characters and it is important to hear what they are saying so you can keep up with the story. Still, the acting was good to great (Rooney Mara is especially noteworthy) and the story was good. I felt it was one of those never-ending movies, where you think it's over but it continues on. Overall a solid movie, but not as good as others in the genre such as Silence of the Lambs.… Expand

Pointless remake. lamest part is the original swedish version is actually far better than this thing. I like the original trilogy, this isn't ''bad'' but I feel ripped off... why should I pay 10 bucks on theather to watch a movie I already own on Blu Ray at home, which can be watched over nine thousand times with infinite peeps for only 15 bucks.

A mess. Worth seeing, perhaps, for the spectacle of Rooney Mara killing off Lisbeth Salander - death by overacting. The very worst moment of the movie - watch carefully for it - comes when Daniel Craig offers L.S. the chance to pursue a serial killer of women: watch Rooney Mara's reaction. The movie dies there, if in fact it ever was alive (yes, possibly it was, all the way through the opening credits). Actually, I did thoroughly enjoy myself exactly once: during the previews, at the end of the preview for Rock of Ages, when the words "Coming Soon" appeared and someone in the audience shouted, con brio, "We want it now!!" That wasn't bad acting.… Expand

I saw this movie without seeing any of the swedish films or having read any of the books. I thought this movie was amazing. I thought everything about it was amazing. I went home and read that about half of everyone who saw it thought the original was superior, so i watched the first swedish film. THE SWEDISH FILM DOESN'T EVEN COMPARE, IT IS A PILE OF GARBAGE COMPARED TO FINCHER'S VERSION. David Fincher told the story perfectly, and then when i watched the swedish version, i was like "what is this" a story is barely present, and is told so horribly.… Expand

This review contains spoilers, click expand to view. First I want to put a stop to all those people out there claiming this is a remake. That's like saying I'm making a Frankenstein movie today would be a remake over the bunch of others that came out before that was adapted from Mary Shelley's book. This movie is Fincher's adaptation on Stieg Larson's novel of the same name. Just like the Swedish one was there adaptation of the same book. It's a 2nd American, Fincher's, whatever you want to call it, adaptation of the book. Now that I got that out of the way I gotta say it's rare to have a movie come out as good or better then the book. Godfather for example but this "adaptation" of Stieg Larson's novel in ways is as good if not better then the book. I am a fan of the Swedish adaptation and though it followed the mystery element of the story I was disappointed at the key elements they took out from the book that were important to building depth and substance to the characters. I thought non readers of the book were a little robbed on knowing more about the unique and original character of Lisbeth Salander. David Fincher brought those elements into this movie so well that I felt after seeing it that somebody could watch the movie and get everything from the book without reading it. The story was told so beautiful keeping the character depth, the elements, and the story true to the book. Fincher even shortened long sequences in the book into brilliant short scenes that in a way was better then the book. The parts they took out were minimal things that didn't effect character building or the story one bit and even thought what they left out should've been left out of the movie when I first read it. There's even a slight twist at the end that was welcoming to me that read it differently. It was a twist that didn't effect the story and I actually enjoyed it more then how it played out in the book. The nice grey hue Fincher films it makes it look like a disturbing cold winter that I felt in the book. Throw Trent Reznor and Atticus Ross's music into the mix really put to ear the feeling and emotion taking place throughout the story. Fincher being known for his amazing and original open title sequence doesn't let us down. Opens to Karen O Trent Reznor and Atticus Ross remake of Zepplin's Immigrant song really get's you into the mood for the movie and only gets better from there. If you're looking for a great mystery with dark elements this is your movie.
Now I just have to say Noomi Rapace is a great actor but I thought Rooney Mara was way better as Lisbeth Salander. Not saying Noomi was bad , it's just for this role Rooney fit and played her better. In fact good enough for a best actress nod. She had Lisbeth's quirks down all the way to how she held and smoked her cigarettes. She did her homework and really became Lisbeth Salander. She did a brilliant job make her a believable intelligent, tough, and at times vulnerable person. Now in the book she's a uniquely beautiful, 90lb 23 year old with tattoos piercings and a childlike face. Rooney Mara has that physical look more then Noomi Rapace did. Add that to everything else made her nothing short of amazing. Heard Natalie Portman and Keira Knightly were to get the part and it landed on Rooney. Even as brilliant as those actors are I wouldn't think they would've been Lisbeth Salander as well as Rooney. Natalie is too tan and Keira is too pretty. She has to be a beauty that is different and unique. Rooney Mara's beauty still showed after the dyed hair tattoos and piercings and unique. I fell in love with her by the end of the movie. I want to see Rooney not only in the next 2 movies from the Larsson trilogy but want to just see more of her in movies in general. I became an instant Rooney fan after she played Lisbeth so brilliantly. I hope to see Oscar nods for best actress Rooney Mara best music Trent Reznor Atticus Ross and Karen O, Best Director David Fincher, after his shaft last year for Social Network by The King's Speech. Also would love to see a Best Adapted Screenplay for David Zallian. Must go see this movie. Can't believe anyody who would hate this unless you dislike mysteries. If your looking for mindless action with non depth characters and weak plot point storylines then don't see this movie. It's a great breath of fresh air from all the holidays movies. It's a brilliant non heartearming dark murder mystery for the holidays.… Expand

This movie adaptation was as good as it could be and I have no criticisms in that regard but the problem occurs when it is compared to the novels which is unfair because not every detail can incorporated into the actual movie. This movie was very well done in terms of production and Rooney Mara was phenomenal as Lisbeth Salander. The original swedish verions were also very good but they should not take away from what this version has to offer. The two trilogies can be compared and contrasted to no end but each should not be viewed as better or worse based on the other. Apart from these comparative issues, the movie was excellent but not everyone will be able to enjoy the depth that this movie offers without reading the books. I do hope that adaptations of the next two books are made and that they are done just as well as this one was.… Expand

"The Girl with the Dragon Tattoo" was an extremely interesting and intense film. Though some elements of this film were not necessarily for me, primarily the rape scenes, I was still very able to appreciate its beauty. It is a bit long (about 2 hrs 45 minutes), but the pace and the variety of scenes allowed the movie to flow seamlessly and created a very aesthetic atmosphere. I would recommend this movie to anyone who enjoys a good mystery, since this movie is chock full of them. I see that most of the bad reviews on here are from people complaining that a remake was unnecessary since the original Swedish version came out just recently. Honestly I feel that it was a smart move to make an English remake to appeal to the predominantly English speaking countries. Having not seen the original, I canâ… Expand

The movie that didn't need to be made. I agree with the reviewers who've said that this movie is a poor clone. Rooney Mara (sorry, I'm sure I'll like you in your next movie-- as long as it's not as Lisbeth) just made me wince; every scene she was expected to improve on Noomi Rapace's performance -- a fools errand. Daniel Craig just looked silly with his glasses hanging off his face, trying his best to look bookishly smart. I like both these actors, but the original set the bar; why mess with something that worked just fine? (Well, the obvious answer is that you can make money just by producing an English version of this popular work; never mind if it's artistically a bad choice.) As Dr. Evil told his (not so evil) son Scotty; "You're semi-evil. You're quasi-evil. You're the margarine of evil. You're the Diet Coke of evil. Just one calorie, not evil enough." That's how I felt after seeing this; the real deal was already made.… Expand

This review contains spoilers, click expand to view. This is yet another masterful addition to the David Fincher canon. His movies are distinctly unique among modern Hollywood. On one hand, they are highly commercial, slick action pictures; on the other, he imbues his films with layers and layers of intriguing, dark and perverse subtext. All his films are just dense with juicy details and character idiosyncracies. I thought that this film trumped the swedish version because it revealed deeper shades of the characters and their lives (much is unspoken but evident in character behaviour) as well as the overall aesthetic atmosphere, which to me were synonomous with the most intriguing aspects of the book. I thought in terms of plot development and detail, the swedish tv series and subsequent movies had a lot more literate exposition and they included more detail from the plot of the novel, but imho I agree with Fincher and Zaillian's perspective of dialing down extra plot detail in order to have a clear expose of the main themes of the book. Fincher does not shy away from the grim horrors of male domination, in fact the elements of sexual abuse in this film are evoked so clearly, graphically and painfully that it has the capacity to disturb on a profound conscious level. Fincher knows very well that the real plot of these stories deals with rape and sexual torture in our society. Overall the film's aesthetic quality is unsurpassed, Fincher remains one of the few modern hollywood auteurs. His keen eye for visual precision and atmosphere as well as the suberb music of Trent Reznor and Atticus Ross make for a thoroughly mesmerizing adaptation. I believe added viewings of this film are necassary (Like all of Fincher, and great films in general).… Expand

The Girl with the Dragon Tattoo of Fincher was doomed from the beginning to be compare with the Swedish version. The problem is that after this comparison the American production was totally degraded. Although the story is very attractive and scary, this is not a point for this movie, because there other one has it too; then we have the plot, here the development of the actions happen in a darker atmosphere, but everything is less emotional and more carnal than the film of Niels Arden Oplev; in other words this picture is the Hollywood alter ego. And as an ultra-commercial movie have parts left over, which were shown implicit by the Swedish one (an extraordinary film is the one in which the viewer has to interpret or deduce some parts of the plot). Finally we have the contrast of the protagonists: Daniel Craig gives a weak performance, the one of Michael Nyqvist is a lot more convincing as Blomkvist. About Lisbeth Salander, which is a much more difficult role, I think Rooney Mara capture it more than Noomi Rapace, and that interpretation pulls this movie up.… Expand

They should rename this film "The Girl who looks like a Bay Area Tranny". In Hollywood she fights off the bad guys, in reality she would be fighting off her crystal meth addiction. If she were a gorgeous brunette I would probably rate this movie higher.

There is no need to see this film if you have already seen the original film. The changes made do not justify sitting through 2 hours and 40 minutes of mostly dead frame that you know what is coming up. If you have not seen the original films, then I recommend going but be prepared for a film that is at least 40 minutes too long. After an hour and a half, I was looking at my watch. Fincher did nothing to improve upon the original except to wrap everything up quickly at the end. Once Plummer disappeared. the pace really slowed and so did my hopes.… Expand

This movie is a solid 10. They made some changes from the book of the same name. It's hard to say it's better than the book but I can say it's an upgrade over the Swedish film adaptation. Rooney Mara is perfect as Lisbeth and Daniel Craig gives the best performance of his career as Mikael. David Fincher did an amazing job directing as was expected. There's chilling and intense moments as well as endearing ones. It's all highly effective. Truly brilliant.… Expand

Brutal, dark, intense, shocking, interesting, and enjoyable, these are just some of the words I would use to describe this movie, it's fantastic but not in the way you'd expect, honestly after watching this I was pretty surprised at what I just watched, let me just tell you this it's earned it's R rating, and that this is definitely one you don't want to end up in the hands of a kid, the plot is enjoyable, it has a fantastic soundtrack, and Daniel Craig and Rooney Mara both deliver outstanding and exceptional performances, Rooney Mara's performance as Lisabeth in particular was phenomenal, she made her character come to life and made me want to learn everything about Lisabeth, and I hope they make the sequels just so I can, it's an outstanding, intense, and fantastic movie experience that I highly recommend, just be sure your ready for it first.… Expand