User Score

Generally favorable reviews- based on 601 Ratings

User score distribution:
  1. Negative: 35 out of 601

Review this movie

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Jan 10, 2012
    This review contains spoilers, click expand to view. I thought this was a very well made film. Fastest 2 and a half hours I've ever spent at the movies. Funny, the book is too slow, and the film may be a little too fast. I understand why, because the paperback of the book runs at 600+ pages. But I think I would have been a bit lost if I hadn't read the book beforehand. The narrative suffered a little in my opinion. I wish the whole libel case subplot could have been even more condensed than it was, so as to leave more time to develop the central mystery. I felt that section of the story lost some impact, especially the final revelation of what happened to Harriet. (Then again, it fell rather flat in the book as well.)

    The leads were excellent, especially Rooney Mara as Lisbeth. Very convincing. Because of having to fit everything into feature length, most of the secondary characters were not too well developed. This really hurt in terms of suspense at the movie's climax. There was only one character with enough screen time to be the culprit (if you hadn't already guessed him just from the camera shots of his house in its dominant, isolated position). One problem I had was that the dialogue was sometimes very hard to pick up. Either the actors were mumbling or the background sound was too high.

    Especially given the unwieldiness of the source material, it's a very good film. I haven't seen the Swedish original yet. Oh, someone was angry that they gave Blomqvist a daughter. That was done by the author, and her film role is pretty much what her role was in the novel.
  2. Jan 8, 2012
    Being a fan both of the books and the Swedish film, I found it very hard to objectively review the American version of the Girl with the Dragon Tattoo. Over Xmas I got my hands on the original extended version of the Swedish films (9 hour miniseries) which I am in the process of making my way through. Unfortunately, it was only a matter of days between seeing the Swedish version and the American version in the Theatre. It was very hard to look past all of the small differences made for the American film. There were some really good aspects to the American film that are worth mentioning. I definitely felt that both the tone, music and cinematography of David Fincher's Film was superior to the Swedish film. I also enjoyed both Stellan Skarsgard and Daniel Craig's performances. I think anyone who goes to see this film, who has not yet been exposed to either the books or the Swedish movie will be blown away by it. There were a few annoyances thought - and if you have seen the other film or read the book - it may reduce your enjoyment of the film. The terrible accents were a distraction. I hated that they gave Mikhail's character a daughter (I can't help but feel that this was only added to satisfy some censor's want to show the negative consequence of Mikhail's womanizing) and I liked the harder Lisbeth of the Swedish version (not that Rooney Mara was weak, or that her acting was bad, but she came across a bit softer than Rapace's Lisbeth). That said I think it was still a very good film. Expand
  3. Jan 8, 2012
    Absolutely awesome! Everything about it is just great. Fincher did an outstanding job. I have read all three books and seen the original foreign films and I gotta say Fincher's version is the best. I don't see any reason to hate on this movie just because it was made after the original, if you like the original better that's great, watch it over and over again. As for me, I'll be watching Fincher's version over and over again simply because I enjoyed it alot more. It looked better, it was acted better and the music was freaking fantastic! Trent Reznor and Atticus Ross are geniuses, I think the music may have been my favourite part of the movie. Although it did make a few changes to the story that I'm not entirely happy about, this movie did the book justice and was awesome from beginning to end! Expand
  4. Jan 8, 2012
    This is a very interesting and exciting movie. Plus for the voyeurs a couple of nicely graphic sex scenes. The movie moves forward from a journalist losing his job to taking on an assignment of what ever happened to a long-since-vanished member of a large Swedish family. The person who know is a family member, and family members live far apart on apparently a large wooded island. When the truth is known it is very different that I thought it would be, and in a way very satisfying. This is worthwhile. Go see. Oh yes, a note on the rape scene: As seen and heard on local TV every night be prepared for anything and everything. Expand
  5. Jan 8, 2012
    After seeing the film, I was left with the impression that you only truly get to understand and enjoy this film if you have read the book before hand. I got the feeling that if I hadn't read the book, I would be left confused and unable to appreciate everything that happened. Having said that, I was intrigued to see how the story would be condensed into a film, and enjoyed this interpretation immensely. The cast are very good, and Rooney Mara was brilliant as Lisbeth Salander. Would recommend highly! Expand
  6. Jan 7, 2012
    Freaky. Dark. Weird. I'd never read the books, but I was curious. I haven't worked my way through the Swedish versions of the films yet, either. This one will inspire me to do that, for certain. I don't want to say I loved it, but I certainly did get captured by most of the elements of this movie. Lisbeth is a great shot in the arm for women in cinema. If you're a fan of cold weather, this movie is gonna be a treat for you. I would rate this higher, but I was left a little unsettled by it. I would say all my friends who enjoyed Silence of the Lambs will want to see this one. The world is a dark and dangerous place. You never know what you might find when you dig a little. Expand
  7. Jan 7, 2012
    I thought this movie was decent. It just didn't live up to its Swedish counterpart or the expectations I had for it. The complexity and mystery of the movie were handicapped by the standard American strategy of bludgeoning the viewer over the head with every significant fact. This, for a Hollywood move, was pretty good though overall.
  8. Jan 7, 2012
    Return of the Jed.. Fincher. I loved the swedish trilogy, and my favourite books are Stieg Larsson's creations. Noomi Rapace was the perfect Lisbeth for me, and I didn't like Rooney Mara before.. But.. It's a great movie! Mara is brilliant, and Craig is better Mikael Blomkvist than (my favourite swedish actor) Michael Nyqvist. Fincher is back!
  9. Jan 7, 2012
    I joined Metacritic to comment on this film. Count on Hollywood to botch a genuine classic - the Swedish original. I would have given it a lower rating except that people who have not either read the book(s) or seen the previous version(s) might like David Fincher's current flick. HOWEVER (where do I start), the current cast is OK, but not up to comparison - especially Fincher's Rooney Mara as super-sleuth Lisbeth Salandar vs. the amazing portrayal by Swedish actress, Noomi Rapace. And the relationship between LS and her male counterpart, Mikael Blomkvist, seemed pretty superficial - not the intense mysterious personality of the original heroine. All that aside, here are my biggest beefs with the plot: (1) the court-appointed guardian of Lisbeth, Nils Bjurman, was cast showing a soft side - totally in contrast to the evil, sadistic villain we grew to hate in the book. (2) In the rape revenge scene, how was the tied-up Nils Bjurman supposed to use the wire cutters left him by Lisbeth to free himself - with his knees? (3) Why does the ultra-careful, think-of-everything Lisbeth toss her jewelry in a sink and blond wig out the train window, exposing herself to capture after you know what (if you read the book)? And finally, (4) the ending - since Fincher ignored the actual story plot - didn't make any sense connecting the many, many dots in this incredibly intriguing story. If you really want to see a better version, see the original on DVD - either sub-titled or with English dubbing (which wasn't bad). I'm glad I have all three Swedish films in my library - absolute classics! But pass on Hollywood's unfortunate flop. Expand
  10. Jan 7, 2012
    Excellent drama and suspense in this film all the way through. There were some unnecessary scenes that were a little over the top for my taste but overall a very enjoyable film.
  11. Jan 7, 2012
    This is a great movie, highly recommend all to watch it. I saw both this version and the Swedish version, The English version was WAY superior. I cannot wait to read the book.
  12. Jan 6, 2012
    If you have seen the original, and I recommend it very highly you will find this American remake laughable. While it is loudly distracting with bass heavy music, and a highly expensive overdone opening, it is never so disappointing as when they take a strong representation of blind justice and insult you by rewriting her as subservient and submissive in order to actually appeal to you as a watcher. As if the book's and original film's version of this character's character were too impossible to grasp. It is a Disneyland version of a very good book and original film Thpppp. Big fat raspberry. A visual 8, a storyline 1. Expand
  13. Jan 6, 2012
    This is a good movie . This one is available at
    in English, in HQ quality FREE . Plays like youtube .

    This movie is availabe for free in HD at:

  14. Jan 6, 2012
    Solid movie, and unexpectedly excellent acting from Mara - absolutely great in the role and very brave / honest / touching in the way she did it. To me, the first 2/3 of the movie worked much better than the last act, both in terms of plot and pacing.
  15. Jan 5, 2012
    Slick... Stylish... Smart... Sexy... Scary... Not for the faint of heart or the prude. I like a good mystery especially one that keeps you guessing but it should have come with cliff notes because it was too hard to follow. Secondly, It really would have been a better film if it were shorter. The climax was suppressed because they tacked-on an extra storyline to the last twenty minutes. Finally, "Q" would approve of all the "gratuitous sex and violence", (or in this case "sexual violence"). Unless you are a hardened masochist you WILL be shocked and offended. I had better not see anyone taking their minor children into this one. All that said... I thought it was a pretty great adult film. Expand
  16. Jan 4, 2012
    This is a very complicated case. Basically, this is a well done remake of a well done foreign film. Fincher played it safe with this one. I don't think he surpassed the original aside from the soundtrack. Ignoring that this was Fincher and the exceptional original film, I would give it 9/10. Considering that this was Fincher and a perfectly good Swedish film exists, I give it 7/10.
  17. Jan 4, 2012
    The Girl with the Dragon Tattoo was a pretty good remake and it's a bit different from the original movie, but it still holds up pretty more. The story takes place were these two people must find a missing teenage girl by the old rich guy. It's a pretty good story and it's very shocking that every scene were Fincher takes a dark chill since he did in Seven and Panic Room. The characters are good including Daniel Craig was a right choice to be a cool detective and Rooney Mara did a fine job as a goth girl with the styling dragon tattoo (that's what they called for the title). The girl is very mysterious, smart, dark, clever, and sometimes I really enjoy were she acts like she's involve for the situation that she needs to concentrate for the mission along with the detective. The remake is good and Fincher did very well from the original that it's similar to the three based on the series that people might sink into. Expand
  18. Jan 4, 2012
    Hell hath no fury like a woman scorned. My first review on Metacritic and I couldn't be happier it's a David Fincher film. Not his best work, I'll reserve that for Fight Club and Se7en, but on par with his work on Zodiac and The Social Network. In fact, think of this as Zodiac with some flashes of Se7en depravity. Daniel Craig is solid as always but the film soars with Rooney Mara's Lisbeth Salander. I literally couldn't keep my eyes off her. Yes, Noomi Rapace was also great in the French version, but Mara's Salander is much more damaged, more timid, and in turn, scarier.

    Others have bemoaned the film's final act but I didn't mind it; mainly because of the final scene. Pitch perfect, and beautifully sets up the next film.
  19. Jan 3, 2012
    A definate must see movie even without being as good as the original Swedish movie. David Fincher has done a great job with making this movie so soon after the original and still making his "own" movie. I'm just glad that so many more people will get to see this movie and be exposed to the great story behind it, as I know so many people who don't watch foreign films. A great performance from Rooney Mara should get an Oscar nod. Some tough scenes to watch means this is isn't for everybody, but for those who brave it will be well rewarded. Expand
  20. Jan 3, 2012
    I was skeptical going into the theatre about how great this film would actually be and almost expecting to be let down, especially considering how much I enjoyed the Swedish version. Noomi Rapace was, in my opinion, the quintessential Lisbeth Salander, and I thought there was no way Rooney Mara could compete. I was, however, quite pleasantly surprised--she actually pulled it off! Though perhaps her portrayal of a more vulnerable--and dare I say likeable--L.S. may not be very true to the book, I did find myself caring more about her, and I think that this less abrasive depiction will be more appealing to people who have not read the series and therefore know very little about her past. My biggest complaints were actually quite small and therefore don't subtract from my rating, them being that it did run on a bit long after the climax, and that the more, shall we say 'disturbing' scenes, although still quite upsetting, were toned down a bit too much for my liking and were not as potent as they were both in the book and the Swedish film version. All in all, it was incredibly entertaining and I recommend anyone to see it! Expand
  21. Jan 3, 2012
    Fincher at his best. This movie is electrifying from the very start. There is an edge to it that is sustained throughout. Reznor sets the tone with a tremendous score, and the acting is superb.
  22. Jan 2, 2012
    By no means did I think this was a bad movie per say; however, I can say with complete confidence that it was not what I expected. This movie is not safe for children everyone, so don't bring your kids; it's a mature thriller with a lot of sex, graphic violence, and disturbing moments. Overall, this movie was good, not great, but enjoyable nonetheless to any fan of cinema. Rooney Mara did a great job in her role of Lisbeth Salander, which I don't believe many people could pull off with so convincingly. I also believe Craig did a good enough job in the moments when he needed to portray emotion, but overall his character didn't truly stand out. The rest of the actors did a well enough job with their respective characters, but no other stand outs were really present. The plot is the true show here. Based on the novel of the same name, I was very captivated by the amount of immersion and detail was in this film. That can mainly be attributed to the two and a half hour runtime, which I'm sure has many potential viewers on edge. If you're willing to sit through the somewhat slow opening of Mara's character, it really picks up about an hour in and you are treated with some great interactions between Lisbeth and Mikael. The pacing, I'm sure, will appeal to many people; it's fast and entertaining. Personally, I'm not a huge fan because it can lead to unrealistic conversations and can be a bit hard to follow how characters reach certain conclusions, but it shouldn't bother most people. Fincher does a fantastic job directing as he does in all his films. This movie does hold similar "dark" tendencies to other Fincher-directed movies like Se7en and Fight Club, but there are definitely moments when The Girl with the Dragon Tattoo exceeds them. I cannot personally vouch for the movies accuracy to the original novel; however, I heard from my sister that she believed that for the most part it was close to the book, but there were a few parts where it wasn't and really confused her. Given Trent Reznor and Atticus Ross's previous work in The Social Network, I had high hopes for the score of Fincher's latest. I can't necessarily say I was disappointed with the score, but it didn't fully immerse me like The Social Network's brilliant score. Given Lisbeth's detestable behavior and character, it's shows pure talent how Fincher is able to connect us with her and care about her, at all for that matter. And by the end, you'll really feel for her in the sequel preparing conclusion. With everything accounted, this movie definitely has some faults and some confusing moments, but I found it to be very entertaining (albeit very dark), gripping, and definitely not feeling like two and a half hours. But I must once again stress the point: DO NOT BRING KIDS TO THIS MOVIE. Expand
  23. Jan 2, 2012
    After a very slow and unfocused first hour(out of the 2.7 hours) the film engages and impresses. Is it better than the original, no. Does it take away from the original, no. It stands on it's own. Mara is fine, but not anything award-worthy.
  24. Jan 2, 2012
    I am quite frankly gobsmacked at the reviews this film has received. This film was my joint favourite of the year, tying with drive. Me and my girlfriend have read the books within the past year, and sat down to watch the extended version of the Swedish film the night before. To both of us, the difference was like night and day. The pacing in the Swedish version was plodding, and Lisbeth felt far too friendly (as did Henrik Vanger). And despite it being an extended version, so much great stuff from the books was omitted.

    David Fincher did exactly what I wanted; he upped the pace to the point where lines nearly overlap, cramming in tons of content in a shorter space of time. Not only that, Lisbeth was almost perfect, feeling as spiky, cold and unapproachable as she should do (although I personally would give her an internal monologue if I directed the film). Gladly the film followed suit and reflected her personality, meaning that as opposed to the Swedish film, she felt more like the main character she should be.

    My only complaint would be of choosing Daniel Craig as Blomkvist. I personally felt he was quite fatherly and warm, until he was obsessed in his work. Daniel felt a little cold throughout, and exuded a little more confidence than I would've expected. That said, seeing him as Bond does not help my case.

    Anyway, thoroughly enjoyed it; the music, cinematography, pacing, acting and plotline were exactly what I was looking for. Better than the Swedish film if you're looking for a more spiky, frightening, fast-paced take on TGWTDT.
  25. Jan 2, 2012
    If you've seen the original Swedish version, there's not much new here. If you haven't, this is the American-language adaptation of Stieg Larsson's novel about a journalist (Daniel Craig) and his unusual assistant (Rooney Mara). He's hired by a wealthy old man to solve the mystery of his missing granddaughter, but discovers a series of brutal murders. Meanwhile, she's got her own problems, when she's enlisted to help him on his search. This film, which runs 2:38, unfolds with a slow anxiety, but never really manages much tension. Even the violent scenes are underplayed. Perhaps it's that cold Swedish outlook. The musical score is often pervasive and occasionally in the way. Director David Fincher has crafted a compelling, but slightly-confusing film. Expand
  26. Jan 1, 2012
    Outstanding movie. The details of the plot were somewhat modified from the book yet in no way did that diminish the story. Best movie I have seen in quite some time.
  27. Jan 1, 2012
    It seems sacrilegious to suggest this, but I enjoyed it more than the Swedish film: a greater sense of tension is created and Rooney Mara is much closer to how I pictured Lisbeth when reading the book than Noomi Rapace. And it is not a remake of that is a different dramatisation of the book IMO. And a better one!
  28. Dec 31, 2011
    The best movie I've seen all year. Mara Rooney deserved top billing! Struck me as much as Saving Private Ryan: fascinating to watch, parts of it were shocking, and I spent a long time thinking about it afterward.
  29. Dec 31, 2011
    This review contains spoilers, click expand to view. This is yet another masterful addition to the David Fincher canon. His movies are distinctly unique among modern Hollywood. On one hand, they are highly commercial, slick action pictures; on the other, he imbues his films with layers and layers of intriguing, dark and perverse subtext. All his films are just dense with juicy details and character idiosyncracies. I thought that this film trumped the swedish version because it revealed deeper shades of the characters and their lives (much is unspoken but evident in character behaviour) as well as the overall aesthetic atmosphere, which to me were synonomous with the most intriguing aspects of the book. I thought in terms of plot development and detail, the swedish tv series and subsequent movies had a lot more literate exposition and they included more detail from the plot of the novel, but imho I agree with Fincher and Zaillian's perspective of dialing down extra plot detail in order to have a clear expose of the main themes of the book. Fincher does not shy away from the grim horrors of male domination, in fact the elements of sexual abuse in this film are evoked so clearly, graphically and painfully that it has the capacity to disturb on a profound conscious level. Fincher knows very well that the real plot of these stories deals with rape and sexual torture in our society. Overall the film's aesthetic quality is unsurpassed, Fincher remains one of the few modern hollywood auteurs. His keen eye for visual precision and atmosphere as well as the suberb music of Trent Reznor and Atticus Ross make for a thoroughly mesmerizing adaptation. I believe added viewings of this film are necassary (Like all of Fincher, and great films in general). Expand
  30. Dec 30, 2011
    The only people rating this movie over 40% are those that have not seen the Swedish version. Do yourself a favor and watch that one rather than this crappy version.
  31. Dec 30, 2011
    The girl who plays her has sexy pics at username wildnout14 I have to say she is very stunning and a great actor too.................................
  32. Dec 30, 2011
    This film is great I wish I didn't see the Swedish version cause I hated knowing what was gonna happen but I have to believe for the people who didn't see it it was amazing..
  33. Dec 29, 2011
    Great movie! Full of action, drama, and suspense. Another amazing movie by David Fincher! This movie was just a joy to watch the entire time. Can't wait for the next installment!
  34. Dec 29, 2011
    The movie that didn't need to be made. I agree with the reviewers who've said that this movie is a poor clone. Rooney Mara (sorry, I'm sure I'll like you in your next movie-- as long as it's not as Lisbeth) just made me wince; every scene she was expected to improve on Noomi Rapace's performance -- a fools errand. Daniel Craig just looked silly with his glasses hanging off his face, trying his best to look bookishly smart. I like both these actors, but the original set the bar; why mess with something that worked just fine? (Well, the obvious answer is that you can make money just by producing an English version of this popular work; never mind if it's artistically a bad choice.) As Dr. Evil told his (not so evil) son Scotty; "You're semi-evil. You're quasi-evil. You're the margarine of evil. You're the Diet Coke of evil. Just one calorie, not evil enough." That's how I felt after seeing this; the real deal was already made. Expand
  35. Dec 29, 2011
    "The Girl with the Dragon Tattoo" was an extremely interesting and intense film. Though some elements of this film were not necessarily for me, primarily the rape scenes, I was still very able to appreciate its beauty. It is a bit long (about 2 hrs 45 minutes), but the pace and the variety of scenes allowed the movie to flow seamlessly and created a very aesthetic atmosphere. I would recommend this movie to anyone who enjoys a good mystery, since this movie is chock full of them. I see that most of the bad reviews on here are from people complaining that a remake was unnecessary since the original Swedish version came out just recently. Honestly I feel that it was a smart move to make an English remake to appeal to the predominantly English speaking countries. Having not seen the original, I canâ Expand
  36. Dec 28, 2011
    Alright, let's get one thing straight. David Fincher directed an ADAPTATION of the original novel by Stieg Larsson. And it's an EXCELLENT one at that.
    The film is dark, eerie, creepy, and disturbing and graphic... and that's what makes it excellent! The cinematography is gorgeous, Trent Reznor and Atticus Ross once again compose another Oscar-worthy film score, and David Fincher's
    direction is exceptional. What makes it better is Rooney Mara's portrayal of Lisbeth Salander (she's a GIANT badass in the film) and its being more faithful to the novel.
    Should you see this film? Yes, you should.
    Ps. To the negative reviews saying that it drags on too long, quit your **** You couldn't be any more wrong. I saw the film and I felt the time go way too fast, I desired more when the credits began to roll, even if I know how it ends.
  37. Dec 28, 2011
    As a big fan of the books and the Swedish movies, went to see the Fincher movie with my husband and sister who are equally big fans of the books and Swedish movies. All three of us LOVED this new version. The plot followed the book closely, Rooney Mara and Daniel Craig hopped right out of the book. Fincher improved on the original and was a big hit with the three of us. BRAVO!!! Haven't seen it??? GO!!! NOW!!! Then post your review. Expand
  38. Dec 28, 2011
    do you want to be entertained? then don't see this movie. do you want to think? don't see this movie. the Acting: it was good. everyone was believable The music: bad. It was used so little that when it was used I went "oh music, maybe something will happen now" and it did every time. the Plot: the movie is about a guy doing research. I have not read the books but I suspect they are about the girl with the dragon tatoo. the movie is not about her. It feels like it should be but it is about Daniel Craig and he does do anything but research the entire movie.

    there are 3 tense moments in the movie. they are not exciting and they play out exactly as would be expected. The reaction of the theatre was discomfort. everyone distracted themselves by talking to each other during these sense. they distract from the movie not add to it. which doesn't work when those scenes are all that happens during the 2.5h film
  39. Dec 27, 2011
    While it's certainly not as great of film as the Swedish version, this American remake still provides an intriguing mystery even if the plot points have all been covered before. The movie is over two hours long, but with the storyline and Fincher's pacing, the whole movie goes by rather fast. I already knew the storyline, and I never felt the movie drag. I can only imagine how fast this movie would fly for those unfamiliar with it. The performances are also solid. Craig plays a good Blomkvist, but the real standout is Rooney Mara. When I heard that "The Girl with the Dragon Tattoo" was getting an American version, my prime concern was who would play Lisbeth Salander as credibly as Noomi Rapace did in the Swedish film. Then when I found out Mara was cast, I had my doubts. It was kind of like when I heard Heath Ledger would be playing the Joker in "The Dark Knight." But just like Ledger, Mara turned all of my doubts away the second she appeared in the film. I'm not going to go so far as to say I liked her better than Rapace, but the fact that she was able to go toe-to-toe with her was pretty damn impressive. She definitely has an exciting career ahead of her after giving one of the most transformational performances of the year. In fact, she is pretty much the only reason to see this if you have read the books or seen the Swedish film. If you haven't seen the Swedish movie be sure to do so before you see this. Like I mentioned before, the mystery here is intriguing, but in the Swedish version it is absolutely fascinating, and it all has to do with the pacing. Yes, the pacing is faster here causing the running time to breeze by. But the Swedish version played it smart. It took its time slowly enveloping you in the mystery. This is an element that's missing here, and it constantly keeps this version from reaching greatness. Also, Fincher spends far too much time developing a subplot at the very end. The Swedish version wrapped up the same subplot in a shorter amount of time, giving us the exact same information in a more efficient and focused way. What I would recommend is this. First, rent the Swedish movie and avoid seeing this in theaters. Then, rent this version when it comes out on DVD. It'll make for an interesting comparison to see how two expert directors (one unproven, the other legendary) helm the same story. Expand
  40. Dec 27, 2011
    A mess. Worth seeing, perhaps, for the spectacle of Rooney Mara killing off Lisbeth Salander - death by overacting. The very worst moment of the movie - watch carefully for it - comes when Daniel Craig offers L.S. the chance to pursue a serial killer of women: watch Rooney Mara's reaction. The movie dies there, if in fact it ever was alive (yes, possibly it was, all the way through the opening credits). Actually, I did thoroughly enjoy myself exactly once: during the previews, at the end of the preview for Rock of Ages, when the words "Coming Soon" appeared and someone in the audience shouted, con brio, "We want it now!!" That wasn't bad acting. Expand
  41. Dec 26, 2011
    The US version of the Girl with the Dragon Tattoo proves to be a very well-done film and in my opinion is an improvement over the Swedish version. I know there are a bunch of disgruntled fans of the original Swedish version that don't like this film but I think that it works well and the characterizations are good in their own right. There are some changes to the US version from the Swedish version, especially towards the end but in my opinion it flows better than the Swedish version and I found the ending to be much more satisfying than the Swedish versions ending. Also, you simply cannot beat Trent Reznor's and Atticus Ross' score for the film. Rooney Mara is simply outstanding and brings a different interpretation of Lisbeth that I felt was better with the more vulnerable characteristics. Noomi Rapace's more confident an empowered version is also very good and I don't want to take anything away from that either. This film also provides a good opportunity to create better sequels. After the original GWTGT, the next two swedish films were really weak and were disappointing efforts. Hopefully Fincher and company return to bring the other two books to the screen. Expand
  42. Dec 26, 2011
    I have read all three books and seen all three foreign films. It is difficult not to draw comparison to the book and original film. A book is always better than the film made of it. The "Girl;" trilogy is no exception. The book clearly defines and fleshes out the characters and continues to add / remove layers of personality as it goes forth. Hollywood must have thought that very few would have seen the original film, that makes some sense,nor read the book, that makes no sense as they removed key parts from the book and miscast two characters. The story itself is often confusing as are the characters, who is related to who, how, motivations, etc. etc. But this is the MacGuffin; in the end, it doesn't matter; what makes the book thrilling, can't put down is Lisbeth. She is why we keep reading and watching. Ms Mara is mysterious, provocative, frenetic, sensual, enigmatic, and "is" Lisbeth; she is every bit as good as Ms Rapace. She drives the book and film. Bloomkvist must be cast perfectly to help us empathize with Lisbeth. Mr Craig is unable to do that. He is not vulnerable nor cold enough; he appears to be under water, finding difficulty with his role. Ms Wright is also miscast; she is not the sensual, yet strong, then vulnerable, force in Blomkvist or Millennium's life. The role is way under written from the book to be hardly existent. She is a strong presence in the book and key to how / why Bloomkvist does what he does. The movie leaves out a pivotal relationship, Lisbeth's girlfriend and instead throws us a gratuitous sex scene with no bearing on anything. In the book there is mistaken identity and revenge surrounding this missing character. Of course Hollywood tones down the sexual violence and shortens the film and this hurts it over all. The original movie while not an "A" is far superior but it's worth it to see this one for Ms Mara. On my scale the original is a B+ (8); this version is barely recommended, which is a B- on my scale so just a 6 here and only to see Lisbeth Expand
  43. Dec 26, 2011
    Edeltraud Dec 25, 2011 10 This may be an obnoxious observation, but if one of the themes is female empowerment why isn't the name of the movie "the woman with the dragon tattoo". Lis is in her 20's and an independent person ( despite guardianship). Clearly, she is exploited by the author and not respected as an adult.
  44. Dec 25, 2011
    I was fully prepared to loathe this film. I was very affected by Larsson's written work. (I sent for English publishers editions rather than wait for the douche American conglomerates' one-year-between-volumes of the trilogy separation) I think that the Swedish versions are absolutely what the novels demanded and are sufficient on their merits to have been the only cinematic versions. That said, I left the theater just pleased, and impressed. I hd fears of any overly glamorized, sanitized Hollywood version. Fincher has brought none of that to the screen. This is as stark as it should be. Daniel Craig is very good as Kalle Blomkvist and Rooney Mara is a more damaged Lisbeth. My only serious quibble with this film is Fincher's decision to have Blomkvist be a father and in touch with his daughter and ex-wife. I se nothing added to the character (in fact I think that Larsson intended that Mikael be a self-absorbed workaholic, as Larsson seems to have been). I sincerely hope that this Dragon Tattoo version earns enough to provide backing for an entire trilogy. If that comes to pass, inclusion of the daughter and ex-wife characters promises the possibility of some cheesy plot devices that will ruin the remaining chapters if used. If Fincher avoids that temptation and pitfall, the debate will rage for decades to the delight of film geeks everywhere! Expand
  45. Dec 25, 2011
    This movie adaptation was as good as it could be and I have no criticisms in that regard but the problem occurs when it is compared to the novels which is unfair because not every detail can incorporated into the actual movie. This movie was very well done in terms of production and Rooney Mara was phenomenal as Lisbeth Salander. The original swedish verions were also very good but they should not take away from what this version has to offer. The two trilogies can be compared and contrasted to no end but each should not be viewed as better or worse based on the other. Apart from these comparative issues, the movie was excellent but not everyone will be able to enjoy the depth that this movie offers without reading the books. I do hope that adaptations of the next two books are made and that they are done just as well as this one was. Expand
  46. Dec 25, 2011
    They should rename this film "The Girl who looks like a Bay Area Tranny". In Hollywood she fights off the bad guys, in reality she would be fighting off her crystal meth addiction. If she were a gorgeous brunette I would probably rate this movie higher.
  47. Dec 25, 2011
    Excellent. Engaging for the whole time. I'm thinking Brendan shouldn't go to anymore movies... just in case they might be a remake; it is obvious he didn't judge this movie on it merits. Though it is a long movie, it keep me wondering what was going to happen next, and I wasn't bored (and I don't like movies over 2 hours, just too self-indulgent by the director usually) but this one succeeds where other directors and editors lose their way. Expand
  48. Dec 25, 2011
    I think the Fincher film is a reasonable effort but I found an interesting analysis of the original Swedish version at

    It is a more succinct review.
  49. Dec 25, 2011
    Wonderful movie by one of the best directors of this generation. I especially enjoyed the intro. And to everyone saying how it's a remake I am pretty sure you are wrong. Yes I've seen the foreign one but I think this is simply the american interpretation of the book rather than a remake of the foreign film.
  50. Dec 25, 2011
    This review contains spoilers, click expand to view. Fincher is an excellent filmmaker, and the movie clearly captures the excitement and dark, sinister tone of Larsson's novel, at least on one level, though the last 15-20 minutes of the movie seem rushed (and it's hard for me to believe that viewers who haven't read the book can follow all the detail) The casting is also outstanding. Lisbeth is clearly the most compelling character in the book (and movies); but although she is (and should be) a kind of cypher (in fact, the excessive psychologizing of her character in the second two books/movies detracts, I believe, from her compellingness), in this version I think she is TOO much of a cypher (due to the lack of intensity in Mara's portrayal). Also, by downplaying the background of Blomkvist's (and Larsson's) liberal, muckraking, anti-authoritarian views, it's less clear in the movie exactly why Lisbeth might be so attracted to him (though it's still a middle-aged male's fantasy that she makes love to him...twice, after being raped by her similarly middle-aged guardian). Whether the film should have been remade, or which version is better seems to me to be a moot point. I found both of them to be guilty (very guilty) pleasures. I do, however, look forward to Pedro Almodovar's gender-bending Spanish remake in which Javier Bardem plays Lisbeth,,, Expand
  51. Dec 24, 2011
    I saw this movie without seeing any of the swedish films or having read any of the books. I thought this movie was amazing. I thought everything about it was amazing. I went home and read that about half of everyone who saw it thought the original was superior, so i watched the first swedish film. THE SWEDISH FILM DOESN'T EVEN COMPARE, IT IS A PILE OF GARBAGE COMPARED TO FINCHER'S VERSION. David Fincher told the story perfectly, and then when i watched the swedish version, i was like "what is this" a story is barely present, and is told so horribly. Expand
  52. drm
    Dec 24, 2011
    I've read some of the reviews on here, whining about the fact that it's a remake of the original movie, or that the book is better...blah blah blah. That is a really unfair attitude to throw on a very well made film. The cinesnobs seem to really have it out for this one. If you're Swedish, I can understand that attitude. I singularly enjoyed not having to read subtitles. David Fincher did a wonderful directing job, as always. Daniel Craig is too cool for school. Rooney Mara is awesome. Great titles. Good music. I was just so thrilled to not be insulted at the megaplex. I think we all can agree that that is an absolute rarity these days. To the your venom for Transformers 4 or Mr. Popper's Penguins 2. Sheesh. Expand
  53. Dec 24, 2011
    I really don't know what to think of this film. It was great in itself, but I can't help but compare it to the Swedish version, which I thought personally was slightly better. I guess most of my disappointment stems from the fact that it doesn't feel that much different besides how Lisbeth is portrayed and shaped. Lisbeth in the Fincher film seems more shattered, while Lisbeth in the Swedish version seems more determined. Expand
  54. Dec 23, 2011
    I've read the books and seen the original Swedish movies - I'm a fan. This was very well made, engrossing, enjoyable and well worth the time spent. The fact that I knew the plot and had seen the prior film did not diminish the experience - it was intriguing to see what another director would do with the book, and he did a great job. Go see it - you won't be disappointed (as opposed to the Mission Impossible film, by the way, which was ridiculously bad. Just had to put that negative plug in there). Expand
  55. Dec 23, 2011
    It's fantastic. Go see it. The actors are great, David Fincher is a great director, and the music is great. One of the best movies of the year, and as far as I can tell the only serious contender for best picture.
  56. Dec 23, 2011
    The whole point of making the film for English audiences is so we can watch the movie with people speaking English. So what do they do? Make all the actors have a thick accent and mumble the lines so they are hard to understand. I would say I missed about 20% of the dialogue due to poor enunciation and bad recording, not to mention the irritating loud electronic soundtrack which drowns out some of the dialogue as well. There is a large cast of characters and it is important to hear what they are saying so you can keep up with the story. Still, the acting was good to great (Rooney Mara is especially noteworthy) and the story was good. I felt it was one of those never-ending movies, where you think it's over but it continues on. Overall a solid movie, but not as good as others in the genre such as Silence of the Lambs. Expand
  57. Dec 23, 2011
    Better than the Swedish version and stays surprisingly true to the text and does not hold back in terms of nudity and violence as North American films often do. Rooney Mara makes for an excellent Lisbeth Salander while acting under Social Network Director David Fincher once again.
  58. Dec 23, 2011
    This review contains spoilers, click expand to view. First I want to put a stop to all those people out there claiming this is a remake. That's like saying I'm making a Frankenstein movie today would be a remake over the bunch of others that came out before that was adapted from Mary Shelley's book. This movie is Fincher's adaptation on Stieg Larson's novel of the same name. Just like the Swedish one was there adaptation of the same book. It's a 2nd American, Fincher's, whatever you want to call it, adaptation of the book. Now that I got that out of the way I gotta say it's rare to have a movie come out as good or better then the book. Godfather for example but this "adaptation" of Stieg Larson's novel in ways is as good if not better then the book. I am a fan of the Swedish adaptation and though it followed the mystery element of the story I was disappointed at the key elements they took out from the book that were important to building depth and substance to the characters. I thought non readers of the book were a little robbed on knowing more about the unique and original character of Lisbeth Salander. David Fincher brought those elements into this movie so well that I felt after seeing it that somebody could watch the movie and get everything from the book without reading it. The story was told so beautiful keeping the character depth, the elements, and the story true to the book. Fincher even shortened long sequences in the book into brilliant short scenes that in a way was better then the book. The parts they took out were minimal things that didn't effect character building or the story one bit and even thought what they left out should've been left out of the movie when I first read it. There's even a slight twist at the end that was welcoming to me that read it differently. It was a twist that didn't effect the story and I actually enjoyed it more then how it played out in the book. The nice grey hue Fincher films it makes it look like a disturbing cold winter that I felt in the book. Throw Trent Reznor and Atticus Ross's music into the mix really put to ear the feeling and emotion taking place throughout the story. Fincher being known for his amazing and original open title sequence doesn't let us down. Opens to Karen O Trent Reznor and Atticus Ross remake of Zepplin's Immigrant song really get's you into the mood for the movie and only gets better from there. If you're looking for a great mystery with dark elements this is your movie.
    Now I just have to say Noomi Rapace is a great actor but I thought Rooney Mara was way better as Lisbeth Salander. Not saying Noomi was bad , it's just for this role Rooney fit and played her better. In fact good enough for a best actress nod. She had Lisbeth's quirks down all the way to how she held and smoked her cigarettes. She did her homework and really became Lisbeth Salander. She did a brilliant job make her a believable intelligent, tough, and at times vulnerable person. Now in the book she's a uniquely beautiful, 90lb 23 year old with tattoos piercings and a childlike face. Rooney Mara has that physical look more then Noomi Rapace did. Add that to everything else made her nothing short of amazing. Heard Natalie Portman and Keira Knightly were to get the part and it landed on Rooney. Even as brilliant as those actors are I wouldn't think they would've been Lisbeth Salander as well as Rooney. Natalie is too tan and Keira is too pretty. She has to be a beauty that is different and unique. Rooney Mara's beauty still showed after the dyed hair tattoos and piercings and unique. I fell in love with her by the end of the movie. I want to see Rooney not only in the next 2 movies from the Larsson trilogy but want to just see more of her in movies in general. I became an instant Rooney fan after she played Lisbeth so brilliantly. I hope to see Oscar nods for best actress Rooney Mara best music Trent Reznor Atticus Ross and Karen O, Best Director David Fincher, after his shaft last year for Social Network by The King's Speech. Also would love to see a Best Adapted Screenplay for David Zallian. Must go see this movie. Can't believe anyody who would hate this unless you dislike mysteries. If your looking for mindless action with non depth characters and weak plot point storylines then don't see this movie. It's a great breath of fresh air from all the holidays movies. It's a brilliant non heartearming dark murder mystery for the holidays.
  59. Dec 22, 2011
    There is plenty of sex in the American version of The Girl with the Dragon Tattoo which Liz and I saw last night at the AMC Van Ness at the first screening of this long awaited film.
    I must admit to being vaguely disappointed. Perhaps it is due to the fact I over hyped myself the past six months. Or the fact I have read all three books in the trilogy and seen each of the three Swedish
    films several times. Finally, I am susceptible to films spoken in another language. The story moves along at a brisk pace, the sound track by Trent Razor contributes to the atmosphere of this dark story involving, at its heart, a serial killer. The photography, set mostly in Sweden, is excellent
    I am unsure why the critics are so generally enthusiastic. The film is OK. But after all the self induced hyped I can only, sadly, award it a three or even 2.5 stars on the four scale.
    The David Fincher production appears to be more choppy than its Swedish original which flowed at a steadier pace. Perhaps it is the opening credits which Liz says remind her of a James Bond send-up. This opening sets the tenor for the movie, high energy and somewhat disjointed.
    Mara Rooney is getting all sort of positive buzz for her work as hacker queen Lisabeth Salander. Sheâ
  60. Dec 22, 2011
    Pointless remake. lamest part is the original swedish version is actually far better than this thing. I like the original trilogy, this isn't ''bad'' but I feel ripped off... why should I pay 10 bucks on theather to watch a movie I already own on Blu Ray at home, which can be watched over nine thousand times with infinite peeps for only 15 bucks.
  61. Dec 22, 2011
    There is no need to see this film if you have already seen the original film. The changes made do not justify sitting through 2 hours and 40 minutes of mostly dead frame that you know what is coming up. If you have not seen the original films, then I recommend going but be prepared for a film that is at least 40 minutes too long. After an hour and a half, I was looking at my watch. Fincher did nothing to improve upon the original except to wrap everything up quickly at the end. Once Plummer disappeared. the pace really slowed and so did my hopes. Expand
  62. Dec 22, 2011
    This movie is a solid 10. They made some changes from the book of the same name. It's hard to say it's better than the book but I can say it's an upgrade over the Swedish film adaptation. Rooney Mara is perfect as Lisbeth and Daniel Craig gives the best performance of his career as Mikael. David Fincher did an amazing job directing as was expected. There's chilling and intense moments as well as endearing ones. It's all highly effective. Truly brilliant. Expand
  63. Dec 22, 2011
    This review contains spoilers, click expand to view. I have not read the books, nor have I seen the original version of the movie. Therefore, some of my pet peeves about the Girl with the Dragon Tattoo may lie somewhere in the story itself rather than the editing. Don't get me wrong. The movie is great. I immensely look forward to sequels. Rooney Mara's performance alone is enough to want to see the series continue. The entire cast is fantastic, but what seemed to bug me most during the movie is the extended amount of time spent on some elements of the story, like her being a ward of the state, but how much time wasn't spent on explaining the backstory re: Daniel Craig's lawsuit and relationship with Robin Penn. A lot effort was spent building up the need for Christopher Plummer to hire Daniel Craig to solve this mystery, yet very little into connecting Craig and Mara together. For someone so unsociable, she unnaturally connected quickly with Craig. Then, when it was all said and done, the story seemed to wrap up too quickly as compared to the build up. So, while the story was good, the directing was good and the cast was good, the piecing together of the film itself seemed haphazardly done. Was this editing? Was it the story itself? At 2:34 long, I would have expected a better flow, but nonetheless, my high expectations were met and I look forward to more. Expand
  64. Dec 21, 2011
    David Fincher's take on The Girl With the Dragon Tattoo is a bleak, gruesome, and some times hard to watch film, yet its amazing style and intriguing story keep the audience captivated. We don't want to watch, but we can't look away because Fincher doesn't hold back and because every moment Rooney Mara's Lisbeth is on screen she commands attention. She gives perhaps the best performance of the year and even tops Noomi Rapace's amazing portrayal of the same character in the Swedish version. It seems many critics have decided to diss this movie on the only basis that it came out so soon after the Swedish version. These critics/people are trolls and should be ignored. Remakes and alternate adaptations should be able to stand apart and be judged on their worth rather than on their predecessors. All in all Fincher's version is on par with the Swedish adaptation, though I felt the longer drawn out ending in the American film was inferior to Niels Arden Oplev's ending version. Expand
  65. Dec 21, 2011
    God Damn, this film is excellent. Fincher has that signature style that keeps audiences entertained and engaged with the story, characters, and dialogue. I can honestly say that there was nothing that i disliked about TGWTDT. I was a little skeptical about how the soundtrack would turn out, because I'm not a huge Trent Reznor/Atticus Ross fan, but it surprisingly complimented the movies dark and ominous tone in the most subtly effective way possible. The cinematography is nothing short of amazing, along with the lighting, sound, and editing. Fincher has this uncanny ability to keep the camera "calm" in the brutally graphic, high-tension scenes. I could go on and on about how good this film is, but just go see it for yourself. Expand
  66. Dec 21, 2011
    Anyone that is complaining about how this is a remake of a movie that came out last year, the original film of the same name actually came out in 2009. Also, it is a remake, but it's a remake by one of greatest directors in our time, David "F*ckin" Fincher. Deal with it, not every American saw the original film, so give the remake a break everyone. Next, Daniel Craig is a marvelous actor throughout the film, next with Rooney Mara, who was also in the film "The Social Network." The film looks beautiful, Fincher's creative way of capturing the settings and the realistic emotions of the characters are superb. You can see prior films by Fincher in this film, including "Se7en" and "The Social Network." The soundtrack is also great by Trent Reznor and Atticus Ross, who previously created the soundtrack for "The Social Network." All in all, everyone who is "angry" about this remake should shut it and just enjoy the film as it was intended from Fincher's and Zaillian's perspective. Expand
  67. Dec 21, 2011
    I LOVED the original, Swedish version. I though "ok, this will be good, but it's still a remake." Sure, the film is a remake of the Swedish version because "American's don't read subtitles," but usually they aren't as good as the original, they certainly don't surpass it, TGWTDT did that. It's better than the already great original film.
  68. Dec 21, 2011
    Following the very successful adaptation of Stieg Larssons millennium trilogy into three very successful Swedish language films, it came as no surprise when Hollywood announced that it would be making an English-language version of the series. Director David Fincher was announced to craft the first book in the series, The Girl with the Dragon Tattoo. The new version follows very close to the original material with one fairly big exception which I will detail later in the review. Daniel Craig stars as Mikael Blomkvist, who at the opening of the film has recently lost a court case for which he was being sued for libel by a prominent business figure. His career is in ruins and virtually all of his savings gone as a result of the trial and punitive damages. So when he is contacted by an attorney representing the wealthy and powerful Vanger family, he agrees to meet. Although highly reluctant to take a meeting, Mikael takes the four hour train ride north of Stockholm to a cold and remote island to meet with Henrik Vanger (Christopher Plummer). Henrik wishes Mikael to investigate the disappearance of his niece some 40 years earlier, a niece vanished under the familiesâ Expand
  69. Dec 21, 2011
    Just finished the 3 book series and watched the movie tonight. Overall, I thought is was very well done. Of course, there were details and side stories that were left out; however the overall story and relevant material were handled exceptionally well. It was well acted, suspenseful and worth the price of a movie ticket.
  70. Dec 21, 2011
    David Fincher's "The Girl With The Dragon Tattoo" is exceptional. I write this having read the novel only one week before. It was amazing to see a master filmmaker lend his vision and excellent craft to a story that I truly enjoyed. Fans of the novel will note that a few side-plots are deleted and unfortunately a very revelatory journey at the end of the story is omitted. But the the detailed character development, thriller, mystery, romance (?), and real-life horror elements are all there.

    For a few days I've been reading deprecatory reviews that said this is a "slicker" version than the original Swedish film. They were correct in that it is more streamlined and wrong in that it is the worse for it. The book is 682 pages, how do you fit that into 2.5 hours? The director and screen-writer have to move plot points along at a brisk pace.

    Immediately after seeing Fincher's version I watched the original Swedish movie online. The difference is night and day. I loved the original movie when I saw it in an art-house theater a few years ago. But now that I've seen Fincher's vision? David Fincher and his Director of Photography bring a true cinematic brilliance to what is at first a whodunnit and then turns out to be a mix of emotional character study and real life horror on many levels.

    Daniel Craig as the male lead is great but maybe not as "real" and haggard as Nyqvist in the original film. But the standout of the whole movie, above and beyond the harrowing script, is Rooney Mara's portrayal of Lisbeth Salander.

    Where Noomi Rapace excellently portrayed Salander in the original film as an aggressive punk, Mara conveys social and emotional scars not just through her appearance (peircings and black leather) but also through her physicality and dialogue. Mara's Salander averts her gaze from the world, but when she looks into your eyes you see pain and fear that will quickly turn to aggression. In the original film Salander's sexuality is an extension of her aggressiveness. Here it's a crack in her armor that makes her human. My only complaint is not in the length of the denouement but how the details go by so quickly. All in all, f@#king brilliant. I want to see it again soon.
  71. Dec 21, 2011
    This review contains spoilers, click expand to view. I have special love for the original Swedish version which I listed as my fourth favorite film of 2010. If that movie didn't exist, I may have very different feelings about this one - for good AND for bad. Rooney Mara is terrific in this role, but I don't think she's necessarily better than Noomi. Noomi had that smoldering, caged heat feeling about her. It was more of a masculine slow burn, whereas Rooney is much more feminine, and her character is a bit less focused. Both are solid in their roles, but I think I prefer Noomi's take on it. The Swedish version focuses much more on the the mystery of Harriet's death, and it's much more process-oriented, which I preferred. The Fincher film glosses over much of the detail of that investigation ,and I feel that if I hadn't seen the original, I might have been a bit lost with regard to the family tree, the unlocking of the old photographs, and the tic toc on the day of the car crash on the bridge. I also liked the original's resolution of the murder mystery storyline much more, with Harriet coming back from Australia - the acting and the sense of relief was palpable and enormously satisfying. Comparatively I didn't feel that Christopher Plummer cared nearly as much to see her. Now, on the other hand, the "theft" sequence with Mara draining bank accounts and her subsequent show of real love for Bloomquist at the end was much more fleshed out - and to a more satisfying degree - in the Fincher film. The bottom line for me is that there's nothing like the first time, and this film simply didn't stack up to the power of original which really did cut like a knife. To me, it's a classic. To compare these two to another pair of films - I loved Let The Right One One, the Swedish original, but Let Me In, the American version, stacked up very well against it. It brought something special to the story - perhaps more so than than Fincher's Dragon Tattoo does. ALL this being said, I certainly was entertained by Fincher's movie and recommend it. Expand
  72. Dec 20, 2011
    I'd been looking forward to seeing David Fincher's remake of THE GIRL WITH THE DRAGON TATTOO, since it was announced he was doing it. Unfortunately I came away extremely disappointed. The original was much better. This American remake was frankly boring, and had I not seen the original, I wouldn't have any idea what was going on plot wise.
  73. Dec 20, 2011
    David Fincher returns to his roots and directs a near perfect neo-noir pyschological thriller. Rooney Mara also returns from her minor role in The Social Network and proves that she is more than capable of becoming an A-list actor. If the film only focused more on Lisbeth's dark past rather than glossing over it, the film would be perfect.

Generally favorable reviews - based on 41 Critics

Critic score distribution:
  1. Positive: 31 out of 41
  2. Negative: 1 out of 41
  1. Reviewed by: Joe Morgenstern
    Dec 22, 2011
    Has much to recommend it - high-end craftsmanship, a singular heroine, a labyrinthine mystery, an intriguing milieu - yet lacks a vital spark.
  2. 70
    David Fincher's American remake of The Girl with the Dragon Tattoo adds nothing to the previous adaptation, but it's certainly the more evocative piece of filmmaking.
  3. Reviewed by: Peter Travers
    Dec 22, 2011
    From him (Fincher), we get – what? – a faithful adaptation that brings the dazzle but shortchanges on the daring.