Metascore
34 out of 100

Generally unfavorable - based on 14 Critics

Critic score distribution:
  1. Positive: 2 out of 14
  2. Negative: 4 out of 14
  1. Reviewed by: Loren King
    75
    Somewhat overstylized and deliberately enigmatic, The Girl won't appeal to everyone. But its ambition and beauty ultimately triumph over pretense.
  2. In her feature debut, Zeig, -- displays confidence and style aplenty.
  3. 50
    What you'll remember most are a pretty face and the hot and steamy sex scenes. That is not enough.
  4. This pretty trifle is a movie about gorgeous women having an illicit affair -- period.
  5. 50
    May be the steamiest lesbian romp in recent memory.
  6. Suggests that one way women can fight male violence is by using the weapons of the alpha male: Marking one's territory and firing upon anyone who trespasses.
  7. 50
    Unfortunately, the result is little more than a glossy parlor trick, a stripped-to-the-bone "Of Human Bondage" recast with two women.
  8. More art-directed than directed, there's nothing in the way of serious thought to be found here,
  9. Plot and character development are scarce; the film is more an abstraction than an absorption.
  10. 40
    Agathe de la Boulaye, as The Painter, gives off an appealing air of good-natured amusement, which is appropriate given her surroundings.
  11. 30
    Like the film's characters, the city of Paris has been made faceless, as if it too were merely the pawn in a representational hell where light and color and shading are forbidden.
  12. Reviewed by: Carla Meyer
    25
    Numbingly dull and repetitive.
  13. 20
    The dialogue is trite and tinnily recorded, and the actresses have the chops of high-school drama students.
  14. 10
    Has the dreary one-track banality of a feature-length version of an episode of "Red Shoe Diaries," Showtime's series for people who like soft core but are too lazy to leave the house.