- Studio: Artistic License
- Release Date: Apr 6, 2001
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75Somewhat overstylized and deliberately enigmatic, The Girl won't appeal to everyone. But its ambition and beauty ultimately triumph over pretense.
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70In her feature debut, Zeig, -- displays confidence and style aplenty.
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50What you'll remember most are a pretty face and the hot and steamy sex scenes. That is not enough.
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50This pretty trifle is a movie about gorgeous women having an illicit affair -- period.
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50May be the steamiest lesbian romp in recent memory.
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50Suggests that one way women can fight male violence is by using the weapons of the alpha male: Marking one's territory and firing upon anyone who trespasses.
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50Unfortunately, the result is little more than a glossy parlor trick, a stripped-to-the-bone "Of Human Bondage" recast with two women.
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50More art-directed than directed, there's nothing in the way of serious thought to be found here,
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40Plot and character development are scarce; the film is more an abstraction than an absorption.
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40Agathe de la Boulaye, as The Painter, gives off an appealing air of good-natured amusement, which is appropriate given her surroundings.
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30Like the film's characters, the city of Paris has been made faceless, as if it too were merely the pawn in a representational hell where light and color and shading are forbidden.
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Numbingly dull and repetitive.
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20The dialogue is trite and tinnily recorded, and the actresses have the chops of high-school drama students.
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10Has the dreary one-track banality of a feature-length version of an episode of "Red Shoe Diaries," Showtime's series for people who like soft core but are too lazy to leave the house.
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