User Score

Generally favorable reviews- based on 199 Ratings

User score distribution:
  1. Negative: 20 out of 199

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  1. Nov 25, 2011
    I can't bring myself to give this movie in form of score, a pure "0". It's sad when a series goes from "good" to masterpiece", and finally to "garbage". There's nothing worth seeing in this movie.
  2. Nov 26, 2011
    It lacks originality and is far too like the previous 2 films. The acting is fine but not as great as the previous films were. Overall it was a disapointing end to an epic series.
  3. Feb 20, 2012
    I love the first two. I would even dare to say they are two of the greatest American movies ever made. Then number three comes along and just ruins it all. Sofia Coppola does no favors to the already unbearably slow movie. Not to mention the whole opera scene. They also do not have the decency to give Michael a good death. I do realize that they are based off novels, but goddamn.
  4. May 26, 2012
    An enormous disappointment for Al Pacino and for the whole film. I'm expecting a lot about this movie thinking the fact that its predecessors are great (especially the first one which is one of the best films of all time). The acting is horrible, the script is lousy and the whole plot was ridiculous and boring. An incredibly terrible film, but still, it does not belong to the worst.............

Mixed or average reviews - based on 19 Critics

Critic score distribution:
  1. Positive: 10 out of 19
  2. Negative: 4 out of 19
  1. In this brilliantly sustained climax, Coppola unveils a vision of corruption that embraces the entire world, but he's also reveling in sheer theatrical magic in a way that only a master can.
  2. It's hard to tell if this thing's serious or parody and, if it is parody, whether or not it's intentional. Is it a winky joke, for instance, to have lightweight performer George Hamilton as Pacino's business attorney, or just ridiculous casting? Hamilton's performance points to the latter.
  3. The main performances are generally weak, although the smaller ones are sometimes brilliant, and the yarn never builds much momentum as it leapfrogs from one subplot to another. [28 Dec 1990, Arts, p.14]