- Studio: Magnolia Pictures
- Release Date: Apr 30, 2010
- Critic Score
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70Here, the 36-year-old filmmaker is playing around with drama and comedy. And if you're in the mood for a splash of dark drama, a bit of humor, very dry, on the rocks, with a twist, this will come close to satisfying.
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67The Big Apple of this evanescent tone poem is an invented nocturnal landscape featuring speechifying eccentrics and absurdist moments that feel northern European in sensibility.
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60Kári relies too heavily on the fleeting rewards of situation for the film to come together as an involving story.
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60The Good Heart dilutes Cox's gravitas with quirk.
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60Odd but endearing, The Good Heart has just exactly that--a good heart--mixed with a simplistic story that comes recommended as a showcase for two fine actors at the top of their game.
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50The movie begins to wear out its welcome even before a conclusion of breathtaking corniness.
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50One of the least likable characters (Cox) in recent memory--irascible, but with moments of real tenderness--he's the reason this strange movie takes on a perverse charm that is uniquely its own.
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50Cox has some wonderfully funny moments, but both actors are playing heavily to type.
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50As Lucas's girlfriend April, Isild Le Besco brings a sprig of sunshine into the film's fetid hollows.
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46The movie's two bright spots are Cox and Dano, who perform excellently despite the dull inevitabilities the script forces on them.
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42Cox's character is a living, hissing embodiment of the idea that no good deed goes unpunished. As an actor stuck in a movie that wastes his talents, Cox can surely relate.
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40Dagur Kari both wrote and directed, so he has no one else to blame for so little originality. Neither does his hard-working cast, all of whom deserve better.
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40No amount of splenetic ranting by Brian Cox, a wonderful actor, when given the right role, can salvage The Good Heart from terminal mawkishness.
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40A picture too simplistic and sentimental for art seekers and too rough for general audiences.
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38The actors cast themselves adrift on the sinking vessel of this story and go down with the ship.
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38As robust and clever an actor as Cox is, he can't make Jacques any less of a blowhard; Kari's wit simply doesn't come through in English, at least with this script.
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38Cox doesn't so much chew the scenery as inhale it. Dano looks on in awe.
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25It's a strange thing, this type of whimsy. Kari offers us ideas in place of characters, and yet he expects us to see through these ideas to the real-life conditions they represent - and then to respond to them in kind.
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10A sloppy, desultory, depressive buddy comedy the color of beer-infused pee.
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