- Studio: USA Films
- Release Date: Apr 28, 2000
- Critic Score
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80With shocking humor and surprising grace, Von Trier creates something unique and memorable.
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75Fascinating, obnoxious and poignant.
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75A highly calculated act of mischief that sounds like a stunt cooked up for Howard Stern's radio show.
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72Shot on location, handheld camera, available light, no props, no music, no filters, etc. We may wonder, "What are we doing here?" But we won't look away.
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63It's interesting - in its own let-it-all-hang-out, shaky-camera way.
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63Demonstrates that sadomasochistic streak in von Trier that equates the raw with the experimental.
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63Von Trier has assembled a fearless troupe of gifted actors - especially Jorgensen - to explore the outer reaches of human cruelty and vulnerability.
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60It's overtly about provocation, set in a tony Danish suburb where a group of men and women living commune-style in an empty house are discovering their "inner idiots" by pretending to be developmentally challenged.
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50Von Trier's The Idiots is both lively and juvenile.
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50Becomes guilty of the very prejudice that his film has so obviously tried to subvert. It's too bad -- the rest of it is hilarious.
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50The group's intent is not to insult those physically or mentally challenged in any manner of degree but, rather, to disturb middle-class types as much as they possibly can.
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42Von Trier is far more hypocritical than his straw-figure characters, and he's simply too cynical and insincere to be provocative.
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25Tries to be daring and iconoclastic but winds up seeming as spoiled and childish as its main characters.
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20This is thoughtful nihilist provocation at best.
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10Has nothing on its mind besides the squirming discomfort of its audience, the achievement of which it holds up as a brave political accomplishment.
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