- Studio: Strand Releasing
- Release Date: Sep 20, 2002
- Critic Score
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90This graceful and wise film moves to its denouement with subtlety and, at its end, strikes a note that seems just right for all that has gone before.
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A work about memory and loss, His Secret Life becomes a forum of Antonia's liberation of consciousness and feeling, but there are too many contradictory moods sharing the same space, resulting in a tentativeness and uncertainty.
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80Moving and vibrant Italian-language film.
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Keeping the mood dry, Ozpetek and his very resourceful leading lady keep the proceedings from turning into an Almodóvar version of Mary Worth.
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80The well-structured film goes beyond issues of sexuality, giving nuanced consideration to broader questions of love and loss, family and friendship, trust, lies and deception.
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80A movie that grows better by the minute.
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75Startlingly original comedy-drama.
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75It's a soapy, simplistic, but surprisingly affecting ambisexual melodrama that plays a little like Pedro Almodovar without the surreal frills.
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70Solid and engrossing melodrama.
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70His Secret Life's languid pace and general aimlessness keep getting in the way.
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It's this memory-as-identity obviation that gives Secret Life its intermittent unease, reaffirming that long-held illusions are indeed reality, and that erasing them recasts the self. And it's this existential gerrymandering that's most compelling.
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70The acting is impeccable, and the intentions are serious and noble, but the affection it elicits stops short of love, and its coziness never risks true intimacy.
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63Even the graceful ending, one that lifts the film a notch, is startling. But at the very least, His Secret Life will leave you thinking.
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63Though predictable and a bit of a soap opera, Ferzan Ozpetek's Italian drama is saved by the tremendous appeal of its stars, Margherita Buy and Stefano Accorsi.
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50Pure of intention and passably diverting, His Secret Life is light, innocuous and unremarkable.
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38Director Ferzan Ozpetek's film doesn't break any new ground; rather, it recycles every cliché about gays in what is essentially an extended soap opera.